1100 German Artists Say “The Horror Has No End” About Germany’s New Copyright Law

More than 1100 artists tell the German government: “The horror has no end”

For years we have seen massive encroachments on our artistic freedoms in favor of globally operating digital corporations. This anti-artist prioritization is also reflected in the federal government’s current draft law on the new copyright law.

As early as November 26, 2020, 657 musicians and bands made an appeal, “Do not play copyright against us!” to politicians. That paper disappeared into the drawers and the required respect for our artistic work failed to materialize. Instead, there are regular expert hearings with supposedly network experts, not with artists. From their ideological ivory tower they spin out unrealistic censorship scenarios and create the impression that the network is currently “free” and that the deluge of “upload filters” would only be imminent with the implementation of the European Copyright Directive.

We artists are familiar with platform uses because it is our day-to-day business. We know the problems of over- and underblocking firsthand. As a direct target group of global censorship efforts, we are sensitive to the protection of freedom of expression and artistic freedom. For us it is a slap in the face when network activists hijack the freedom narrative with slogans and catchphrases, argue against platform regulation as in the Copyright Directive and thus gain a greater influence than these global corporations already have.

In 2019, we were stunned to see how the SPD voted against the Copyright Directive. We are stunned to see how the SPD-led Federal Ministry of Justice undermines the European compromise. The federal government sent the draft law to the Bundestag [the German federal parliament] almost unchanged – regardless of our ongoing protests and regardless of all our explanations as to why the “Copyright Service Provider Act” in particular is largely unsuitable for practical use. We recognize in the German draft law the intention to thwart individual copyright claims as well as put real license agreements on an equal footing. Instead of creating a level playing field for our existing licensing market, the German special route restricts it to the maximum with the argument of freedom, of all things. Business models of global upload platforms are protected for the purpose of maximum availability of our plants, while our sales channels are torpedoed with a shrug.

Only the Federal Council takes our concerns about expected collateral damage seriously :

“The Federal Council reminds that copyright law is very often the economic basis for cultural and creative workers and the ability to refinance content is one of the essential foundations for media diversity. It therefore asks that, in the further legislative process, a comprehensive check is made as to whether the draft law as a whole exists The revenue and business models of authors and other rights holders in all affected industries (especially music, film, audiovisual, radio, book and press) are disproportionately impaired. […] The Federal Council points out that the effects of the copyright service provider Law on the German copyright market cannot be adequately assessed at the present time.Copyright Service Provider Act) affects various conflicting interests and has sparked a controversial discussion. Numerous critical voices from various business associations can also be found among them. In view of the largely understandable objections, it is proposed that the passage of the law be subject to the evaluation of its effects on the German copyright market at an appropriate interval. Due to the diversity of copyright-based markets such as the cultural and creative industries, it is important to check whether the regulations are appropriate and practicable and whether they actually lead to the intended balancing of interests. “

For all of us, Peter Maffay recently positioned himself in the Süddeutsche Zeitung and brought the problem to the point. He calls for uniform European regulations, the abolition of the – purely German – 15 seconds rule and the responsibility of the upload platforms for the uses that take place there.

The protection of our rights in the digital space is more urgent than ever for many with the measures taken in the corona pandemic and the accompanying existential threat. Upload platforms that generate considerable profits with our works must finally be effectively held responsible and liable. You may not be relieved by the factual reversal of the license responsibility, e.g. by the cumbersome and only subject to considerable legal consequences that can be challenged. The arbitrary and ironically called “minor use” presumption rules on “legally permitted uses” of non-licensed (!) works are a gateway for systematic copyright infringements, in particular our exclusive right to sole exploitation, but also our moral rights.

We want to continue licensing and retain individual control over our work. The European Copyright Directive takes the pressure off non-commercial uploaders and strengthens our ability to enforce law by making upload platforms responsible for ensuring that there is no need to do anything in the few but painful cases of harmful copyright infringements. It is intolerable that our moral right is now being sacrificed on the altar of supposed consumer protection just because those responsible refuse to give up on dubious and untenable promises of an Internet without a filter.

Filters are only necessary where works have expressly not been licensed. It is reasonable that in these cases the presence of a barrier has to be checked in case of doubt. The consolation of a new collecting society does not help us – especially since it is not certain how much and when and on what accounting basis we will receive our investments.

Copyright is our commercial and labor law. We therefore expect from the members of the Bundestag and especially the members of the Legal Affairs Committee:

· The withdrawal of the quantitative presumption rules for legally permitted uses.

· Maintaining the protection of melodies enshrined in copyright law for decades, regardless of the length of the melody.

The withdrawal of the restrictions on direct licensing by indirect rights holders and the compulsory remuneration through collecting societies despite existing licensing and distribution chains.

· A complete, unrestricted right to information about uses of which the platforms can gain knowledge with a reasonable effort.

· A regulation of the pastiche barrier, which excludes a self-evident subsumability of remixes and sampling.

We see with concern that the time for an expert healing of the failed Copyright Service Provider Law (UrhDaG) is running out and that even proponents of the bill only approve of individual aspects. The implementation of the other necessary aspects of the Copyright Directive should not suffer from this. A subsequent adoption of the UrhDaG and a temporary loophole will affect our work less than a non-practical special zone knitted with a hot needle.

For us and our professional future, the vote on the draft law is the decision in the election year 2021. We therefore call on all members of the Bundestag again not to interfere with our constitutionally protected intellectual property and not to use our copyright against us!

