Pandora Prepares to Attack Artists… Again | DMN

Amazing the lengths Tim Westergren and Pandora are willing to go to, to attack artists…

Accordingly, Pandora is taking steps to have well-written, careful responses ready to go within 24 hours in places like Digital Music News.  Most importantly, the response needs to come from a source not affiliated with Pandora (or, so it seems…)

READ THE FULL STORY (AND EMAILS) AT DIGITAL MUSIC NEWS:
http://www.digitalmusicnews.com/permalink/2013/20130715pandora#QFlbW2t7XHEHic_7jx2vSg

Did Google Finally Admit They Pay Criminals? Will Big Evil Show Us What’s Behind the Curtain?

If you want to solve a problem, you have to acknowledge a problem actually exists… Read On…

Music Technology Policy

According to Searchengineland and Variety, Google Chairman Eric Schmidt tells us that he’s had enough of the DMCA notices, but with that extra special “Big Evil” spin:

Google’s Eric Schmidt says that the entertainment industry should focus on taking content pirates to court, rather than just trying to get Google (and other search engines) to remove pirate sites from search results.  [Schmidt says] “Our position is that somebody’s making money on this pirated content and it should be possible to identify those people and bring them to justice.

This latest dodge from Google’s Dodger in Chief is exceptionally absurd for a few reasons.  First,Schmidt is clearly trying to deflect, deflect, and then be sure you deflect attention away from Google and on to that bad guy behind the tree.  In Bulgaria.  Or China.  Or a Schmidt fav, North Korea.  Somewhere far away and difficult to prosecute.  And if someone…

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Aiding and Infringing : iPad Music Apps – A New Low

Advertisers need to capture the mobile market. The problem is the functionality of the some of the most frequented websites by the coveted youth demographic is disabled on iDevices (the inability to download content to the idevice). In other words, there is no draw to pirate websites (and to the advertising they serve) if the infringing music is no longer accessible. Worry no more, there’s an APP for that… note the top grossing and most popular music apps for the ipad…

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And uhm… let’s not worry that ads for Adult Services are being targeted to minors…

Artists Speak Out on Pandora’s Proposed Royalty Rate Cuts

We know that David Lowery’s post here at the Trichordist has re-ignited the debate over Pandora’s latest attempt to reduce royalty rates to songwriters, but David is not alone. During the last attempt by Pandora to screw songwriters and musicians we saw a number of artists speak out, amongst them was respected songwriter, musician and producer Jimmy Jam who testified on Capital Hill.

Here’s a look at some of the other songwriters and artists speaking out from different perspectives.

Songwriter Ellen Shipley in Digitial Music News, “My Song Was Played 3.1 Million Times on Pandora. My Check Was $39…

It is interesting and very disturbing that no one is addressing the SONGWRITER’s situation in this Pandora debacle.

Pandora wishes to REDUCE the amount of royalties that songwriters have already seen CUT in 2005. Let me give you an example of what Pandora is paying in royalties to SONGWRITERS–not the performers, but the people who write the songs–the foundation of the music world—

PANDORA —-“Heaven Is A Place On Earth” (co-written)

accounting period for 3 months—–3,112,300 streams

My Pandora royalty ……………..$39.61

Songwriter, Musician and Indie Label owner Blake Morgan in The Huffington Post, “Tim Westergren Emails Underscore Tension Between Pandora, Artists.

The AFL-CIO, NAACP, Americans for Tax Reform, the American Conservative Union, SoundExchange, and others all oppose this bill, and the supposition that Pandora should pay less to artists and songwriters in order to accomplish higher profitability.

The Songwriters and Musicians of the band Pink Floyd in USA TODAY, “Pink Floyd: Pandora’s Internet radio royalty ripoff.

Of course, this letter doesn’t say anything about an 85% artist pay cut. That would probably turn off most musicians who might consider signing on. All it says about royalties is “We are all fervent advocates for the fair treatment of artists.” And the only hint of Pandora’s real agenda is the innocent sounding line “We are also fervent supporters of internet radio and want more than anything for it to grow.” The petition doesn’t mention that Pandora is pushing the growth of its business directly at the expense of artists’ paychecks.

Even former Pandora employee (and  Camper Van Beethoven band member) Jonathan Segel has written about the situation on his blog, “Pandora Groupthink. (look it up).”

Several of my former workmates at Pandora seem to be drinking the Kool Aid. I’m seeing posts claiming that David Lowery and Pink Floyd are talking ‘trash’. Yes, I worked at Pandora. You can read all about that here. I also play in a band with David Lowery, it’s called Camper Van Beethoven (not the band with the song in question here.) He and I don’t necessarily agree on everything, but I’m totally backing him up on this one.

Let us also not forget that over 125 artists signed a letter to Congress opposing these rate cuts. Here they are again.

