David Byrne: “Do you really think people are going to keep putting time and effort into this, if no one is making any money?” | Salon

Start the stopwatch for the synchronized swimming rapid response team… David Byrne in Salon:

The musical genius shares his songwriting secrets, opens up his finances and ponders the future of art and the Web

Lots of us believe that musicians, along with other artists, are struck by inspiration and have this emotion which they must express and share. But you argue in your book that it is actually the opposite — that the idea of the songwriter pouring heart, soul and autobiography into his or her music is wrong-headed. “The accepted narrative,” you write, “that the rock and roll singer is driven by desire and demons, and out bursts this amazing, perfectly shaped song that had to be three minutes and 12 seconds. This is the romantic notion of how creative work comes to be, but I think the path of creation is almost 180 degrees from this model.”

READ THE FULL STORY AT SALON:
http://www.salon.com/2013/12/21/david_byrne_do_you_really_think_people_are_going_to_keep_putting_time_and_effort_into_this_if_no_one_is_making_any_money/

The 10 Most Important News Stories of 2013 |CoS

#8 Musicians Declare War on Spotify

Why it matters: Musicians like David Lowery and Damon Krukowski have been questioning the royalty practices of streaming services and online radio for years. When it’s the frontman of the biggest band in the world calling bullshit, though, people start listening. Streaming was supposed to be the next evolution of music consumption, but if the royalty models are really as bad as they’ve been made out to be (and by all accounts, they are), that particular evolutionary branch may be stunted. In the end, that might be for the best: a financial model that doesn’t support new artists will, inevitably, cripple the music industry.

Yorke called companies like Spotify “the last desperate fart of a dying corpse” and said, “What happens next is the important part.” This is where Neil Young and his long in-development PONO music service might have to step in. Set to launch next year, PONO reportedly solves the audio loss issues Beck pointed out, though there hasn’t been much word on pricing models. Still, Yorke remarked that musicians “can build the shit” themselves, and Young’s company may be the first step in a new direction. Either way, the medium listeners absorb music is going to keep changing for everyone involved. –Ben Kaye

READ THE FULL STORY AT CONSEQUENCE OF SOUND:
http://consequenceofsound.net/2013/12/year-in-news-2013/

Pandora loses BMI court battle over music licensing | Circa

Pandora has spent more than a year in legal battles with music publishers over exactly what songs the online radio service has access to.

A federal judge in New York has ruled that Broadcast Music Inc., a performance rights organization, may allow its members to prevent their music from being licensed to Pandora. The Dec. 18 decision means that Pandora may soon lose access to music from publishers like Universal and BMG.

READ THE FULL POST AT CIRCA:
http://cir.ca/news/pandoras-music-licensing-battles

Goldie Blox – SPIN’s 2013 Hall of Shame | SPIN

Goldie Blox sets the new gold standard as the enemy of artists. Spin reports…

Though the rap legends had suggested it was copyright infringement, in a tender letter to the company they mentioned that the late Adam Yauch of the Beastie Boys had a “no advertising” clause in his will. Whether Goldie Blox made a parody or not, really shouldn’t matter. Contriving a viral moment (their CEO has made other controversy-baiting spoofs before) with a riff on a song from a man whose will explicitly asked that his music not be used in commercials is just plain gross.

READ THE FULL STORY AT SPIN:
http://www.spin.com/articles/spin-2013-hall-of-shame/?slide=9

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Graham Henderson: “Of what is and is not broken…”

The Canadian Independent Music Association just completed a study that pegs the average musician’s income in Canada at $7,228. This echoes an earlier study undertaken by Professor Doug Hyatt of Rotman which put the number at $16,491. Income at these absurdly low levels render it virtually impossible to pursue music as a profession. It starts to look and feel more like a hobby. And let me tell you that this is a far cry from the conditions that could be obtained prior to 1999.

