This is What Innovation Looks Like!

A small random sampling of what Innovation and Expression of Free Speech looks like. This post could easily go for miles so please forgive our small sampling and omissions in our illustration of the innovative work of musicians and songwriters.

“Dark Side Of The Moon” – Pink Floyd
“Nevermind” – Nirvana
“OK Computer” – Radiohead
“Straight Outta Compton” – NWA
“Hotel California” – The Eagles
“The Blue Print” – Jay-Z
“Andy Wahol” – The Velvet Underground & Nico
“Sergent Pepper” – The Beatles
“Pet Sounds” – The Beach Boys
“Kinda Blue” – Miles Davis
“Appetite For Destruction” – Guns & Roses
“Raising Hell” – Run DMC
“Paul’s Boutique” – The Beatie Boys
“Play” – Moby
“Led Zeppelin IV” – Led Zeppelin
“The Chronic” – Dr. Dre
“1999” – Prince
“Rated R” – Queens Of The Stone Age
“Pretty Hate Machine” – Nine Inch Nails
“The Doors” – The Doors
“Nevermind The Bollocks Here’s The Sex Pistols” – The Sex Pistols
“The Joshua Tree” – U2
“Born To Run” – Bruce Springsteen
“Thriller” – Michael Jackson
“Tubular Bells” – Mike Oldfield
“Are You Experienced” – Jimi Hendrix
“College Dropout” – Kanye West
“Remain In Light” – The Talking Heads
“Highway To Hell” – ACDC
“Kill Um All” – Metallica
“Mothership Connection” – Parliment
“The Clash” – The Clash
“Goodby Yellow Brick Road” – Elton John
“Imagine” – John Lennon
“Rain Dogs” – Tom Waits
“Loveless” – My Bloody Valentine
“Day Dream Nation” – Sonic Youth

And the list could go on and on and on…

Aimee Mann Could Score Millions in Massive Digital Royalty Lawsuit | SPIN | Newswire

Aimee Mann has filed a big lawsuit against a little-known company with serious clout in the digital music business. As the Hollywood Reporter points out, the singer-songwriter has slapped MediaNet, prevously known as MusicNet, with a copyright-infringement lawsuit seeking $18 million in damages. Never heard of MediaNet? That just demonstrates how complicated the music industry has become in the streaming era.

READ THE FULL STORY AT SPIN.COM:
http://www.spin.com/articles/aimee-mann-medianet-copyright-lawsuit/

But This Time We Mean It… Welcome To The Ad Tech Time Machine…

Welcome to the Interactive Advertising Time Machine… set the dial for 2010

“The Interactive Advertising Bureau (IAB) has pledged to work with content producers to make sure that ads don’t inadvertently end up on sites peddling unauthorized copyrighted material.”

That was back in 2010 when NPR aired the story, “Feeding Pirates: When Legit Companies Advertise On Shady Sites.” That’s right, 2010 when filmmaker Ellen Seidler brought the issue to light when she documented the piracy around the release of her indie film “And Then Came Lola.” Highly recommended reading is Ellen’s highly detailed blog, PopUpPirates.

Ok, so maybe not far enough back for you? Set your Interactive Advertising Time Machine to the year 2007...

Here’s  the case of easydownloadcenter.com which found Google caught red handed actually helping the site improve it’s SEO to maximize advertising revenue. This as reported by DailyTech at the time:

“The two men said in sworn statements that Google offered them credit as an easy start to advertise on Google’s search engine, and that the search company also suggested ad keywords such as “bootleg movie download,” “pirated,” and “download harry potter movie.” According to the report, Google received $809,000 for its advertisements.”

And this was Google’s response at the time (arguably the biggest member of the IAB):

“Google declined to comment on the specific clash over its ads, but did say that it is working on ways to screen out ads that violate the company’s policies.

A spokesman for Sony Pictures said, “Discussions with Google have been ongoing for a while, and there’s hope it can result in a mutually satisfactory arrangement whereby Google will not give support to pirate sites.”

Read that again. “Discussions with Google have been ongoing for a while,” that was in 2007 for activity that dates back to 2003.

So please forgive us if we are less than optimistic over the latest so-called “Best Practices” announced by the IAB. This is not a new or unknown issue and what’s worse is that actual knowledge by Google and other members of the IAB dates back at least to 2003, a decade ago.

Think we’re biased? Ok, fair enough but DigiDay calls the latest appeasement “Toothless” and it is a trade publication that reports on internet advertising that is owned by The Economist:

There are also plenty of built-in outs. The networks, for instance, can keep ads running on sites engaging in piracy if those sites have “substantial non-infringing uses.” Also, the agreement lets networks simply remove ads from pages engaging in piracy, while leaving ads running on the rest of the site. The agreement places the onus on the rights holder to notify the networks about pirated content, not requiring the networks to monitor the content themselves. The agreement “cannot, be used in any way as the basis for any legal liability.” The agreement excludes ad servers and ad exchanges.

The agreement may not be not much of an agreement at all.

