Tell Us Again “Streaming Is The Future” As Paid Downloads Are Down 2.3 Percent In the US…

Let’s see… maybe streaming services are cannibalizing transactional sales, maybe? Streaming Royalties are small but they can really grow? Really? Let us guess… the good news is streaming is reducing piracy? In Norway and Sweden

According to half-year stats shared by Nielsen Soundscan with Digital Music News this weekend, paid downloads are slumping 2.3 percent at the half-point, meaning the period from January 1st through June 30th.

All of this points to the same issue of streaming services paying too little, while illegally operating, infringing businesses pay absolutely nothing at all. So much for sustainability…

READ THE FULL POST AT DIGITAL MUSIC NEWS:
http://www.digitalmusicnews.com/permalink/2013/20130721downloads

The New Yorker : If You Care About Music, Should You Ditch Spotify?

The New Yorker weighs in on the controversy surrounding music streaming royalty rates…

The issue beneath all the complaints about micropayments is fundamental: What are recordings now? Are they an artistic expression that musicians cannot be compensated for but will create simply out of need? Are they promotional tools? What seems clear is that streaming arrangements, like those made with Spotify, are institutionalizing a marginal role for the recordings that were once major income streams for working musicians—which may explain the artist Damon Krukowski’s opinion that music should simply be given away, circumventing this entire system. But first, some words from Godrich, condensed and edited for clarity.

READ THE FULL STORY AT THE NEW YORKER:
http://www.newyorker.com/online/blogs/sashafrerejones/2013/07/spotify-boycott-new-artists-music-business-model.html

Artists Speak Out on Pandora’s Proposed Royalty Rate Cuts

We know that David Lowery’s post here at the Trichordist has re-ignited the debate over Pandora’s latest attempt to reduce royalty rates to songwriters, but David is not alone. During the last attempt by Pandora to screw songwriters and musicians we saw a number of artists speak out, amongst them was respected songwriter, musician and producer Jimmy Jam who testified on Capital Hill.

Here’s a look at some of the other songwriters and artists speaking out from different perspectives.

Songwriter Ellen Shipley in Digitial Music News, “My Song Was Played 3.1 Million Times on Pandora. My Check Was $39…

It is interesting and very disturbing that no one is addressing the SONGWRITER’s situation in this Pandora debacle.

Pandora wishes to REDUCE the amount of royalties that songwriters have already seen CUT in 2005. Let me give you an example of what Pandora is paying in royalties to SONGWRITERS–not the performers, but the people who write the songs–the foundation of the music world—

PANDORA —-“Heaven Is A Place On Earth” (co-written)

accounting period for 3 months—–3,112,300 streams

My Pandora royalty ……………..$39.61

Songwriter, Musician and Indie Label owner Blake Morgan in The Huffington Post, “Tim Westergren Emails Underscore Tension Between Pandora, Artists.

The AFL-CIO, NAACP, Americans for Tax Reform, the American Conservative Union, SoundExchange, and others all oppose this bill, and the supposition that Pandora should pay less to artists and songwriters in order to accomplish higher profitability.

The Songwriters and Musicians of the band Pink Floyd in USA TODAY, “Pink Floyd: Pandora’s Internet radio royalty ripoff.

Of course, this letter doesn’t say anything about an 85% artist pay cut. That would probably turn off most musicians who might consider signing on. All it says about royalties is “We are all fervent advocates for the fair treatment of artists.” And the only hint of Pandora’s real agenda is the innocent sounding line “We are also fervent supporters of internet radio and want more than anything for it to grow.” The petition doesn’t mention that Pandora is pushing the growth of its business directly at the expense of artists’ paychecks.

Even former Pandora employee (and  Camper Van Beethoven band member) Jonathan Segel has written about the situation on his blog, “Pandora Groupthink. (look it up).”

Several of my former workmates at Pandora seem to be drinking the Kool Aid. I’m seeing posts claiming that David Lowery and Pink Floyd are talking ‘trash’. Yes, I worked at Pandora. You can read all about that here. I also play in a band with David Lowery, it’s called Camper Van Beethoven (not the band with the song in question here.) He and I don’t necessarily agree on everything, but I’m totally backing him up on this one.

Let us also not forget that over 125 artists signed a letter to Congress opposing these rate cuts. Here they are again.

Ethical Fan Reports : EFF Agenda Theories

A fascinating look at the Electronic Frontier Foundation.

Rather than fighting for the rights of people who work to create content, EFF appears to fight for the rights of organized for-profit enterprises who appear to us to be breaking the law and appear to be profiting from illegally distributing digital goods with no intention of ever paying the owners or creators.

READ THE FULL POST AT ETHICAL FAN . COM:
http://ethicalfan.com/2012/04/eff-agenda/

RELATED:
EFF’s John Perry Barlow is Wrong, says Google’s Chief Economist

Facebook Communities For Artists Rights

The Trichordist links through to FarePlay on Facebook  from the blog and there are also these other communities. Please support all of these pages and let us know if there are more.