The “middle class” for want of a better term is in a state of what appears to be terminal decline. This is a phenomena that has been remarked on and discussed in many fora but rarely as it applies to the creative class. We now live in a world where a very few musicians have become fabulously wealthy, leaving almost everyone else with very little on the table. Was not digital technology supposed to have done EXACTLY to opposite? Successful bands today have become more brand than band, diversifying into luxury goods, film, television and beyond. This is in strident contrast to musicians of the past who would have been horrified beyond imagining to have their art, their political speech, associated with mere products. I knew artists who turned down absolutely fabulous sums rather than shill for an advertisement.

READ THE FULL POST AT MUSIC CANADA:
http://musiccanada.com/newsitem.aspx?scid=65834

Art and Music Are Professions Worth Fighting for | Blake Morgan HuffPo

In music specifically, 2013 has been a year unlike any other in recent memory. It’s been a year that has seen musicians stand up and speak out on behalf of their profession like never before. And the results have been historic. Internet radio giant Pandora has announced it’s abandoning its pursuit of legislation that would lower artists’ royalties. Congress is now taking another look at copyright reform. Spotify has responded to broad criticism and made their operations more transparent. And perhaps most significant, music lovers are now standing with music makers to help push these issues forward.

For the first time in a long time, there’s a lot to be hopeful about if you’re a musician. There are tremendous fights ahead, against powerful forces, on many fronts. But we have something those forces don’t have. We have something worth fighting for.

READ THE FULL POST AT HUFFPO:
http://www.huffingtonpost.com/blake-morgan/post_6463_b_4461936.html

Internet Consultants Are Wrong : Confused About Musicians, The Internet and Piracy

There’s a post on a tech blog from 2009 following The Pirate Bay guilty verdict titled “Paul McCartney’s Confused About The Pirate Bay” that truly illustrates how many internet consultants and tech blogger’s appear feel about musicians. The  comments responding to Sir Paul McCartney speaking about the Pirate Bay verdict show just how much these people don’t seem to understand musicians.

In this one post we see all of the major anti-artists talking points that Silicon Valley interests still use against creators in a disinformation campaign that is over a decade long:

– artists are easily confused about the internet and technology
– artists don’t know what’s best for them (let the “consultant”  help you!)
– artists can get paid, but as long as its not via a “government mandated tax” ie, copyright (!?)
– artists shouldn’t be able to live off of one song (royalties), ie you must sing for your supper every night
– artists only ever made money from major label deals (which also seems to contradict labels don’t pay)
– the pirate bay (and the like) is just a tool for promotion that rewards artists who embrace it
– the pirate bay verdict of guilty was/is unfair

In the post Paul McCartney is accused of being confused about a verdict that sentenced four men to jail for operating a business that illegally distributed artists work, without compensation to the artists themselves. The Pirate Bay is a tool of exploitation against artists and Paul McCartney was not confused about this fact.

Let’s get a few things straight.

Piracy is NOT Promotion.

Exploitation is NOT Innovation.

Copyright is NOT Censorship.

In any value chain where the creators work is monetized, the creator should have the right to consent and the ability negotiate compensation. In a true free market either party can walk away if an agreement can not be reached. The Pirate Bay, however was and is an illegally operating business that does not respect the rights of individual artists.

We also find it interesting that the suggestions most frequently given to musicians to “get paid” in the internet era are actually all the same ways artists historically have gotten paid prior to the internet.

Here’s a brief recap of what these so called “business experts” and “internet technology consultants” see as the “new” models for artist compensation… Ready, set, go!

– Touring… existed BEFORE the internet

– Merchandise (T-Shirts)… existed BEFORE the internet

– Film/Sync Licensing… existed BEFORE the internet

– Sponsorships/Endorsements… existed BEFORE the internet

In conclusion, it appears that it is the tech bloggers and internet consultants who are confused about musicians, the internet and piracy. Musicians on the other hand seem to be very clear about these issues.

When it comes to issues of artists rights, we’d rather be with Paul McCartney.

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