The Failure of the DMCA Notice and Takedown System | CPIP

Section 512 of the Digital Millennium Copyright Act will be turning 15 years old soon, and it’s showing its age. Its design belongs to a different era. Like a 15-year-old automobile, it no longer runs as well as it used to. It can’t keep up with the newer, faster vehicles on the road. Its users are beginning to look for alternative forms of transportation. Pieces of it have been wearing down over time, and ultimately something is going to break that outweighs the cost of replacement.

That time may be now: the notice-and-takedown provision of Section 512 is straining under the weight of a blizzard of notices, as copyright owners struggle to abate the availability of infringing copies of their most highly valued works. The tool is no longer up to the task. Mainstream copyright owners now send takedown notices for more than 6.5 million infringing files, on over 30,000 sites, each month. Printing out the list of sites for which Google receives takedown requests in just one week runs to 393 pages. And that just counts the notices sent to Google; duplicates of many of those notices are sent to the site hosts and to other search engines. For example, over a six-month period ending in August, the member companies of the Motion Picture Association of America sent takedown notices for 11,996,291 files to search engines, but sent even more notices—for 13,238,860 files—directly to site operators. (See chart below.)

The problem is that notice-and-takedown has been pressed into service in a role for which it was never intended. Section 512 was originally designed as an emergency stopgap measure, to be used in isolated instances to remove infringing files from the Internet just long enough to allow a copyright owner to get into court. That design reflected the concerns of its time. In 1998, the dawn of widespread public use of the Internet, there was considerable anxiety about how the law would react to the growing problem of online infringement. Online services worried that they might be held directly liable as publishers for infringing copies of works uploaded by users, despite lacking any knowledge of those copies. Section 512 addressed these concerns by giving service providers a safe harbor to protect them from liability for unknowingly hosting or linking to infringing material.

READ THE FULL STORY AT CPIP:
http://cpip.gmu.edu/2013/12/05/the-failure-of-the-dmca-notice-and-takedown-system-2/

Google and YouTube want “Transparency and Openess” except when it applies to Google and YouTube!

Censorship anyone? Hmmmmm…

Because information wants to be free, as long as it’s your information. Which brings us to this: YouTube is now threatening to completely sever its relationship with digital distributor ONErpm, thanks to some ‘over-sharing’ of information in a recent guest post on Digital Music News. According to ONErpm founder Emmanuel Zunz, YouTube is unhappy that certain payout details and percentages were disclosed, with a complete blacklisting being threatened.

According to ONErpm, YouTube has demanded that the entire guest post – here – be ripped down, which would obliterate nearly 100 comments and the knowledgebase that comes with that (not to mention the detailed information in the post itself).

“Yt is threatening to cancel our agreement,” Zunz emailed. “It’s a very serious issue for us.”

READ THE FULL STORY HERE AT DIGITAL MUSIC NEWS:
YouTube Demands the Removal of a Digital Music News Guest Post…

The idea that Google is an open and transparent company is simply laughable to anyone who has actually dealt with the company and given Google’s monopoly over video search, when it makes threats about cutting someone off from YouTube, those threats are amplified with what is called a “force multiplier” in some circles (or an “A-hole multiplier” in others).  An amplification that varies directly with the effectiveness of YouTube’s monopoly over online search, a monopoly perfected for years by Google subsidizing YouTube with profits from its other monopoly businesses.

READ THE FULL STORY AT MUSIC TECH POLICY:
More Stupid New Boss Tricks: Google’s YouTube Artist Relations Debacle

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