So what’s going on with Google, YouTube and Indie labels?
There’s been so much fuss, indies tearing their hair, lawyers trying to tone it down: I try to sum up the whole thing here for your delight and delectation.
Alright, this is not a music law blog. It is, however, a blog where law and music meet. So, here we go. If you don’t know the ante-fact, have a read here or here.
And there’s also this update that Google may be revising its position now.
Why is the contract so bad? Wait, is it really bad?
READ THE FULL POST AT WILDCAT BLOG:
The cops were getting lots of calls. Drivers were worried. There was a woman walking down the road — the narrow part of Highway 1, just north of L.A. And she was pushing a baby carriage.
When the cops found her, it turned out she was not a crazy person. She wasn’t even a mother.
She was a musician on a mission.
The woman was Suzana Barbosa, a longtime Toronto singer and leader of the band Lumanova, who had lately become fed up with the state of the music industry. She’d had it with the paltry amounts paid to songwriters and performers by streaming services like Spotify. She’d had it with our culture’s preference for glamorizing starving artists instead of paying them decently.
Barbosa was so fed up with the music business that she decided to walk some 400 miles, from Los Angeles to the Google campus in Mountain View, to publicize what she sees as an existential threat to the world’s independent musicians.
READ THE FULL STORY AT THE SF WEEKLY:
Posted in artist revenue streams, Artist Rights, Music Streaming, Musician's POV, Royalty Rates, the future of music
- Tagged artist revenue streams, future of music, google, musicians, Rip Off, SF Weekly, streaming, Suzana Barbosa
Posted in artist revenue streams, Artists Rights Watch, Music Streaming, Royalty Rates, Songwriter Rights, the future of music
- Tagged Bette Midler, exploitation, pandora, Rip Off, royalty rates, Spotify
Oddly, few people are talking about how much money they are actually making through Spotify, but it’s estimated that the average play is worth an abysmal $0.005. That’s half a cent…if you’re getting anything at all. An artist needs to rack up 200 plays to make $1. How are we letting this happen?! Is the general population truly oblivious to the tremendous effort and cost involved in making music?
Surprise! Songs don’t just pop out of artists like perfectly polished Easter eggs. These creative humans have dedicated a large amount of their time, money and soul to create a tangible piece of art for your listening pleasure. Studio time is expensive! Rehearsal space is expensive! Gas is expensive! Instruments are expensive! Craft beer is expensive!!! Strike that last one.
But seriously guys, when you buy music, you’re not just paying for a song, you’re supporting the artist and the process.
READ THE FULL STORY AT unEARTH MUSIC Hub:
Posted in Artists Rights Watch, Copyright Policy, IRFA, Music Streaming, Musician's POV, musings, Pandora Royalty Rates, Royalty Rates, Songwriter Rights
- Tagged Daniel Ek Millionairre, Low Royalty Rates, pandora, Rip Off, Spotify, Unsustainable Streaming
Please sign the Petition Here:
The rights of songwriters are under attack. Pandora Media Inc., which controls 70% of the US streaming market, has launched an aggressive campaign to pay songwriters and composers less than a fair market share for their work – even as the company’s revenue and listener base has soared.
As songwriters and composers, we value the opportunities Pandora and other music streaming companies create for our music to reach new audiences. In return, we want Pandora to value our contribution to your business.
Right now, a song that is streamed on Pandora 1,000 times, earns the songwriter only 8 cents on average. And yet, Pandora is going to great lengths – even taking songwriters to court – to pay us even less.
Music drives Pandora’s business. If the company’s revenues keep getting larger, why should the rate it pays songwriters keep getting smaller?
Songwriters are not the enemy. Instead of fighting to pay music creators less than a fair market rate, join us in an effort to construct fair music licenses that allow songwriters and composers to thrive alongside the businesses that revolve around our music.
Songwriters deserve fair pay. If you agree, commit a tweet and help send this message to incoming Pandora CEO Brian McAndrews.
Posted in Artist Rights, IRFA, Music Streaming, Pandora Royalty Rates, Royalty Rates, Songwriter Rights
- Tagged ascap, Congress, exploitation, pandora, Rip Off, royalty rates, Songwriters