ADWEEK : “Ad Industry Takes Major Step to Fight Online Piracy”… Again…

Stop me, oh uh, stop me, if you think you’ve heard this one before…

The advertising industry took a major step Thursday in fighting rogue websites that steal copyrighted material and sell counterfeit goods. To cut off the financial support that keeps rogue sites alive, the nation’s two major ad industry associations recommended agencies and marketers take steps to keep brands’ ads off those sites.

While the debate remains contentious, there has been universal agreement that the key to shutting down rogue websites was to cut off the money that keeps them alive.

Recognizing advertising was the first line of attack, GroupM last year became the first ad shop to adopt a comprehensive anti-piracy policy, compiling last summer an updatable black list of some 2,000 websites that are cut off from ads from blue-chip clients like Ford, AT&T, Unilever and Dell.

READ THE ABOVE FULL ARTICLE HERE AT ADWEEK:

http://www.adweek.com/news/technology/ad-industry-takes-major-step-fight-online-piracy-140014

So the above is from May 3, 2013… and here’s an insightful article below from the advertising trade publication CLICKZ.COM on April 18, 2011… Yes, 2011…

What is the purpose of me bringing this up? To raise awareness and perhaps ask publicly that those involved in this industry become better corporate citizens. If you are running one of those exchanges or networks and feel that it’s only a “transparency” issue, please consider that you are funding not only these websites but organized criminal organizations that run them.

This is not a victimless crime, but instead one that is affecting musicians, programmers, artists, designers – and businesses of all sizes.

As an industry, here are some suggestions of what we can do:

1. Ensure every network that you work with has a no-warez/piracy/torrent policy. Ask around about the networks that do support this. Even if they claim that your ads aren’t going on there, be aware that many of these networks aren’t honest.

2. Put pressure on exchanges that you work with to ensure no network that has this type of inventory is on that exchange. If a few agencies call the exchanges and make it clear they won’t buy media until they are assured these sites are completely off the exchange, then maybe those in charge will consider it a serious issue.

3. Refuse to pay networks that you discover violate this policy and show your advertisements on those sites. Make it clear that you find this behavior not only illegal, but unacceptable for your agency, network, or product.

YOU CAN READ THE FULL ARTICLE HERE (FROM 2011) AT CLICKZ:

http://www.clickz.com/clickz/column/2041366/advertising-networks-supporting-piracy

Accountability?
Responsibility?
Transparency?
Anyone?
Hello?

Madison Avenue and Media Piracy, Are Online Ad Networks the Birth of SkyNet?

In the mythology of the Terminator Sci-Fi movies it is a military defense computer system (SkyNet) that achieves consciousness through artificial intelligence and declares war on human beings. In reality, it appears the first computer networks to declare war on us may be advertising networks, ad bots, and online AI advertising auctions.

If one is to believe the various people responsible for the millions (er, uhm billions) of dollars flowing through online advertising networks (Google alone is estimated to be $30b annually) you could easily believe the machines have already achieved consciousness as no human being we speak to seems to have an actual understanding of how online advertising networks function.

It all appears to be a mystery as to how the money changes hands down stream, and how to determine who is getting paid from what specific ad placements and on what specific sites.  We had one ad network executive tell us privately “we can not control where the ads end up”.

Really?  So the online ad networks are Skynet?

This would seem to an alarming problem for buyers of advertising including such respected brands as Wendy’s, Yahoo, BMW, Adobe, Cadillac, LG, Target, Westin Hotels, Priceline, Hyatt Hotels, Weight Watchers, VISA, State Farm, Mini Cooper, ADT Security and even Presidential Candidate Mitt Romney.

It would probably be pretty embarrassing for a multinational electronics company like LG and a Presidential Candidate to both be advertising on two of the Top 20 most infringing sites in the world, wouldn’t it? Uh oh, don’t look now…

If the machines are already in control we should probably be worried, but we do think it’s odd they would be so focused on a capacity that only seems to transfer wealth from artists, musicians, filmmakers, authors and other creators to internet millionaires running ad networks and pirate sites.

