Dead Kennedys’ East Bay Ray: The ‘Free Internet’ Will Not Set You Free | NY Observer

These Internet theorists also invariably fail to distinguish between the profound moral difference between sharing something with a friend and distributing, without permission, other people’s files for profit. It’s a crucial distinction.

One of the reasons that this distinction is not brought up is because the Internet corporations don’t want you to see much discussion about the enormous riches being made on the Internet from both the consensual and nonconsensual selling of your information to advertisers, as if it didn’t matter. The advertising system has money and money is power. Ask yourself: Are you gaining real power over your destiny from the Internet, or just stuff?


If Streaming is the “Solution” to Piracy, What Happens When Piracy is Streaming? Rot Oh… #sxsw

A big talking point of streaming, particularly of the Spotify variety has been that streaming is a solution to piracy, and that “access over ownership” models are the future.

Well… ok… but that assumes that piracy (of the corporately sanctioned, ad funded variety) remains a download business, while consumers migrate to the easier more accessible (free tiered, ad funded) music streaming models.

We’re told that the ad-supported free tier is the only way to attract consumers from piracy to legality. To be clear we’re not opposed to free trial periods. Free trials of 30 days, maybe even 60 days should give the consumer the ability to fully experience the value a streaming service offers. We just don’t see how the economics of ad-supported free streaming can create a sustainable revenue model for musicians and songwriters.

But here’s the bigger question. What happens when the pirates migrate to streaming over storing? Now we’re back to square one. A decade ago iTunes and later Amazon provided an legal solution to piracy that was superior in every way except one, price.

Why would anyone think that streaming would combat piracy any better than transactional downloads? Well, for the same reason piracy is, was and remains the primary source of music consumption, price. So the conversation and controversy over streaming is not one about the method of distribution, or technology. The conversation is the same as it has been for a over a decade, price.

Essentially Spotify appears to be designed to model ad-funded piracy whereby the company who can capture the largest market share would have ability to legally devalue music by delivering it to consumers for free. This math just doesn’t work. We can’t even see where the math on paid subscriptions will ever get to scale or revenue at a price point of $9.99 a month per subscriber.

So the inevitable question becomes if streaming is the solution to piracy, what happens when piracy is streaming? There are already multiple applications that are available or in development that reportedly enable users to stream music directly from BitTorrent as opposed to the need to download files to a local hard drive.

So explain to us again exactly how streaming is a solution to essentially the same service? Oh, they both need to compete on the same price point, which is free. Well, guess what, ad-supported free distribution of music is not sustainable.

YouTube is the largest free ad-supported free streaming distribution platform and it can not create the type of revenue required for the sustainability of the recorded music business. If we believe what they say, YouTube isn’t even a profitable business for Google!

So here’s the bottom line. Spotify, YouTube, Pandora and other ad-supported free streaming services are a side show to take the conversation away from the core problem, piracy. Internet piracy is big business and these side shows distract the conversation away from the fundamental truth of our economic reality… Free doesn’t pay. It’s just common sense and it’s just math…

 

Spotify Doesn’t Kill Music Sales like Smoking Doesn’t Cause Cancer…

 

BUT SPOTIFY IS PAYING 70% OF GROSS TO ARTISTS, ISN’T THAT FAIR? NO, AND HERE’S WHY…

 

Apple Announces Itunes One Dollar Albums and Ten Cent Song Downloads | Sillycon Daily News

 

 

 

 

 

 

 

 

Zoë Keating Publishes Google/YouTube Transcript : Clarity | Zoë Keating Blog

With friends like these…

If i wanted to just let content ID keep doing it’s thing, and it does a great job at and i’m totally happy with it and i don’t want to participate in the music service, is that an option?

That’s unfortunately not an option.

Assuming i don’t want to, then what would occur?

So what would happen is, um, so in the worst case scenario, because we do understand there are cases where our partners don’t want to participate for various reasons, what we basically have to do is because the music terms are essentially like outdated, the content that you directly upload from accounts that you own under the content owner attached to the agreement, we’ll have to block that content. but anything that comes up that we’re able to scan and match through content ID we could just apply a track policy but the commercial terms no longer apply so there’s not going to be any revenue generated.

Wow that’s pretty harsh.

Yeah, it’s harsh and trust me, it is really difficult for me to have this conversation with all of my partners but we’re really, what we’re trying to do is basically create a new revenue stream on top of what exists on the platform today.

PLEASE READ THE ENTIRE POST/TRANSCRIPT AT:
http://zoekeating.tumblr.com/post/109312851929/clarity

Involuntarily Distribution Business Subsidies | East Bay Ray

One of the talking points that various tech company commentators, academics and bloggers have used to try to justify companies exploiting an artist’s work without consent (a loophole in safe harbor) is that it would lessen the barrier for tech companies to start up. The idea is that creators should be required to give something up to facilitate this goal. Business start-ups are all well and good, but to require anyone to involuntarily subsidize a business, internet or otherwise, with something they have put time, effort, money, and skill into is extremely problematic.

Would these same people advocate that landlords and utility companies also give up income and the right of consent to help internet companies? That would also make it easier for them to start. But no one has suggested that.

