Songwriter’s Pie Anyone? | Shelly Peiken @ HuffPo

Financially, it’s less and less possible for a songwriter to make a decent living. I know of a few who have contributed to hit songs that are still having trouble paying their rent. I can’t help but wonder about the aspiring up and comer with big dreams and empty pockets, pockets that might still be pretty bare even after their dream comes true. Some reason that if they get their name on a few big hits it will open the door to bigger and better opportunities. They may be right about that but it remains to be seen whether the resulting royalties will allow them to make a down payment or put their kids through college.

READ THE FULL POST AT THE HUFFINGTON POST:
http://www.huffingtonpost.com/shelly-peiken/songwriting-hollywood-music-industry_b_5509579.html

Artists Take To The Streets to Protest Google/YouTube in NYC | NY Times

Last week, the dispute spilled out into the streets of New York. On Saturday afternoon, a few dozen supporters of the Content Creators Coalition, an artists’ advocacy group, picketed Google’s office in Chelsea, playing New Orleans-style marches on horns and carrying signs like “Economic justice in the digital domain” and “What YouTube pays? Nothing.”

Marc Ribot, a guitarist who has played with stars like Tom Waits and Elvis Costello, summarized how the larger conflict over streaming revenue affected artists’ careers.

“If we can’t make enough from digital media to pay for the record that we’ve just made,” Mr. Ribot said, “then we can’t make another one.”

READ THE FULL STORY AT THE NEW YORK TIMES:
http://www.nytimes.com/2014/06/25/business/media/small-music-labels-see-youtube-battle-as-part-of-war-for-revenue.html

Rosanne Cash Testifies Before Congress In Defense Of Artists’ Rights | American Songwriter

I am a singer/songwriter, author and performer. I wanted to be a songwriter from the time I was a teenager. I thought songwriting was an honorable, even noble profession. I believe that songwriting is far beyond just self-­‐expression, but a powerful means of service: we, songwriters and musicians, help people to understand themselves better by helping them to feel— through music. We shine light on the dark corners of the soul. We help reveal the nooks and crannies of our shared humanity. We provide a community for the language of the heart. As Hans Christian Andersen said, where words fail, music speaks.

READ THE FULL STORY AT AMERICAN SONGWRITER:
http://www.americansongwriter.com/2014/06/songwriter-u-rosanne-cash-testifies-congress-defense-artists-rights/

Jaron Lanier on Internet and middle class: “We have screwed things up” | Salon

Salon Q&A: Tech visionary Jaron Lanier on Thomas Piketty, Jeff Bezos and Amazon, how to save the creative class

His latest book, published in the U.S. last May, covers an enormous amount of ground in what’s often a personal and eccentric style. “Who Owns the Future?” describes in especially stark terms the Internet’s false promise to artists – “trinkets tossed into the crowd spread illusions and false hopes” — and the larger creative class. “The clamor for online attention only turns into money for a token minority of ordinary people, but there is another new, tiny class of people who always benefit,” he writes on the book’s opening page. “Those who keep the new ledgers, the giant computing services that model you, spy on you, and predict your actions, turn your life activities into the greatest fortunes in history.”

The book received mostly positive reviews, though some objected to his proposed solution – that citizens be reimbursed with micro-payments whenever their personal information led to the generation of revenue. Since people’s Facebook preferences help companies sell, for instance, and the work of human translators provide the basis for online translation programs, these people should be compensated: “A new kind of middle class, and a more genuine, growing information economy, could come about if we could break out of the ‘free information’ idea and into a universal micro-payment system.”

We spoke to the Berkeley-based Lanier about “Who Owns the Future?,” the explosion of surveillance, Amazon’s policies, Kickstarter and his role as a critic both inside and outside the beast.

READ THE INTERVIEW AT SALON:
http://www.salon.com/2014/06/01/jaron_lanier_on_internet_and_middle_class_we_have_screwed_things_up/

CCC-NYC : International Fete de la Musique day

We’re looking forward to seeing coverage from the event in NYC yesterday.

Google-owned YouTube’s new streaming service has rates so low it will put many indie labels and hardworking artists out of business.   According to the CEO of Merlin (rights licensing organization), “the service that pays the least is the service that’s the most well funded and run by the biggest company in the world: their figures are by far the worst, whether you measure them on a per-stream basis or a per-user basis.”

Support Artists’ Rights by demanding that Google and others:

1.Stop using the copyright reform process to attack artists rights.

2.Cease brokering ads to the corporate black market.

3.Support sustainable pay models for the cultural creators on whom its profits depend.