Certainly if Google and the other ad networks had knowledge of the top infringing sites say through a publicly accessible transparency report based on DMCA notices, they would not be serving ads to those businesses operating far beyond the intention of the law? Certainly if they knew that just the Top 20 infringing sites had over 2.3 Million claims in just one month, than Google and the other advertising networks would clearly make a best practices “no fly zone” for advertising on those sites, wouldn’t they?

We’d much rather see this advertising revenue directed towards legally operating and legitimate media outlets such as television, newspapers and magazines who no doubt are also in need of revenue in an ever competitive marketplace. Why finance the pirates who are illegally exploiting others in the creative industries? How much money is being lost from legitimate media outlets to media pirates?

Below is a random sampling of artists exploited by these Madison Avenue Brands and the sites hosting the advertising. We wonder who is serving these ads, and paying these sites because everyone we talk to denies advertising on these sites and seems to know nothing about it.

TOM WAITS Exploited By Wendy’s, Yahoo, BMW, Mitt Romney, Adobe, Cadillac, LG, Target, Westin Hotels, Priceline, Hyatt Hotels, Weight Watchers, VISA, State Farm, Mini Cooper, ADT Security

* BMW on Kick Ass Torrents
* Mitt Romney, ADT Security on 4Shared
* Adobe, Mini Cooper on FilesTube
* Cadillac on FilesTube
* LG on FilesTube
* Target on Mp3Crank
* VISA, State Farm on Mp3 Crank
* Wendy’s on Kick Ass Torrents
* Westin on Kick Ass Torrents
* Priceline, Weight Watchers on 4Shared
* Hyatt on 4Shared
* Weight Watchers, Hilton on 4Shared
* Yahoo on Dilandau
* Urban Outfitters on FilesTube

U2 Exploited by United Airlines, Jet Blue, HP, State Farm, Westin, Urban Outfitters, Sprint, AT&T, Amazon, Disney Resorts, Crate and Barrel

* United Airlines x2 on h33t
* United Airlines on mp3 bear
* United Airlines on FilesTube
* Jet Blue and Kayak on h33t
* Hewlett Packard and State Farm on mp3skull
* Westin Hotels on 4shared
* Westin Hotels on mp3raid
* Urban Outfitters on mp3skull
* Sheraton Hotels on mp3skull
* Century 21 on 4shared
* Alaska Airlines on torrent reactor
* State Farm on torrent reactor
* Sprint on torrrent reactor
* Sheraton Hotels on 4shared
* Hewlett Packard x2 on filestube
* Hewlett Packard and State Farm on mp3skull
* Hewlett Packard on h33t
* Rejuvenation on filestube
* Disney Resorts on torrent reactor
* Crate & Barrel on Files Tube
* Charter Cable on mp3 raid
* AT&T on mp3skull
* Amazon on 4shared

These two examples above are just the tip of the iceberg, and it’s not just the most well known and respected mainstream artists who are effected. Perhaps even more so it is the smaller artists who have been the most hard hit by this diversion of revenue without compensation Aimee Mann, Neko Case, Talib Kweli, Death Cab For Cutie and Jared Leto to name a few.

It would also appear that Google makes plenty of money serving ads on sites that it knows are infringing. Here is Google’s Doubleclick serving an ad for Jeep on http://www.dilandau.eu   This is a site that Google’s own transparency report ranks as the 24th most copyright infringing site in the world.  Isn’t knowingly providing money to an illegal enterprise a RICO predicate?

One would think with this kind of information there would be a move to improve the situation for rights holders, but looking at this graph it appears to be getting worse, much worse.

The bottom line is, we wonder how such mass scale, enterprise level and generally sketchy businesses can continue to go unchecked without any reporting from the mainstream media (who also depend on ad dollars that are now going to competing businesses engaged in media piracy and mass scale copyright infringement).

Once upon a time no one thought twice about “accounting irregularities” at Enron and we all know how that story ended. So who’s gonna ask the hard questions and get some real answers? Operators are standing by…

Neil Young Exploited by Ford, Cooper Mini, Target, State Farm, Adobe, Alaska Air, ATT, Boy Scouts, DIRECTV, LG, Princess Cruises, HP, Westin, Charmin, RapidShare

Neil Young Exploited… We’re Speechless… The impressive list below is just scratching the surface, or the tip of the iceberg. The only question to ask is…

How much money have these brands paid these ad networks, which ultimately is collected by these actively infringing sites, to profit from the music and career of Neil Young?

