The Failure of the DMCA Notice and Takedown System | CPIP

Section 512 of the Digital Millennium Copyright Act will be turning 15 years old soon, and it’s showing its age. Its design belongs to a different era. Like a 15-year-old automobile, it no longer runs as well as it used to. It can’t keep up with the newer, faster vehicles on the road. Its users are beginning to look for alternative forms of transportation. Pieces of it have been wearing down over time, and ultimately something is going to break that outweighs the cost of replacement.

That time may be now: the notice-and-takedown provision of Section 512 is straining under the weight of a blizzard of notices, as copyright owners struggle to abate the availability of infringing copies of their most highly valued works. The tool is no longer up to the task. Mainstream copyright owners now send takedown notices for more than 6.5 million infringing files, on over 30,000 sites, each month. Printing out the list of sites for which Google receives takedown requests in just one week runs to 393 pages. And that just counts the notices sent to Google; duplicates of many of those notices are sent to the site hosts and to other search engines. For example, over a six-month period ending in August, the member companies of the Motion Picture Association of America sent takedown notices for 11,996,291 files to search engines, but sent even more notices—for 13,238,860 files—directly to site operators. (See chart below.)

The problem is that notice-and-takedown has been pressed into service in a role for which it was never intended. Section 512 was originally designed as an emergency stopgap measure, to be used in isolated instances to remove infringing files from the Internet just long enough to allow a copyright owner to get into court. That design reflected the concerns of its time. In 1998, the dawn of widespread public use of the Internet, there was considerable anxiety about how the law would react to the growing problem of online infringement. Online services worried that they might be held directly liable as publishers for infringing copies of works uploaded by users, despite lacking any knowledge of those copies. Section 512 addressed these concerns by giving service providers a safe harbor to protect them from liability for unknowingly hosting or linking to infringing material.

READ THE FULL STORY AT CPIP:
http://cpip.gmu.edu/2013/12/05/the-failure-of-the-dmca-notice-and-takedown-system-2/

Larry Lessig is Wrong, and should “Get Over It”

For the uninitiated, Larry Lessig is the outspoken and controversial former Stanford Law School Professor, and current director of Edmond J Safra Foundation Center for Ethics at Harvard, who is a leading voice for opposing artists rights on the Internet as expressed by the protections afforded in copyright law.

The two links below illustrate in painstaking detail just how far Larry Lessig (directly and indirectly) will go to be proven wrong. The first in Eldred v. Ashcroft and then again in Golan v. Holder.

ABA Journal – The Education of Larry Lessig.

From Eldred to Golan: The Traditional Contours Test.

Lessig writes of his public defeat in The Nation:

…the Supreme Court shut the door, finally and firmly, on any opportunity to meaningfully challenge a copyright statute constitutionally.

Read that again, Lessig was arguing on the grounds of the constitutionally of copyright… uhm… good luck with that.  Then compare to a recent lecture Lessig gave to a high school class where he told students that he lost Eldred for  “silly, stupid reasons” — because anyone who disagrees with him is silly and stupid? Surely he didn’t mean that his “reasons” in Eldred were silly or stupid?

So for those of you keeping score at home that makes it Copyright two, Lessig zero. It’s pretty simple math.

Also ironically it’s Lessig who is against money buying influence in politics but it is his causes that are being funded by a variety of major corporate interests, especially Google and offshore gambling interests.  That’s right–the same Google who is spending record money lobbying on capital hill–you know, what Politico calls “ambassadors to the Hill”, at least when it’s a tech company lobbying. Yet another case of “do unto thee, but not unto me.”

But the thing that is most interesting to us, is how Lessig suggests that anyone opposed to his views–especially the hated “Hollywood”–should just “get over it“, but yet he and his Google-financed interest groups seem prepared to outspend anyone on their tireless crusade against artists rights.

We think Larry should buy a guitar and “get over it”, it’s more fun on our side.

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see also : Musicians For An Ethical Internet
https://thetrichordist.wordpress.com/2012/05/03/roll-call-musicians-for-an-ethical-internet/

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