The Beastie Boys Fight for Your Rights : Guest Post by East Bay Ray

[An update. The corporation Intuit sponsored a competition for small businesses to get a Super Bowl ad and awarded it to GoldieBlox, despite the company being invovled in a lawsuit for doing something that violated the contest’s own rules. What kind of message does that send?]

First, we have the Supreme Court ruling that corporations are people. Now, with a recent dispute between toymaker Goldieblox Inc. and the Beastie Boys we have a corporation — in the fine tradition of the Dred Scott decision — attempting to justify the exploitation of people’s work for the benefit of a business.

The reasoning Goldieblox, Inc. — which hijacked the Beastie Boys’ song “Girls” in a recent promotional video — uses to justify economic exploitation is right out of the book 1984: in the name of the greater “common good” (and to make even bigger profits), an individual’s autonomy is not important. To paraphrase George Orwell, Exploitation is Innovation.

There are some legal commentators who try to contend that the Goldieblox ad is not primarily aimed at advertising a product but “spreading” the company’s message that “traditional girl toys aren’t all that great for modern girls.”

Somehow that makes economic exploitation okay.

Well, looking past their doublethink, “a commercial ad is not an ad,” the video was, bottom line, to advertise the brand Goldieblox, Inc., a for-profit company. Whatever other message the ad has isn’t relevant. Just because you claim the message is positive, you don’t have to ask? Who decides if it’s a positive message or not? What if a company like Walmart wanted to use someone’s work without compensation to promote their “message,” would that be okay too? What is so hard about asking permission first? It’s the human thing to do.

What some are advocating here is ultimately nothing less than the violation of a basic human right everyone has: the right to the material and moral benefit in work you’ve created. The authors of the Slate article seem to have no problem that people are to work while others get rich off that labor. Why not at least demand that Goldieblox pay the Beastie Boys a share of the company’s profits? Or is treating people like sweatshop peasants, framed as “innovation” in true 1984-style, just too important a “social value” that it overrides people’s rights? Maybe it’s of value for a corporation, but absolutely not for human beings. Think about it, how can you be free if they take away your right to say “No”? Or take away your right to share in income you produce?

This is not just a problem for artists. From the viewpoint of many Internet companies, your personal information and photos are the same as the Beastie Boys music. If it draws eyeballs then corporations can use it without your consent to get rich selling advertising, like your Instagram photos, your Facebook profile, etc.

What’s happening to musicians will happen to you. Anyone who wants internet business executives to step up and treat us all as humans, stand up and say, “I am the Beastie Boys.”

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East Bay Ray Img_8808s2East Bay Ray is the guitarist and co-founder of the band Dead Kennedys. He serves on the advisory board of the the Content Creators Coalition, an artists rights organization that enables people who create content — recording artists, songwriters, journalists, filmmakers, producers, photographers, visual artists, and performers — to join together and gain fair treatment from those who profit from their work.

The Content Creators Coalition link is http://www.contentcreatorscoalition.org/

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RELATED:

Goldie Blox – SPIN’s 2013 Hall of Shame | SPIN

Beasties Countersue GoldieBlox–GoldieBlox brings in Google Books Lawyer

Shut Up and Sing: Goldiblox Shows Silicon Valley’s Latest Strategy to Intimidate Songwriters

Jean Michel Jarre: ‘Don’t forget that us creators are the smart part in a smart phone | MTP

by Helienne Lindvall

At this week’s Midem music conference in Cannes, France, I sat down with electronic music pioneer Jean Michel Jarre, whose career as an artist and composer is now in its fifth decade, having broken through internationally with his groundbreaking Oxygene album in 1976. Last year, he took over the presidency of CISAC, the global body for authors’ societies, after the previous president, Robin Gibb, passed away – and so his Midem “visionary talk” went under the headline Fair Share for Creators.

Jarre:

“We should never forget that in the smartphone, the smart part is us creators. If you get rid of music, images, videos, words and literature from the smartphone, you just have a simple phone that would be worth about $50. Let’s accept that there’s a lot of innovation in the smartphone, so let’s add $100 for this innovation – the remaining $300-$400 of the price should go to us.