Ethical Fan Reports : EFF Agenda Theories

A fascinating look at the Electronic Frontier Foundation.

Rather than fighting for the rights of people who work to create content, EFF appears to fight for the rights of organized for-profit enterprises who appear to us to be breaking the law and appear to be profiting from illegally distributing digital goods with no intention of ever paying the owners or creators.

READ THE FULL POST AT ETHICAL FAN . COM:
http://ethicalfan.com/2012/04/eff-agenda/

RELATED:
EFF’s John Perry Barlow is Wrong, says Google’s Chief Economist

Facebook Communities For Artists Rights

The Trichordist links through to FarePlay on Facebook  from the blog and there are also these other communities. Please support all of these pages and let us know if there are more.

CONNECT!

FARE PLAY
https://www.facebook.com/FarePlay

COPY LIKE
https://www.facebook.com/copylike

RE-VALUE MUSIC
https://www.facebook.com/ReValueMusic

FIGHT FOR MUSIC
https://www.facebook.com/freefallfaithfirestor

MUSIC FIRST
https://www.facebook.com/musicFIRSTcoalition

Pandora is Stiffing Artists by Josh Kear | The Hill

Josh Kear is a songwriter, ASCAP member and Grammy Award-winning songwriter for such artists as Lady Antebellum, Carrie Underwood, and Darius Rucker to name of few. He’s written an excellent post at The Hill about Pandora’s latest attempt to cheat songwriters and musicians of their rightful royalties.

Pandora is another example that The New Boss, Is Worse Than The Old Boss for musicians, songwriters and creators and elitist technocrats seek to enrich themselves on the labor of others. Kear writes,

Savvy readers will note a mere four percent of Pandora’s total revenue is spent on licensing public performance rights from songwriters and composers. That means we make a fraction of a cent every time one of our songs streams on Pandora’s service

READ THE FULL STORY HERE AT THE HILL:

But Mommy, I’m Special! The Internet Society Wants to Punch Your Nose and Commoditize You Without Your Permission

The solution to issues facing artists and creators on the internet can be summed up in two words, consent and compensation. Those opposed to these two very simple things are those who are profiting by exploiting the artists and creators who seek it. Read on.

Music Technology Policy

It’s really important that we protect the rights of really good looking people in this society,”

Attorney Andrew Bridges of Fenwick & West (frequently representing Google) quoted at Beautiful Person Derek Khanna’s SXSW Panel

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This rather stunning bit of Googley sarcasm from the frequently-Googley litigator Mr. Bridges sums up the geek view of the world.  The Rich and Smart should win over The Beautiful and Famous.  (That he said it on a panel with one deemed to be of the 50 Most Beautiful Men on Capitol Hill and who is seemingly doing everything in his power to be famous–Mr. Khanna–does have a certain irony.)

But whatever the sarcasm and whatever the irony, Mr. Bridges apparently places himself in the conga line of those who believe that the Internet is “special”.  And nowhere is this “we’re special, screw off” more apparent than in the wandering Internet Society Issues…

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Uncertainty, Copyright and Courage by Paul Williams

On Wednesday, June 5th, ASCAP President and Chairman Paul Williams delivered a powerful keynote to attendees of the CISAC World Creators Summit in DC. He spoke passionately and pointedly about what it means to be a creator in today’s challenging digital environment.

This excerpt of the talk touches on one of many well made points.

Literature, music and art have value to individuals, to businesses and to countries. They open our hearts and minds. They inspire. They teach. They comfort. They drive economic growth and innovation. They define our time; they define our cultures; they bring us together.

So then, why are we now in the position of having to defend ourselves against the insidious erosion of the basic principles of copyright in so many parts of the world?

Intellectual property rights are a cornerstone of democracy. As a citizen, a creator and a consumer, I should have a reasonable expectation that I live in a society where thieves and outlaws are not allowed to run rampant – even when they are operating in cyberspace. But when lawmakers in North America and Europe tried to enact legislation that would help enforce laws against online fraud and theft, the technology sector said it would break the internet. They called it censorship.

Creators are in the business of free expression. Freedom of speech is about political speech, it is not about protecting fraud or theft. They trivialized what free speech means. Forces that want to control and diminish the value of our work for their own economic benefit are systematically attacking the rights of creators. They are methodically attacking the validity of copyright laws. They are building their businesses in a way that makes enforcement of our copyrights next to impossible.

The hope that creative work will pay off for the author, composer, filmmaker or photographer if it becomes successful is no longer a given. Fair payment has become another profound uncertainty in the professional life of every creator. This is true for people at the top of their game, and especially so for those just starting out. This is true globally – not just in the United States, in Canada, in the European Union – all over the world.

PLEASE READ THE FULL KEYNOTE ADDRESS HERE AT ASCAP:
http://www.ascap.com/playback/2013/06/action/uncertainty_copyright_and_courage.aspx