No incapacitation of the artists! No expropriation of the artists! No special German way!

The following artists have signed the enclosed letter “The horror has no end” as first draftsmen:

21 Sunstreet

Abel Lovac

Falling racing pigeons

Achim wet nurse

Achim Petry

Achim Radloff

Achim Rafain

Eight buckets of chicken hearts

Adele Walter

AFFKT

Afterburner

Agitation Free

Airwalk3r

Alan Dixon

Alex garlic

Alex Mayr

Alexander Binder

Alexander Kilian (Café del Mundo)

Alexander Klaws

Alexander King

Alexander Niermann (Botticelli Baby)

Alexander Sandi Kuhn

Alexandra Grübler

Alexis Herrera Estevez

Alf Ator (Knorkator)

Alfons Hefter (feathers)

Alina von der Gathen (KOJ)

All colors

ALLEVIATE

Alvaro Soler

Alvin Mills

Amanda

Amigos

Ana Carina Woitschack

Andhim

Andre Bratten

Andre Graute

Andre Kroenert

André Kunze

Andre Schoettler

Andreas Bayless

Andreas Bourani

Andreas Eckert (Pam Pam Ida & the Silberfischorchester)

Andreas Henneberg

Andreas Radloff

Andreas Rasmussen

Andreas Vitoria-Adzersen

Andreas Völk

Andy Birr (Bell, Book and Candle)

Andy Kouchen

Andy LaToggo

Andy Lutter

Andy Schmidt (Disillusion)

Angel’s Blue

Angela Gossow

Angelika Weiz

Aniko Kanthak

Anja Krabbe

Anja Morell

Anja Schneider

Anna Carewe

Anna-Marlene Bicking

Anne de Wolff

Anne Otto (air)

Annemarie Eilfeld

Anselm Kluge

Ansoumane Kaba

ANTIHELD

Antje Uhle

Antonina Hamann

apparatus

Aquabella

Aram Khlief (dyrtbyte)

Are Foss

Argile

Ariane Stoll (Jani)

Arne Häussermann (An Early Cascade)

Arne Heger & reinforcement

Arne Jansen

Arno Haas

Arnold Fritsch

Arsenii Efremenko

Asja Valcic

Atlantic

Audun Storset

August August

August Hoffmann (Krahnstøver)

August Zirner

Axel Bosse

Axel Fischer

Balbina

Banda Senderos

bar

Barbara Morgenstern

Bård Aasen Lødemel

Basem Darwish (Cairo Steps)

Basti M

Bastian Stein

Bayuk

Beach bag

Beat Agents

Beatrice Egli

Beatsteaks

Behrang Alavi (Samavayo)

Ben Metzner (dArtagnan)

Ben Münchow

Ben sugar

Benedikt Hoenes

Benny Hunter

Bernd Dellbrügge

Bernd Lhotzky

Bernd Römer (carat)

Bernhard Brink

Bernhard Lloyd (Alphaville)

Bertram Engel

Bettina Flörchinger (Östro 430)

Big Balls & The Great White Idiot

Binoculers

Birgit Maren Buschke

Bitume

Bjoern Schirmacher

Bjorn Heuser

Bjorn Störig

Bjørn Torske

BLANK & JONES

Bobbi Fischer (Berta Epple)

boy

Bring ring

Broilers

Bruno Böhmer Camacho

Bukahara

BUZZ DEE (Knorkator)

CJ Johnson

camouflage

Canda

Carom

Carina Hajek (Tinted House)

Carl Carlton

Carl Christian Steenstrup (Of Norway)

Carl-Ludwig Reichert

Carlos Cipa

Carolin No.

Carolina Nathalie Hudek

Carsten Daerr

Cash 22

CassMae

Cecile Verny

Charlotte Grewe

checkpoint Charlie

Children

Chock & Aré

Chono Chibesakunda

Chris Beier

Chris Cool

Chris Gall

Chris Hopkins

Chris Lindner

Chris Möhlenkamp

Chris van Baal

Christian Bruhn

Christian Burkhardt

Christian Engh

Christian Krischowsky

Christian Liebig (carat)

Christian Meyer

Christian Schroeder

Christian Torchiani

Christian Zach

Christin Stark

Christina Rommel

Christmas

Christof Lauer

Christoph Gaertner

Christoph Grab

Christoph Römer (Steven Liquid)

Christoph Stiefel

Cinthie Christl

Cioz

Circus Electric

Cladigal

Cläng

Clara Haberkamp Trio

Clara Rothlander

Claudius Dreilich (carat)

Claus-Robert Kruse

Clemens Benecke (CBGreen)

Cochise

Coppelius

Cornelius Claudio Kreusch

Corvus Corax

Culcha Candela

Cymo

Czech

Damae

Damnation Defaced

Daniel Lopez

Daniel Meteo

Daniel Nitsch

Daniel Schmidt

Daniel Schütter

Daniel Selke (Ceeys)

Daniel Slam

Daniel Stoll (vision string quartet)

Daniel Tejeda

Daniel Tjus Andersen

Daniel True

Daniel Wirtz

Daniela Alfinito

Daniela Liebl (Taming the Shrew)

Danny Zeremba (Daily Thompson)