READ THE FULL POST AT THE CCC-NYC:
http://ccc-nyc.org/2014/06/support-artists-rights-this-saturday-june-21st/

Songwriters Are Losing $2.3 Billion A Year Due To Outdated Government Regulations | BuzzFeed

Right now a byzantine system is in place that not only dates back more than 70 years but also differs depending on the distribution platform. Traditional radio stations, for instance, pay royalties to the composer of a song, but not to the artist or band performing it — known in industry parlance as a performance right — if they are different. Sirius XM only pays royalties for songs released after 1972. Pandora does pay government-mandated royalties to songwriters but has been aggressively lobbying regulators to lower the rate in recent years. Use of music in both professional and user-based content on YouTube and other websites and in TV shows or commercials is yet another category of music licensing, with the difference being that it is free-market-based and not subject to government oversight.

READ THE FULL STORY AT BUZZFEED:
http://www.buzzfeed.com/peterlauria/songwriters-are-losing-23-billion-a-year-due-to-outdated-gov

Privacy Trumps Piracy: Google’s Double Standard | Creativity Tech

Google’s Poor Track Record on Piracy

We reported on the 100 million takedown request milestone that Google sheepishly pushed past earlier this year. Compared with the rapid action the company has taken on European privacy rights, the earlier figure and the lack of action that it represents is even more astonishing.

And it’s not only privacy where Google flexes its significant muscle to disrupt illicit operations.

Since becoming the world’s most popular search engine, accounting for roughly 70% of North American searches and as much as 90% of those in Europe, the company has worked tirelessly to upgrade its algorithm to destroy low quality sites that aim to game Google’s system.

Those sites, it says, devalue its search product and leave users frustrated from a sub par experience. Sounds a lot like poor quality piracy sites that are riddled with malware, doesn’t it? So those sites should really receive similar punishment in the form of demotion or even being stripped from Google’s results. Instead, the company maintains a double standard that now stretches back more than a decade.

READ THE FULL STORY AT CREATIVITY TECH:
http://creativitytech.com/google-privacy-piracy-double-standard/

YouTube Squeeze on Indies Instructive | Illusion Of More

Very insightful and accurate analysis of our digital life and the online ecosystem which devalues the rights of the individual in favor of unprecedented corporate power against citizens.

Tube, yes. You, not so much.

If there has been one consistent theme in everything I’ve written since diving into the morass we call the digital age, it’s that the Internet is not ours despite all appearances to the contrary. Like it or not, all the populist, free-speech rhetoric that’s been spoon-fed to the public by the chief propellorheads of the land is just a gateway drug meant to dull our senses so we don’t notice the monopolistic power grab that’s been taking place. No, the Internet is not ours so much as it belongs to a very small consortium players, most especially Google, which controls nearly all search and nearly all advertising worldwide.

As I argued during the heated squabble over SOPA, these companies don’t really give a damn about free speech or about liberating creators and consumers of content from the media elite gatekeepers; they simply want to be the new media elite, and have the potential to be far more ruthless gatekeepers. Instead of an oligopoly of studios, labels, and publishers we’re gleefully handing over absolute power to a couple of companies, not only calling it progress but even more shockingly calling it democratic.

READ THE FULL STORY AT THE ILLUSION OF MORE:
http://illusionofmore.com/youtube-indies/

Musicians fear they’ll take a beating | Winnipeg Free Press

SAN FRANCISCO — Recording artist Zoe Keating only needs to look at her earnings to zero in on why she has misgivings about Apple Inc. buying Beats Electronics.

The cellist made $38,196 selling downloads on Apple’s iTunes last year, along with about $34,000 from three other download services. By contrast, five streaming outlets, from Spotify to Pandora Media, netted her just $6,381.

READ THE FULL STORY AT THE WINNIPEG FREE PRESS:
http://www.winnipegfreepress.com/arts-and-life/entertainment/music/musicians-fear-theyll-take-a-beating-261411471.html

YouTube’s Ultimatum and The Economic Survival Of Musicians | Hypebot

By copyright and intellectual property attorney Wallace E. J. Collins III, Esq..

The most serious problem facing the artist community is that, at some point, it becomes economically unfeasible to pursue a career as an artist, songwriter or musician. Of course, as has been the case for many decades, most musicians barely survived without the dreaded day job. However, this extreme downward pressure on the creators of original audio and audio/visual content may force matters to a breaking point the likes of which the creative community has never seen.

No kidding.

READ THE FULL STORY AT HYPEBOT:
http://www.hypebot.com/hypebot/2014/06/youtubes-ultimatum-and-the-economic-survival-of-musicians.html