Yeah, that’s pretty much what we think too. So, what does the creative community have to do to protect itself from the blatant exploitation of its products and labor from internet robber barons? Stay tuned…

YOU MAY ALSO BE INTERESTED IN READING:

The Ad Network Transparency Conspiracy

The New Yorker : If You Care About Music, Should You Ditch Spotify?

The New Yorker weighs in on the controversy surrounding music streaming royalty rates…

The issue beneath all the complaints about micropayments is fundamental: What are recordings now? Are they an artistic expression that musicians cannot be compensated for but will create simply out of need? Are they promotional tools? What seems clear is that streaming arrangements, like those made with Spotify, are institutionalizing a marginal role for the recordings that were once major income streams for working musicians—which may explain the artist Damon Krukowski’s opinion that music should simply be given away, circumventing this entire system. But first, some words from Godrich, condensed and edited for clarity.

READ THE FULL STORY AT THE NEW YORKER:
http://www.newyorker.com/online/blogs/sashafrerejones/2013/07/spotify-boycott-new-artists-music-business-model.html

Rick Carnes, Eddie Schwartz and Fair Trade Music Project Speaks Out for Silenced Songwriters–Please sign the petition!

Music Technology Policy

The Music Creators North America (spearheading the Fair Trade Music Project) took another step toward defending the rights of creators.

In comments this week Eddie Schwartz of the Songwriters Association of Canada (SAC) and Rick Carnes of the Songwriters Guild of America (SGA) discussed the alarming trend of the recent imprisonment of songwriters throughout the world.

“Freedom of expression is the life blood of all creators. There is a disturbing trend in many parts of the world to snuff out political opposition by denying songwriters the ability
to express themselves through their songs. This is why the Fair Trade Music Project adopted protection of free speech as one of its five principles. Without basic freedom of
expression it’s not just music that suffers… people suffer as well,” said Carnes.

The group’s fifth guiding principle reads, “Music creators must be free to speak, write and communicate without fear of censorship, retaliation…

View original post 221 more words

Ethical Fan Reports : EFF Agenda Theories

A fascinating look at the Electronic Frontier Foundation.

Rather than fighting for the rights of people who work to create content, EFF appears to fight for the rights of organized for-profit enterprises who appear to us to be breaking the law and appear to be profiting from illegally distributing digital goods with no intention of ever paying the owners or creators.

READ THE FULL POST AT ETHICAL FAN . COM:
http://ethicalfan.com/2012/04/eff-agenda/

RELATED:
EFF’s John Perry Barlow is Wrong, says Google’s Chief Economist

Facebook Communities For Artists Rights

The Trichordist links through to FarePlay on Facebook  from the blog and there are also these other communities. Please support all of these pages and let us know if there are more.

CONNECT!

FARE PLAY
https://www.facebook.com/FarePlay

COPY LIKE
https://www.facebook.com/copylike

RE-VALUE MUSIC
https://www.facebook.com/ReValueMusic

FIGHT FOR MUSIC
https://www.facebook.com/freefallfaithfirestor

MUSIC FIRST
https://www.facebook.com/musicFIRSTcoalition

Musician / Songwriter Blake Morgan Talks to NPR about Pandora’s Latest Attempt Reduce Royalties to Musicians

In a recent interview with NPR musician/songwriter Black Morgan expressed his thoughts and concerns about Pandora’s constant attempts to reduce royalty payments.

“I have a new record coming out — most people have new records coming out,” he says. “These are things that we’ve worked on for months, if not years, and we’re not looking to be paid unfairly. We’re simply looking for a fair working wage for the music that we make.”

Pandora co-founder Tim Westergren sent out emails to musicians trying to get them behind Pandora’s attempts to even the rates between terrestrial and Internet radio. Morgan wrote back to Westegren furious: “He cashes in a million dollars of stock every month on the first of the month and he’s done so over the same 14-month period that recording artists like me earned $15.75.”

Read the entire story here at NPR:
http://www.npr.org/blogs/therecord/2013/06/15/191703769/songwriters-group-calls-pandoras-radio-station-buy-a-stunt

Megadeth Drummer Says Piracy Has Hurt Sales of New Album

There are more and more artists everyday realizing what we’ve know for well over a decade, that artists and creators are the victims of technocratic imperialism and labor exploitation. The latest is Shawn Drover of Megadeth.

Metal-Rules.com: “Super Collider” debuted at #6 on the Billboard Top 200 albums in the USA and #4 on Canadian Billboard charts. That’s the highest ranking since “Youthansia” back in 1994, so congrats! According to sales figures, “Super Collider” sold below “TH1RT3EN” for week one… Do you attribute that to changing times, illegal downloading, etc?

Shawn Drover: Of course it is. We are certainly thrilled to have a #6 record on Billboard in America and #4 in Canada, but sales are way down for the entire music industry right across the board, which is a real drag. Internet piracy, torrent sites and all that are the reason why. Concert attendance for us is still great around the world, so we are definitely happy about that.

Read The Full Story Here at Blabbermouth.Net:
http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=191371