Dario Klimke

The money is on the windowsill, Marie

the leak

The panic orchestra

Dave Seaman

David Berton

David Brandes

David Garrett

David Helbock

David Mayer

David Qualey

Debby Smith

Deepaim

Deer jade

Your friends

Denis

Denis Fischer

Dennis Hormes

Dennis Kuhl

Dennis Nutr

Dennis Sagittarius

Dennis Ward

The man

Désirée Nick

Detlef Blanke

Deva Premal

The fishing rod

The doctors

The Feuersteins

The happy

The highest railway

The League of Ordinary Gentlemen

The Mimmis

The Mukketier gang

The music students

The princes

The Schatzis

The dead pants

The doors

The customs officers

Diermaier Werner (Zappi)

Dieter “Machine” Birr (Ex-Puhdys)

Dieter Hallervorden

Dieter Ilg

Dieter Kraus

Dieter Weberpals

Dietmar Kawohl

Dietmar Lowka (Quadro Nuevo)

Dietmar Schmidt (Orgasm Death Gimmick)

Dimple Minds

Dirk Dresselhaus

Dirk Duderstadt

Dirk Flatau (Abisko Lights)

Dirk Michaelis

Dirk Sauer (Ed Guy)

Dirk Schelpmeier

Dirk Zöllner

Dissidents

DJ André Siddi

DJ Antoine

Doctor Dru

Dominik Marz

Donots

Dorette Gonschorek (Unplaces)

Doris Orsan

Dorothèe Kreusch-Jacob

Douglas Greed

Dr. Bernd Opinion

Dr. Peter Wegele

Dream Sound Masters

Drenchill

Duivelspack

Ecco Meineke

Echo loop

Edmond Dante’s Weinfeld

Edward Maclean

Edy Edwards

Einar Olsson

Eirik Seu Stokkmo

Eivind Henjum

ela.

Elaiza

Element of Crime

Eleonora Gelmetti

Elfenberg

Eleven morning

Elif

Elio Rodriguez Luis

Ella Finally

Eloy de Jong

Ender Irkdas

NARROW

epitaph

Eric Smax

Erik Skantze

Eva Claus (deEVA.)

Eva Kruse

Even Brenden

Ex machina

Fabian Altstötter (Jungstötter)

Fabian Krooss

Fabian kiss

Fabian Russ

Fabiana Striffler

Fabin Dammers (UDO)

Fabrizio Levita

Fatma Kar

Fairy Badenius

Fee Kürten

Fee Rent (Fee.)

Feline & Strange

Felix Deraed

Felix Gauder

Felix Janosa

Felix Kubin

Felix Lehrmann

Felix Volk

Felix Weis (rolling mill)

FINNA

Fiorella Geide

Flo mega

Florian Grießmann (ANOKI)

Florian Gutmann

Florian artist

Florian Sagner

Florian Willeitner

Folo Dada

Fools Garden

Franca

Frank Fischer

Frank Gala Gahler

Frank Kleingünther (Dieselknecht)

Frank Lehmann

Frank Loef

Frank Nimsgern

Frank Spilker (The Stars)

Frank Wedler

Frank Wiedemann (Âme)

Frank Zander

Frantz Jørgen Andreassen

Franz Rapid

Franziska Seelig

Fred Strand

Fredrik Øgreid Vogsborg

Free swimmers

Frida Gold

Frieder Klaris

Friederike Bernhardt

Deadline Puppel (City)

Frizz Feick

Fox devil game

Fur Coat (Sergio Muñoz)

Fury in the Slaughterhouse

FUTURE PALACE

Gabriel Kent

Gary Jones

Geir Hermansen

Geordie Little

George Geccoo

Georgie Fisher

Gerd Grabowski

Gerd janson

Get Well Soon

GG Anderson

Giorgio Gee

Giovanni Costello

Giovanni Zarrella

Gisbert zu Knyphausen

Giuseppe Pepe Solera

Glass bead game

Gloss

Gorge

Götz Alsmann

GProject Blues Band

Gracia Baur

Grandbrothers

Gregor Meyle

Gregor Tresher

Grizzly (Cris Vogt)

GSINDL

Gudrun Good

Guijaygoo

Günther Gebauer

Guru Atman

Well

Guts Pie Earshot

HP Baxter

Hannes Ringlstetter

Hans Nieswandt (solo & Whirlpool Productions)

Hans-Peter Lindstrøm

Harald Grosskopf

Hardy and Heroes

Harry Alfter (Brings)

Heiko Maile

Heiner Gulich

Heinz Ratz

Heinz-Rudolf Kunze

Helene Fischer

Helga Brenninger

Helge Schneider

Helmut Hattler

Helmut Josef Geier (Dj Hell)

Helmut Zerlett

Helmuth Rüssmann

Hendrik Bertram

Hendrik Röder (Bell, Book and Candle)

Henning Brandt-Hansen Severud (Telephones)

Henning Sedlmeir

Henning Severud

Henning Verlage (Unheilig)

Henri Bergmann

Henrik Mayer (MYR)

Henry Poetzsch

Herbert Grönemeyer

Mr. DK

Herwig Mitteregger

Hetzel Pascal (CYRK)

Hidden Empire

Hitfield

Hope

Horst Hansen Trio

Horst Wegener

Housefly

Howard Carpendale

Hill

Hundreds

Iben magpie

Iko Andrae

Illegal colors

In Extremo

Ines Gorka

Ines Weber

Inga Lühning

Ingo Bergsen

Ingo Politz

Inca Bause

Intourist

Ira Atari

Ireen Sheer

Isgaard

Isolation Berlin

Ivaylo Kolev

Jacek Brzozowski

Jack Rush

Jacki Reznicek (Silly)