It could be ruinous for creators to be required to be involuntarily involved in start-ups that may or not succeed, tying them to businesses that the artists has no way to vet to see if they even know how to distribute competently or honestly. If they are to survive, artists need to examine their licensees and distributors. I’ve seen many artist’s careers die prematurely from incompetent, greedy or dishonest businesses. (Compulsory licenses that are a last resort to negotiation, rather than the first resort to eliminate negotiation, is an alternative that has for decades shown itself to ensure artist’s sustainability.)

To put it into personal terms, I shouldn’t be forced, or any person for that matter, into being a lab rat for some click bait experiment. And then if the experiment is successful, none of the content creators share in any of the IPO rewards. A bit un-American I’d say and bad policy, it does not allocate rewards according to risk.

History has shown that exploitation of another person’s work with little compensation or without their consent to insure an enterprise’s survival is fraught with ethical and moral issues. If internet companies can not make money selling a product or service on merit and integrity, and treating the people that supply their “product” justly and with respect, something is not right. No matter how well intentioned by well meaning people, economic philosophies that ignore consent or fair compensation, rarely turn out good for society.

– – –
East Bay Ray is the guitarist, co-founder and one of two main songwriters for the band Dead Kennedys. He has been speaking out on issues facing independent artists—on National Public Radio, at Chico State University, and on panels for SXSW, Association of Independent Music Publishers, California Lawyers for the Arts, SF Music Tech conferences, Hastings Law School and Boalt Hall Law School. Ray has also met with members of the U.S. Congress in Washington, D.C. to advocate for artists’ rights.

Wondering Sound: “David Lowery Has Become Most Important Spokesperson for Artists Rights In Digital Era”

‘In the last three years, David Lowery has become perhaps most the important and ardent spokesperson for artist rights in the digital era. Who is he?’

Balanced, funny and in depth profile of fellow Trichordist writer David Lowery.  Must read.

READ THE FULL STORY AT WONDERING SOUND:
http://www.wonderingsound.com/feature/david-lowery-digital-music-cracker-interview/

All Three Pirate Bay Founders Now in Jail | Billboard

One of the founders of popular file-sharing website The Pirate Bay has been arrested under an Interpol warrant as he was crossing into Thailand from Laos, police said Tuesday. Hans Fredrik Lennart Neij, who uses the alias TiAMO, was detained Monday by Thai immigration police at a checkpoint in Thailand’s Nong Khai province, about 500 kilometers (310 miles) northeast of Bangkok.

READ THE FULL STORY AT BILLBOARD:
http://www.billboard.com/articles/business/6304466/pirate-bay-founders-jail-hans-fredrik-lennart-neij

 

RELATED:

A Tale of Two Pirates? Daniel Ek (uTorrent) and Kim Dotcom (Megaupload)

Kim Dotcom declares he is ‘broke’ because of legal fight | BBC

Kim Dotcom, the founder of the seized file-sharing site Megaupload, has declared himself “broke”.

The entrepreneur said he had spent $10m (£6.4m) on legal costs since being arrested in New Zealand in 2012 and accused of internet piracy.

Mr Dotcom had employed a local law firm to fight the US’s attempt to extradite him, but his defence team stepped down a fortnight ago without explaining why.

READ THE FULL STORY AT THE BBC:
http://www.bbc.com/news/technology-30209067

RELATED:

A Tale of Two Pirates? Daniel Ek (uTorrent) and Kim Dotcom (Megaupload)

Dead Kennedys’ East Bay Ray Explains How YouTube Is Stealing From Musicians | New York Observer

Taylor Swift recently brought these “robber baron” business tactics into the mainstream. When she removed her catalog from Spotify, they were trying to force a bad deal on her. Dead Kennedys had Spotify figured out early on, we pulled most but not all of our tracks off of Spotify back at the start of 2013. Musicians are not against streaming, but we are against “plantation/sharecropping” business practices. It doesn’t have to be this way.

Educate yourself about what’s really going on and the reality is shocking. Don’t buy the lies and memes, educate people, share this article, stand up. The Internet is not like the weather, it was created by humans and can be changed by humans. It’s not about regulating the Internet, it’s about regulating businesses. (They’ll try to confuse that, too.)

The Problem With Steve Albini | AdLand

Just last year, during a Reddit AMA, Albini had this to say in a response to a person asking about music piracy and whether or not it hurts him economically.

I reject the term “piracy.” It’s people listening to music and sharing it with other people, and it’s good for musicians because it widens the audience for music. The record industry doesn’t like trading music because they see it as lost sales, but that’s nonsense. Sales have declined because physical discs are no longer the distribution medium for mass-appeal pop music, and expecting people to treat files as physical objects to be inventoried and bought individually is absurd.

Quite simplistic, as we all know not every musician wants their music being shared for free, in exchange for exposure. Also quite simplistic as google happily places ads on such infringing sites, making it tons of money. Keep it in mind before you put up a straw man argument, google did not create the sites, so they can’t hide behind all the hard work it took to build such sites. It merely placed ads on it, with a nice 32% share of the profits to boot.

READ THE FULL POST AT ADLAND:
http://adland.tv/adnews/problem-steve-albini/451760552