* Ford, Cooper (BMW), Target on FilesTube
* Target on Kick Ass Torrents
* State Farm on Torrent Reactor
* State Farm on Iso Hunt
* State Farm (X2) on Kick Ass Torrents
* Adobe on Torrent Reactor
* Adobe, Legal Zoom on Iso Hunt
* Adobe on Kick Ass Torrents
* Alaska Air on Iso Hunt
* Alaska Air on Kick Ass Torrents
* AT&T on Kick Ass Torrents
* Boy Scouts on Torrent Reactor
* Direct TV on Kick Ass Torrents
* Ebay on Kick Ass Torrents
* Hewlett Packard on Files Tube
* LG, Princess Cruises on Files Tube
* Westin Hotels on Kick Ass Torrents
* Charmin Toilet Paper on Iso Hunt

And, let’s be honest… What artist doesn’t want to be associated with Charmin Toilet Paper?

Neil Young Exploited by … @Ford, @CooperMiniLtd, @Target, @StateFarm, @Adobe, @AlaskaAir, @ATT, @boyscouts, @DIRECTV, @LGUSAMobile, @PrincessCruises, @HP, @Westin, @Charmin, @RapidShare@RapidShare

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Death Cab For Cutie Exploited by Google, Target, AT&T, Ford, Urban Outfitters, United Airlines, Rejuvenation and Crate and Barrel

Google was right. This is a follow the money story. As reported by PC Pro Magazine, Google says,

“Instead of imposing blocks or filters that might damage fundamental freedoms, governments should construct coalitions with reputable advertising networks, payment processors and rightsholders. Together, these coalitions can crack down and squeeze the financing behind online infringement.”

We’d like to think that Google themselves would be one of the “reputable advertising networks.” As pictured below, Google appears to be not just the ad network serving the ad, but also the brand buying the advertising for it’s product, Google Advertising. Needless to say this is a disappointing find given the recent report.

What’s worse is that major consumer brands are benefiting from having access to the audience (and key demographics) built by individual artists. In this case Death Cab For Cutie who based on the advertisers seems to be a very good demographic indeed supporting ads from Target, SC Johnson and AT&T and that’s just on one site with infringing material.

What incentive is there for brands and advertisers to work with artists and creators to create ad campaigns when the brands can simply “steal” access to the artists audience by paying ad networks to turn a blind eye to sites dedicated to infringing activity?

So far we’ve seen that Google understands, and recommends that advertising networks be accountable to where they are serving ads, despite the fact that Google themselves appears to be still serving ads to sites entirely dedicated to copyright infringement. We’ve also seen above how the music of Ben Gibbard‘s band Death Cab For Cutie is able to draw advertising revenue from Target and AT&T.

Below we see how deep this really goes. By focusing on just FilesTube we can see that Death Cab For Cutie draws advertising revenue to the site from Ford, Urban Outfitters, United Airlines, Rejuvenation and Crate & Barrel. These are all well respected brands, that appeal to a demographic with considerable disposable income. And yet, none of these brands compensate Ben Gibbard, Death Cab For Cutie or any of the various rights holders for access to the bands music and fans.

So yes, this is a follow the money story. When we follow the money it leads to major brands and online advertising networks all profiting from the artists work and paying nothing to the artists. Not one single penny. Zero. Zilch. Nadda. That’s what makes this discussion about free beer, and not free speech as some would like to propose.

Neko Case Exploited by Macy’s, Levi’s, Princess Cruises, Skype, Yahoo, Marvel and Electronic Arts

Wow. Just wow. It’s not like Neko Case is Lady GaGa sitting on gazillions of dollars (and not that it should make a difference). This is how the Exploitation Economy works. It’s about money. Advertising money. A lot of advertising money. None of which is shared or distributed to the artists, ever. Not one penny. Not one single cent. Nothing. Zero. Zilch. Nadda.

And yet there are those who confuse free beer with free speech. Nothing here is about censorship. This really appears to be about mass scale, enterprise level, orchestrated infringement farms for profit.