Jakob Encke (vision string quartet)

Jakob Seidensticker

Jamaram

Jan Kerscher (Like Lovers)

Jan Pascal (Cafe del Mundo)

Jan Zehrfeld

Jana Groß (Bell, Book and Candle)

Janika Groß (Molllust)

Jan-Ole Lamberti (Nailed To Obscurity)

Janosch Korell

Jan-Philipp Wiesmann

Jaques Raupé

Jarle Bråthen

Jasmin Adgezalov (unloved)

Jasmina de Boer

Jazzy Gudd

Jean Jacobi

Jeanette Biedermann

Jean-Hervé Peron (Faust)

Jean-Jaques Kravetz

Jelena Kuljić

Jens Ewald

Jens child father

Jens Kosmiky (KrAWAllo)

Jens Loh

Jens Ophälders

Jens Thomas

Jens-Uwe Beyer (popnoname)

JEREMIAS

Jermaine Landsberger

Jey aux platines

Jiggler

Jimi Jules

Jirka Otte

Jo Ambros

Joachim Dyrdahl

Joachim Wolf

Jocelyn B. Smith

Jochen Klüßendorf

Jochen Leistner (The Shadow Lizzards)

Jochen Schmadtke (air)

Joe Fischer

Joe war

Johan Daansen

Johanna Borchert

Johanna Summer

Johannes Cernota

Johannes glorious

Johannes Maikranz

Johannes Oerding

Johannes Stankowski

Johannes Till (Tinted House)

Johannes Tonio Kreusch

Jon Berry

Jon Flemming Olsen

Jon Welch

Jonas Frömming (The Lumpenpack)

Jonny Glut

Joo Kraus

Jörg “Knickiknacki” carpenter

Jörg Seidel

Jörg Warthy Wartmann

Jörg Weißelberg

Joris

Joris Biesmans

Jorita Solf

Jörkk Mechenbier

Joshua Oldenburg

Joss Turnbull

Joy Denalane

Joyosa

Judy and The Gardeners

Julia Engelmann

Julia Kautz

Julia Müller

Julia Neigel

Julian Ortleb

Julian Stetter

Julian Wasserfuhr

Junkx

Jupiter Jones

Jürgen Fastje

Kai Brückner

Kai Havaii (extra wide)

Kai Schumacher

Kai Sichtermann (clay stones shards)

Kai Sonnenhalter

Kai Wingenfelder (Wingenfelder)

Kajetan Löffler

KALEA

Kalle Kalima

Kalle Risan Sandås

Kaman Leung

Kamil Müller (Django 3000)

Kåre Frisvold

Karibuni

Karl Bartos

Karl Brausch

Karl Ivar Refseth

Karmin Amun (sons of Mannheim)

Karolina Trybala

Karoshi

Katharine Mehrling

Kathrin Rettl (Mila Masu)

Katja Moslehner

Merchant

Basement child

Kelvin Jones

Ken Taylor

Kenn Hartwig (CAR)

Kerstin Ott

Ketil Kinden Endresen

Kevin Haselmeier

Kevin Krämer (Justis)

Kiki (Joakim Willich)

Kilian & Jo

Kilian Forster (Klazz Brothers)

Kilian Kemmer

Kiosk ID

Kitsch war

Kjetil Bjøreid Aabø

Klaas

Klaus Bechstein

Klaus Doldinger

Klaus Hoffmann

Klaus Meine (Scorpions)

Klaus Paier

Toilet TV

KMFDM

Knasterbeard

Knut Stenert (Samba, Knut and the bitter woman, Hans Maria Richter)

Kolbjørn Lyslo

Konstantin Wecker

Korbinian Kugler

Kramsky

Kristian Møller Johansen

Kristian Rädle (Âme)

L’aupaire

LaneCryspo

Lari Luke

Lars Christian Olsen

Laura Kipp (LAURA)

Laura Kozlowski

Laura Phillips

Lennard Eggers

Leonard Disselhorst (vision string quartet)

Leslie Mandoki

Liliath

Lilly dangling

Locust fudge

LoFiLu

Love A

Lovra

Luca Musto

Lucas Hunter

Luci van Org (Lucilectric, Meystersinger, Über Mutter, Lucina Soteira)

Lucina Soteira

Luis Baltes (Five Star Deluxe)

Lukas master

Lukas prank

Lukas Wiesemüller

Luke Woodapple

Luky Zappatta

Luna City Express

Lyane Hegemann (E-rotic)

M. Walking On The Water

Macho Cutie (Vegard Wolf Dyvik, Of Norway)

Mad Hatter’s Daughter

Mad Mark

Maenad Veyl

Magdalena Ganter

Magnus Sheehan

Maik Czymara (An Early Cascade)

Maik Pinto

Maike Lindemann

Maite Kelly

Majan

Malou

Mandy Capristo

Manfred Maurenbrecher

Manfred Zick (Zither Manä)

Manne Schlaier

Manuel Schmid

Mara Mutz

Marc Awounou

Marc Reason

Marcapasos

Marcel Thenee

Marco Buser

Marco Duderstadt

Marco Repetto (gray area)

Marco Resmann

Marcus Fischer

Marcus Forsgren

Marcus Green

Marcus Worgull

Marek Arnold

Margit Sarholz

Maria Perzil

Marian Gold (Alphaville)