CONNECT!

FARE PLAY
https://www.facebook.com/FarePlay

COPY LIKE
https://www.facebook.com/copylike

RE-VALUE MUSIC
https://www.facebook.com/ReValueMusic

FIGHT FOR MUSIC
https://www.facebook.com/freefallfaithfirestor

MUSIC FIRST
https://www.facebook.com/musicFIRSTcoalition

Musician / Songwriter Blake Morgan Talks to NPR about Pandora’s Latest Attempt Reduce Royalties to Musicians

In a recent interview with NPR musician/songwriter Black Morgan expressed his thoughts and concerns about Pandora’s constant attempts to reduce royalty payments.

“I have a new record coming out — most people have new records coming out,” he says. “These are things that we’ve worked on for months, if not years, and we’re not looking to be paid unfairly. We’re simply looking for a fair working wage for the music that we make.”

Pandora co-founder Tim Westergren sent out emails to musicians trying to get them behind Pandora’s attempts to even the rates between terrestrial and Internet radio. Morgan wrote back to Westegren furious: “He cashes in a million dollars of stock every month on the first of the month and he’s done so over the same 14-month period that recording artists like me earned $15.75.”

Read the entire story here at NPR:
http://www.npr.org/blogs/therecord/2013/06/15/191703769/songwriters-group-calls-pandoras-radio-station-buy-a-stunt

Megadeth Drummer Says Piracy Has Hurt Sales of New Album

There are more and more artists everyday realizing what we’ve know for well over a decade, that artists and creators are the victims of technocratic imperialism and labor exploitation. The latest is Shawn Drover of Megadeth.

Metal-Rules.com: “Super Collider” debuted at #6 on the Billboard Top 200 albums in the USA and #4 on Canadian Billboard charts. That’s the highest ranking since “Youthansia” back in 1994, so congrats! According to sales figures, “Super Collider” sold below “TH1RT3EN” for week one… Do you attribute that to changing times, illegal downloading, etc?

Shawn Drover: Of course it is. We are certainly thrilled to have a #6 record on Billboard in America and #4 in Canada, but sales are way down for the entire music industry right across the board, which is a real drag. Internet piracy, torrent sites and all that are the reason why. Concert attendance for us is still great around the world, so we are definitely happy about that.

Read The Full Story Here at Blabbermouth.Net:
http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=191371

Fixing the Digital Economy by Jaron Lanier | The New York Times

Insightful commentary in the New York Times from Technologist, Inventor, Author Jaron Lanier. Both of Jaron Lanier’s books are recommended on the Trichordist Bookshelf.

TWO big trends in the world appear to contradict each other.

On the one hand, computer networks are said to be disrupting centralized power of all kinds and giving it to the individual. Customers can bring corporations to their knees by tweeting complaints. A tiny organization like WikiLeaks can alarm the great powers with nothing but encryption and net access. Young Egyptians can organize a nearly instant revolution with their mobile phones and the Internet.

But then there’s the other trend. Inequality is soaring in rich countries around the world, not just the United States. Money from the top 1 percent has flooded our politics. The job market in America has been hollowed out; unpaid internships are common and “entry-level” jobs seem to last a lifetime, while technical and management posts become ever more lucrative. The individual appears to be powerless in the face of tough prospects.

READ THE FULL STORY AT THE NEW YORK TIMES HERE:
http://www.nytimes.com/2013/06/09/opinion/sunday/fixing-the-digital-economy.html

Time and Cost of Making an Album Case Study: NIRVANA

Excellent review and insight into the current of state of album recording:

By the time it was done, Nevermind ended up costing double what was originally planned: about $130,000 and one full month of work. (And that still doesn’t include the full producer and mixer’s rates, which would have come in part from royalties on the few albums like this one that did take off.)

Although a $130,000 bill might seem exorbitant by the scorched-earth standards of today’s music industry, at the time, it was actually a pretty modest budget for a multi-platinum release.

Consider for a moment that so far, Nevermind has sold 25 million copies in the US alone. That’s a huge return on investment. It makes Nevermind more profitable for everyone involved than a dozen or so Bleaches, upfront costs be damned.

(In fact, as much as we like to point and laugh at the big flops, these larger-budget releases are actually more likely to break even, not less. The label’s original hope was that Nevermind would sell 500,000 copies — an achievable goal that still would have easily covered these recording costs and more.)

To make an album of this sound quality today, you could probably get away with spending a bit less. But not by as much as you might think. My best estimate is that $30,000-$60,000 could get this record made in a similar kind of room with comparable recording talent. This assumes that a pretty decent studio, coupled with an somewhat established producer that has actually worked on a few records you love, will run an average of $1,000 – $2,000/day in 2013.

The costs have dropped a bit— not because the equipment costs that much less, but simply because the paying market for recorded music has shrunk so significantly.

READ THE FULL POST AT TRUST ME I’M A SCIENTIST:
http://trustmeimascientist.com/2013/06/03/time-and-cost-of-making-an-album-case-study-nirvana/