So we should sit down and talk to all the telephone companies and computer companies selling hardware, the companies carrying the content on the internet, such as Facebook and Google. We need each other, so at the end of the day we have to find the right partnership. We are talking about a business partnership, not a tax, and this shouldn’t affect the consumer.”

READ THE FULL INTERVIEW AT MUSIC TECHNOLOGY POLICY:
http://musictechpolicy.wordpress.com/2014/02/05/jean-michel-jarre-dont-forget-that-us-creators-are-the-smart-part-in-a-smartphone-by-helienne-lindvall/

David Byrne Wants Performance Royalties On Commercial Radio | Stereogum #irespectmusic

Byrne points out a bill in the House Of Representatives, sponsored by Jerry Nadler of New York, that would bring artist royalties into federal law. He further clarifies that digital and streaming radio services such as Pandora already pay artist royalties. Independent and college radio stations would not be affected either — just the stations that make money playing music. He also links to a petition about the issue. And at the outset of his piece, Byrne says he’s been meeting with a small group of musicians and writers about forming a creatives union. Read the full essay here.

READ THE FULL STORY AT STEREO GUM:
http://www.stereogum.com/1648771/david-byrne-wants-performance-royalties-on-commercial-radio/news/

RELATED:

http://irespectmusic.org

Please sign the petition at Irespectmusic.org to support artist pay for radio play

U2 Manager Paul McGuinness on Artists Rights and Piracy

What needs to be done is simple, take the sites down and keep them down. If the pirates can manage to replace their sites instantly with legions of bots, Google, with their brilliant algorithm engineers can counter it.

We need the technology giants like Google to do the things that labels, the publishers, the artists, the writers repeatedly ask them to do. They need to show corporate and social responsibility. Take down the illegal sites, keep them down and clear the way for the legal digital distributers like iTunes, Spotify, Deezer, the new Jimmy Iovine Beats service, which promises to be a very serious competitor. Those services now exist, it is no longer acceptable to say that the music industry is not available, not making its wares available online.

We’re all aware in this room that subscription is now replacing downloading — legal or illegal — but we do need those mega corporations to make a genuine effort to cooperate and feed the industry that has been so good to them.

READ THE FULL STORY AT BILLBOARD:
http://www.billboard.com/biz/articles/news/global/5893877/u2-manager-paul-mcguinness-receives-billboards-industry-icon-award

RELATED:

U2 Exploited by United Airlines, Jet Blue, HP, State Farm, Westin, Urban Outfitters, Sprint, AT&T, Amazon, Disney Resorts, Crate and Barrel

 

Shazam Predicts 2014 Grammy Winners | Yahoo Finance

The Shazam music team looked at the total activity around each of these artists and as a percentage of the total activity for the category and made the following predictions:

Record of the Year – Robin Thicke feat. T.I. and Pharrell, “Blurred Lines” – 5.4M Shazams (31% of the category)

Album of the Year – Macklemore & Ryan Lewis, “The Heist” – 11.4M Shazams (48% of the category)

Song of the Year – P!nk feat. Nate Ruess, “Just Give Me a Reason” – 4.3M Shazams (31% of the category)

Best New Artist – Macklemore & Ryan Lewis (56% of the category)

Best Dance / Electronica Album – Calvin Harris, “18 Months” – 5M Shazams (59% of the category)

Best Country Album – Taylor Swift, “Red” – 4.3M Shazams (40% of the category)

Best Rap Album – Macklemore & Ryan Lewis, “The Heist” (42% of the category)

READ THE FULL STORY AT YAHOO FINANCE:
http://finance.yahoo.com/news/shazam-predicts-2014-grammy-winners-151700334.html

GOOD WORKS : MusiCares Raises $5.5m For Musicians In Need

MusiCares annual charity event honors Carole King and raises money for musicians in need. Musicians helping musicians, we like it.

Carole King still sees herself “first, last and always a songwriter,” she said as she accepted MusiCare’s 2013 Person of the Year honors last night at the Los Angeles Convention Center. But even after decades of hits written for herself and others, she was clearly moved by the night’s lineup of performers in her honor, including Lady Gaga, James Taylor, Steven Tyler, Pink, Will.I.Am and Alicia Keys.