Marianne Rosenberg

Mario Alsleben (Pimalo)

Mario Aparicio

Mario Noll

Mario Valley

Marion Welch

Marius Engemoen

Marius Sommerfeldt

Marius Våreid

Mark Barrott

Mark Meier

Markus Becker

Markus Hassold

Markus Rennhack (unloved)

Marteria

Martin Becker (carat)

Martin Brugger (Fazer)

Martin de Vries

Martin Gretschmann (Acid Pauli / Console)

Martin Hansmann

Martin Kälberer

Martin Langer

Martin Schrack

Martin Schröder

Martin Solli

Martina Eisenreich

Martina Weith (Östro 430)

Marv Endt

Marvin Müller

Masha Qrella

Mass defect

Mathias Petry

Mathias Roska

Mathias Schober

Matias Monsen

Mats Frantzvaag

Matt Karmil

Matthew Styles-Harris

Matthias Hamburger

Matthias Reim

Máni Orrason

Maurice sums

Mausio

Max Alberti (Jamaram)

Max Buskohl

Max Herre

Max Kaspar

Max Kleinschmidt (Lizot)

Max Lean

Max Martin Schröder

Max Mutzke

Max Paul Maria

Max prose

Max von Mosch

Maximilian Kennel (The Lumpenpack)

Maximilian Raine (VUG)

Maximilian Stadtfeld

Megaloh

Meike Schmitz (Schwarz and Schmitz, LUUM)

Meinhard

Meinhard Jenne

Mercedes Lalakakis (Daily Thompson)

Micha Moor

Michael Cores

Michael Girke (NOW!)

Michael Koschorreck

Michael Lorenz

Michael Mangels (Mijk van Dijk)

Michael Mayer

Michael Melchner

Michael Nass (BAP, Die Seilschaft)

Michael Schab (An Early Cascade)

Michael Uchner

Michelle Sara Lahn

Michi Leuscher

Michl Bloching (Levantino)

Mikimoto

Mikkel Haraldstad

Miland “Mille” Petrozza (Kreator)

mine

Mira

Miriam Arens (Liliath)

Missus Beastly

Miten

Fashion selector

Mona Mur

Monika Ehrhardt Lakomy

Monika Kruse

Monrath

Moonwalk

Moritz Müller

Moritz Reichelt (The Plan)

Morten Øby

Mr. Hurley & The Powder Monkeys

Mulay

Mulo Francel (Quadro Nuevo)

Mushroom People

Nadine thimble

Nadine Maria Schmidt

Naomi Camilla Straume Moen

Natalie Poppinger

Nathalie De Bora

Nathalie Dorra

nautilus

Neon light

Nice Brazil

Nick Curly

Nico Santos

Nico Stojan

Nicole Bolley

Niels Frevert

Nik Thaele

Nikel Pallat (clay stone shards)

Nikita Scion

Niklas Linzer

Niko Schwind

Nils Imhorst (Firasso)

Nils Landgren

Nils von der Gathen (KOJ)

Nils Wogram

Nils Wülker

Norbert Emminger

Norbert Grille Roth

Norbert Staudte (Taming the Shrew)

Olaf Malolepski

Ole Andreas Olafsrud

Ole Feddersen

Ole Martin Vilberg

Ole Rausch (Laith al Deen)

Ole Seelenmeyer

Oli Bott

Oliver Braun

Oliver Dunk

Oliver Hartmann

Oliver Huntemann

Oliver Koletzki

Oliver Lieb

Oliver Rohrbeck

Oliver Black

Oliver Thomas

Oliver West (POINT BLVNK)

Olivia Baer

Olympya

Omer Klein

Ostückenberg

OUR MIRAGE

Out of Berlin

OVE

Øyvind Morken

Pascal Kravetz

Paso Doble

Pat Appleton (De-Phazz)

Patric Catani

Patrick Foellmer (lilabungalow)

Patrick Hespeler

Patrick Kunkel

Patrick Legont

Patrick Milaa

Paul Pötsch (rubble)

Patrick Reerink

Patrick Siegfried Zimmer

Paul Schmitz-Moormann (Kid Paul, Energy 52)

Paul van Dyk

Paul Wetz

Paula Linke

Per Martinsen

Pete Mazell

Peter “Spiko” Spiecker

Peter Brandenburg

Peter Brings

Peter Bursch

Peter Fleming

Peter Hubert (VHF)

Peter light

Peter Maffay

Peter Renaud (Tiktaalik)

Peter Ries

Peter Schmidt (The Blues Experience)

Peter Schneekloth

Peter Schumann

Petra Zieger and band

Philip Lauer (Lauer)

Philipp Fein

Philipp Höcketstaller (Hundling)

Philipp Janzen (Vacation in Poland, Von Spar)

Philipp Schwab (Knorkator)

Philip Stoeckenius (Kaltenkirchen)

Philipp Stauber

Phillip Boa

Pit Baumgartner (De-Phazz)

Pit Budde

Plastic funk

pølaroit

Potsch Potschka

Prince Chaos II. (Alias ​​Florian Kirner)

Prof. Esther Kaiser

Proj3ct 7

PURE

Purple Schulz

Quarterhead

Queenz of Piano

Rainer Max Lingk (ESTA * bien!)

Rainer Oleak

Rainer Scheithauer

Rainer Schober (Scotty Bullock)

Ralf Blümner (Goldkind, Lucilectric)

Ralf Hildenbag

Ralf Hütter (power plant)

Ralf Lübke (Monkeeman)

Ralf Zenker

Ralph Gustke

Ralph Siegel

Rammstein

Ramon Bessel

Ramon Zenker

Rana Merve Kilic

Rampage

Rantan plan

Raoul Walton

Rave Busterz

Re.You (Marius Maier)

Real Ax Band

Rebekka Salomea Ziegler (SALOMEA)

Reiko Gohlke (Knorkator)

Reinhold Heil

René Kollo

Richie Arndt

Richie Necker

Ritchie Barton (Silly)

Ritchy Fondermann

Robbie shoulder

Robby Kranz (Disillusion, Far Or Near)

Robert Gemmel (Elephants on Tape)

Robert Lippok

Robert Seidel (Arpen)

Robin Craaford

Robin Schulz

Rocco

Rock house

Rocko Schamoni

Roedelius

Roland Fidezius

Roland Kaiser

Roland nephew

Roman Wasserfuhr

Ron Last

Ronny

Rosa Hoelger

Snot-nose theater

Roy Stroebel (Strobe, Ravers Nature, RAT)

Rüdiger Badlauf

Rudolf Moser (Einstürzende Neubauten)

Rudolf Schenker (Scorpions)

Rumble Militia

Rummel racke

Lindbæk rune

Sabine Kaufmann

Sahraoui Sami (CYRK)

Sain (Ningu Storm)

Sam Shure

Sam Vance-Law

Sammy Kandler (Tillmann)

Samuel Dickmeis (Manni)

Sander Stuart (vision string quartet)

Sandra Grether (Doctorella)

Santiano

Saprize

Sarah Lesch

Sarah Stewart

Sarah Wild

Sascha Panknin

Schiller

Tow spirit

Schneider TM

Scrap border

Scooter

Seb Iphone

Sebastian Dold (KrAWAllo)

Sebastian Gramss

Sebastian Hackel

Sebastian Schütze (TinTin, Baru)

Sebastian Siebhoff

Sebastian Starke

Seed cake

At that time

Selda Zenker

Sepalot

Sera finale

Shelter boy

She-Male Trouble

SHIRLEY HOLMES

Shuko

Sibylle Kynast

Sidewalk surfers

Silvio Schneider

Simon Beeston

Simon Freidhöfer

Simon Sure

Simon von der Gathen (KOJ)

Simon Wangeman (Iheartsharks, The New)

are

SINE

Sirrah

Sisters on the Rocks

Siyou Isabelle Ngnoubamdjum

Skadi Lange (Miss Lange)

Skip Reinhardts

Sleeping drones

SLIME

Sneaker

Snuff crew

Sonja Banzhaf

Sonja Huber (Lottchen)

Sönke Düwer (Ensemble du Verre)

Sophie Black

Sören Fischer

Sotiria

Space Indians

Sparifankal

SPLIFF

Stefan Brügesch (Steve Bug)

Stefan Dabruck

Stefan Glaubitz

Stefan Grimm

Stefan Gwildis

Stefan Kleinkrieg (extra wide)

Stefan Krähe

Stefan Mross

Stefan Schmidt

Stefan Stoppok

Stefanie Polster

Steffen Berkhahn (Dixon)

Steffen Kämbt

Steffi Stephan

Sten Servaes (clover)

Stephan Eppinger

Stephan Gorol

Stephan Graf’s double vision

Stephan Philipp

Stephan Voland (Samavayo)

Stephanie Lottermoser

Steve Murano

Steve Parry

Steve van Velvet

Stump (knorkator)

Super chock distortion

Susanne Betancor

Susanne Folk

Suzi Kerstgens (Klee)

Sven Faller

Sven Greiner

Sven Pollkötter

Sven Roswog (svensyntetics)

SvenDeeKay

Sven-RG

T.Noize

Tamara Lukasheva

Tanja Grandmontagne

Taraka Rama Krishna Kanth Kannuri

Tarjei Nygård

Telmo Pires

Teresa Bergman

Terje Olsen (Todd Terje)

Terror group

The Dad Horse Experience

The Day

The Dry Tortugas

The esprits

The Munich Sheiks

THE OKLAHOMA KID

The pighounds

The Romeos

The Roughnecks

The Wayf

Theodor Shitstorm

Theodor Strom

Thomas Barth (Sunbase Records TBC)

Thomas Fehlmann

Thomas Gallatin

Thomas Klein (Sølyst)

Thomas Moen Hermansen (Prins Thomas)

Thomas Plug

Thomas Porwol (Arte Gemini)

Thomas Sauerborn

Thomas Schumacher

Thomas Thumann (Pam Pam Ida & the Silberfischorchester)

Thomas Wydler (Nick Cave, The Skin)

Thomasz Skulski

Thorsten Klentze

Thorsten Wingenfelder (Wingenfelder)

Tibetréa

Till Brönner

Tilo Weber & Four Fauns

Tim bendzko

Tim Hahn

Tim Kamrad

Tim Rodig

Timofey Sattarov

Tingvall Trio

To Rococo red

Tobi Neumann

Tobias Forster

Tobias Öller

Tobias Sammet (Avantasia)

Tobias Schwall

Toby Pluta

TOKA

Tokio Hotel

Tom Astor

Tom Dragebo

Tom Gatza

Tom Kiemle (Tillmann)