The evening raised $5.5 million for MusiCares, which provides emergency financial assistance and addiction recovery programs to musicians in need.

READ THE FULL STORY:

http://variety.com/2014/scene/news/grammy-awards-lady-gaga-musicares-carole-king-1201070625/

http://www.rollingstone.com/music/news/lady-gaga-james-taylor-and-more-honor-carole-king-at-musicares-gala-20140125

Gene Simmons Voices Support for New Artists | Slyck News

We love Gene’s passion for new and developing artists to have the same opportunities he did.

The foxes have been led into the hen house, so people wonder why there’s so few chickens. It’s because you allowed your kids to go in there and steal the stuff for free, so record companies are dying and new bands don’t have a chance. And new bands should get every chance in the world, and if it means ‘The X Factor’ or ‘American Idol’ or any other kind of (outlet), give them a chance.

“I still think [downloading] is a crime. The sad part is that the fans are the ones who are killing the thing they love, great music. For f***ks sake, you’re not giving the next great band a chance. How much have we lost through illegal downloading?

READ THE FULL STORY AT SLYCK NEWS:
http://www.slyck.com/story2274_Gene_Simmons_Speaks_Out_Once_Again_About_Music_Piracy

Why Google Really is Evil | Fox Business News

There’s an old saying, sooner or later the truth will out.

It’s also clear that, after Schmidt joined Apple’s (AAPL) board of directors, Android magically evolved from a BlackBerry-like device with a physical keypad into essentially an iPhone clone with a virtual keypad and multitouch display.

Right up until the Federal Trade Commission forced him off Apple’s board in 2009, Schmidt maintained that Google was not really a competitor to Apple’s iPhone. Of course, Google followed Apple’s next breakthrough device, the iPad, with Android tablets which, presumably, weren’t competitors either.

You just can’t make this stuff up.

There’s so much more in the Fox story it really is endlessly fascinating, and not that we’re surprised.

Besides having founders and top executives with the ethical flexibility to stab one of its closest partners in the back with a classic bait-and-switch while disingenuously attempting to maintain a superior moral high ground, there’s even more evidence that Google is the most evil tech company since Microsoft was, back in the day.

It now appears inevitable that, at some point, Google will know more about you than you do. If you’re at all concerned about privacy, forget the NSA; it’s Google you should be worried about.

READ THE FULL STORY AT FOX BUSINESS:
http://www.foxbusiness.com/technology/2014/01/17/why-google-really-is-evil/

90%+ Of Artists Are Undiscovered | Next Big Sound

A lot of interesting 2013 Year End Data from Next Big Sound. We’ve been hearing a lot about how artists are going to be “empowered” by the internet and have new “middle class careers” without record labels. Thus far at over 13 years in, the numbers tell a very different story. We see more exploitation and less empowerment for professional sustainable careers.

All of the artists in our system were then grouped according to these benchmarks, and we found that an overwhelming number fall within the Undiscovered stage, in fact more than 90%. Close to 7% of the artists we are tracking are still Developing, but only about 1% of all the artists in our system can be considered Mainstream or even Mega stars.

Piracy has eliminated the incentive for investment in anything other than what can become the largest, most mainstream, major cross platform merchandising brands. The record labels have “adapted and evolved” to the reality of the new digital marketplace by building brands instead of bands that can be monetized over various platforms, like you know… t-shirts, touring, merchandising, endorsements, sync placements, etc.

Welcome to the future piracy brought you.

READ THE FULL REPORT AT NEXT BIG SOUND:
https://www.nextbigsound.com/industryreport/2013/

RELATED:

If the Internet is working for Musicians, Why aren’t more Musicians Working Professionally?

The Smoking Gun of Internet Exploitation of Musicians and Songwriters

David Lowery Talks Artists Rights | The BBC [video]

When he’s not on the road touring, Lowery is teaching students at the University of Georgia about the business of the music industry.

He is a vocal critic of that industry, and particularly how technology – from illegal downloading to new streaming services – has made it harder for artists to keep control of their work and to earn a living from it.

WATCH THE FULL STORY ON BBC VIDEO:
http://www.bbc.co.uk/news/magazine-25771368