Tom Peters

Tomas tulip

Tommy Finke

Tommy Hresh

Tommy Remm (Valicon)

Toni Krahl (City)

Torben Möller-Meissner

Torsten de Winkel

Torsten Reitler (REITLER)

Township rebellion

Trettmann

Triinu Kivilaan (Vanilla Ninja)

Triskilian

Truck stop

Truls Kvam

Udo Erdenreich (ZIGURI)

Udo Lindenberg

Ulf Annel

Ulf Kleiner

Uli Poeppelbaum

Ulla Meinecke

Ulrike Hagemann

Uncanny Valley

Upercent (Jose Molés Martínez)

Ute Freudenberger

Uwe Bastiansen

Uwe Fischer

Uwe Hassbecker (Silly)

Uwe Schmidt (ATM)

Valentine

Valentin Butt

Van der Karsten

vandermeer

Vecente Patiz

VENUES

Vera climate

Veronika Faber

Veronika Gast (spring carnations)

Verse gold

Vincent Groß

VITJA

Vladyslav Sendecki

Volker Holly Schlott

Volker Rechin

Volker Rosin

Volkwin Müller

voXXclub

VUG

Madness

brown owl

Wallis Bird

Walter Lang

Wareika

Werner Meier

Werner Schmidbauer

West Lake

Willy Wagner

Wincent Weiss

Wolf Maahn

Wolfgang Loos

Wolfgang Niedecken (BAP)

Wolfgang Petry

Wolfgang Schmid

Wolfram Spyra (The Spyra)

What We Are Looking For

Wooden Peak

Wrong chat

Wrong haircut

Wuide Wachl

Xao Seffcheque (Family Five)

Yetti Meissner

Yoyo Röhm

Zavet

ZK

Zoe Wees

Zwakkelmann

@musictechpolicy: Letter to Congress on the Intersection of the Copyright Directive, USMCA and Brexit

[This is a letter first posted to our sister site Artist Rights Watch that Chris Castle sent to Congress in December on the crossover between Brexit (which goes into effect today), the European Copyright Directive and the US Mexico Canada Agreements.  Google is using the USMCA to grift the DMCA (and Section 230) safe harbor into US trade policy.]

Readers might be interested in this letter I sent to Congress last month regarding the European Copyright Directive/Brexit/USMCA intersection.  This is real now, Brexit is happening tomorrow and the UK Government announced it will not be transposing the European Copyright Directive.  The UK government will no doubt be seeking–quickly–a bilateral trade agreement with the US.  Having just concluded and signed into law the United States-Mexico-Canada trade agreement (USMCA), the Trump Administration may be tempted to use certain aspects of the USMCA as the basis for a UK bilateral agreement.

While creators were able to hold the line on some important copyright issues, Google was able to get the USMCA to incorporate DMCA loopholes that are a big problem and go in the opposite direction of the progress on safe harbor loopholes gained in the European Copyright Directive.  Google has built up a massive lobbying effort in the UK and you can expect it to kick into high gear on this issue.  Google will try to gain in the UK what they lost in the European Parliament, and then bootstrap any gains into opposition against other EU countries adopting the Copyright Directive.

You may wish to draw on these points to send a letter of your own.

Limiting Safe Harbors in Trade Agreements

Many welcome the passing of the renegotiated North American Free Trade Agreement, known as the United States-Mexico-Canada Agreement (USMCA).  However, creators in will be concerned about perpetuating in other trade agreements the harms in the USMCA’s Article 20.89 (Legal Remedies and Safe Harbors).

These concerns arise because the Article incorporates the highly controversial “DMCA safe harbor ” (17 USC Sec. 512 et seq).  The Article perpetuates the DMCA’s highly controversial and debilitating “whack a mole” regime that creators have suffered for decades.  Our fellow citizens simply cannot tolerate such grotesque unfairness becoming standard practice for trade agreements by the United States.

I encourage you to call on your colleagues to include in the legislative history of the USMCA language that would recognize the harms to artists and all creators of  Article 20.89, disclaim the use of the Article as a model for future trade agreements and require the US Trade Representative to consult with the relevant committees of Congress before negotiating future agreements that address safe harbors.  This is particularly urgent given the Copyright Office’s current review of the DMCA and legislative events in Europe moving in the opposite direction of the Article.

Piracy and the near-piracy by companies like Google and its YouTube subsidiary is most pronounced in the blatant encroachment on creator rights by the DMCA’s “whack a mole” extortion model of both online pirates and those who support them in the piracy supply chain–hosting services, search engines and advertising sellers and resellers.   This illicit enterprise is clearly not in the public interest.

Internet piracy does not distinguish among “hit” records or genres, geographic areas, or creative categories.  It needs to be repeated that the follow-on effects are massive for all of those in the creator’s supply chain as well as the creative economy.  Two generations of clients ask us of the DMCA loophole, “How can this be legal?”

The Article effectively codifies the notification-counter-notification call and response of the so-called “DMCA safe harbor.”  The infringer sending a counter-notification after receiving a takedown notice likely knows that there is no downside for challenging an independent artist if that artist cannot afford a federal lawsuit to enforce a reply to a counter-notification (17 USC Sec. 512(g)(2)(C)) much less international copyright enforcement.

For independent artists, international copyright enforcement essentially does not exist.  Consequently, counter-notifications are frequently supported by the flimsiest of theories, often laughably misreading the safe harbor laws based on “Internet myths”.

Artists, however, are not in on the joke because the punchline is that the theft continues absent the court order that is financially beyond reach.  Profits from the piracy supply chain continue unabated and the law—including the Article–is mocked once again.

This tragic call-and-response is particularly mismatched when challenging the Internet companies that are the biggest publicly-traded multinationals in commercial history.  Challenging the safe harbor requires all creators to constantly police these platforms and sue to enforce their rights.   That’s just not realistic.  By adopting the DMCA in the Article, the safe harbor becomes a brutal fortification.  Process becomes punishment for creators.

As you may be aware, the European Parliament recently adopted the new European Copyright Directive that sharply cut back on safe harbors like the DMCA that allow profit from piracy.   The message from our trading partners is clear—no more whack-a-mole.  It would send entirely the wrong signal for the United States to try to force what is essentially an economic sanction on our trading partners through the back door of a trade agreement with loopholes like Article 20.89

Dual Class Stock

I also call your attention to the dual class voting stock mechanism popularized in Silicon Valley by Google that gives Google’s founders 10 to 1 voting power over holders of the company’s publicly traded shares.  This dual class system has been criticized by many, included SEC Commissioner Robert J. Jackson, Jr. out of concern that it effectively establishes “corporate royalty.”  Commissioner Jackson’s concerns are prominently confirmed in the recent departure from Google’s management of Larry Page and Sergei Bryn who still control Google due to their 10:1 voting stock.

If the USMCA can require our trading partners to pay certain minimum wages, it seems that trade agreements could also address this fundamental unfairness that has most recently led to the economic debacle at WeWork.

Thank you for the opportunity to comment on USMCA.

The Values Gap: CD Baby Shows that the Safe Harbor is a Privilege to be Respected and Not an Alibi to be Cheapened

by Chris Castle, from Artist Rights Watch

It’s hard to believe that after a good ten years of being called out, YouTube still–still–cannot manage to stop neo-Nazi and white supremacist material from getting posted on its network.  We’ve been calling out YouTube on MusicTechPolicy and the Trichordist for these inexcusable failures again and again and again.  And yet they keep recycling the safe harbor as an alibi–and they’re doing it again in Europe on Article 13.

I can understand that YouTube doesn’t want to “censor” users and there may be close cases from time to time.  For example, I could understand why YouTube CEO Susan Wojcicki might not want to take down videos from Seeking Arrangement that encourages young women into a “sugar daddy” relationship to pay for college and health care.

Sure, one of her Google colleagues was murdered by a woman he met through Seeking Arrangement.  Maybe Seeking Arrangement is a close case, particularly for a company that opposed the Stop Enabling Sex Traffickers Act.

But you know what’s not a close case? It’s right there in the title of the song–“Who Likes a N—“.  You would think that one would get picked up in a simple text filter of debased language.  But it wasn’t ten years ago and it still isn’t.  Not a close case.

UPDATE:  Author’s note–this YouTube video has been taken down and the account deleted–AFTER this post.

And then there’s “Stand Up and Be Counted” by the White Riders.  It’s not that hard to figure out by listening to any of the many versions of this song that it’s a recruiting song for the Klu Klux Klan.  And it’s not that YouTube doesn’t know it–this version of the hate song has clearly been filtered by YouTube–oh, sorry.  Not by YouTube, but by the “YouTube community.”  But why is it that a KKK recruiting song doesn’t violate YouTube’s terms of service if it doesn’t shock Susan Wojcicki’s conscience?

White Riders

David Lowery called out YouTube and CD Baby for allowing hate rock to be distributed on their platforms.  Within hours, CD Baby pulled the account.  But not YouTube.

Let’s understand a couple things.  First, this is not hard.  The Anti Defamation League and the Southern Poverty Law Center have actual lists of these bands.  Both MusicTechPolicy and The Trichordist have been hammering this issue for years.  Simple word searches could accomplish a large percentage of the task–the N word, KKK recruiting and images of Adolph Hitler are not close cases.

And let’s understand something else.  When users post movies, television shows and recorded music on YouTube, all of those materials have gone through some kind of legal review for standards and practices.  That doesn’t mean there’s no fair use or that there are no parodies.  It does mean that a human has thought about it because free expression is a judgement call.

Free expression is deserving of human examination.  You cannot create a machine that will do this for you.  You cannot rely on crowd sourcing to stop all uses of these vile terms and images–because in every crowd there’s someone who thinks it’s all just fine.  That’s why they’re called mobs.

YouTube, Facebook and all the Article 13 opponents actually are using a complete spectrum of review.  The problem is that they are cost shifting the human review onto artists and to a lesser extent their users for two reasons.  First and foremost is that they hope not to be caught.  That’s what the safe harbor is really all about.  The value gap is just a part of it–the other part is the values gap.  How do these people sleep at night?

But I firmly believe that the real reason that they shift the human cost onto those who can least afford it is because they’re too cheap to pay for it themselves.  They are willing to take the chance because getting caught so far has been a cost of doing business.

The real cost of their business is the corrosive effect that they have on our discourse, our families and our children.  There has to be a way to make YouTube responsible for their choices–and CD Baby showed this week that it’s not only possible but necessary.

If YouTube and their paid cronies want to try to convince legislators that they deserve special protection, they need to live up to the standard that CD Baby set this week  And they need to do that before they get any further special treatment.

As we’ve said for years, the safe harbor is a privilege not an alibi.