If the Internet Breaks and No One Notices, Did it Really Happen?

We’ve heard a lot about how protecting artists rights would “break the internet”, turns out the internet seems to be doing just fine. So much for all of the chicken little fear mongering from Silicon Valley interests that have been profiting by illegally exploiting artists and creators for over a decade.

The world is waking up. Dear Larry, the internet is not breaking, it’s time to “get over it.

French court orders search firms to block pirate sites | BBC

A court in France has ordered Google, Microsoft and Yahoo to block 16 video-streaming sites from their search results.

The High Court in Paris ruled the websites were dedicated to the “distribution of works without consent of their creators”.

“Search engines are incredibly skilful, yet they are still leading consumers to illegal money-making sites even when the searcher is seeking legal content online,” said Chris Marcich, president of MPA in Europe, Middle East and Africa.

“The present situation is confusing for consumers, damaging the legal download market and legitimising copyright theft. The decision in France clearly is a step in this direction.”

Several internet service providers were also ordered to block the sites.

UK Police crackdown on pirate site ads | BBC

Websites illegally hosting copyrighted content have been targeted by City of London Police.

“Operation Creative is being run… to really get to grips with a criminal industry that is making substantial profits by providing and actively promoting access to illegally obtained and copyrighted material,” said Supt Bob Wishart.

The scheme encourages offenders to change their behaviour so that they are operating within the law, he added.

“However, if they refuse to comply we now have the means to persuade businesses to move their advertising to different platforms and, if offending continues, for registrars to suspend the websites,” he said.

Irish Internet firms ordered to block file-share sites | Irish Independent

THREE major music companies have been granted orders which will allow internet service providers here to block access to a file-sharing website as part of efforts to prevent “wholesale copyright theft” on “a grand scale”.

The judge was satisfied many of those were engaged in copyright infringement, devastating the ability of a generation of creative people to make a living from their talents.

USA What Does Hotfile’s Closure Mean to You? – Plagiarism Today

With the closure of Hotfile, questions are raised about what this means for content creators and the cyberlocker industry. Here are a few likely outcomes.

The judge in the case also ordered Hotfile that, if it wishes to remain open, it has to use “digital fingerprinting” to filter out infringing works. However, Hotfile, either unable or unwilling to comply with that request, has decided to shut down its site, effective immediately.

Hotfile’s closure is easily the biggest case of a cyberlocker being forced offline through legal action since Megaupload in January 2012. However, with nearly two years passed since Megaupload’s shuttering, the Web, especially for illegal downloads, is already a very different place.

Google Slammed by Mississippi Attorney General for “Inaction” on Piracy | Variety

Mississippi Attorney General Jim Hood is pressing Google to take greater measures to tackle online piracy and other illegal Web activity, saying that the company’s “inaction” is “not merely a failure to do the right thing” but “raises serious questions as to whether Google is engaged in unlawful conduct itself.”

Hood accused Google of being “unwilling to take basic actions to make the Internet safe from unlawful and predatory conduct, and it has refused to modify its own behavior that facilitates and profits from unlawful conduct.” His letter cites not just piracy of movies, TV shows and music but the sale of counterfeit pharmaceuticals and sex trafficking.

He also pointed out several instances in which Google has screened out criminal content, like child pornography. Nazi-related content, he noted, was removed from search results in Germany, and spam and malware are blocked because they can be damaging to users.

“Google can and does take action against unlawful or offensive conduct — when Google determines it is in its business interests to do so,” Hood wrote.

READ THE FULL STORY AT VARIETY:
http://variety.com/2013/digital/news/google-slammed-by-mississippi-attorney-general-for-inaction-on-piracy-1200938008/

RELATED:

Google, Advertising, Money and Piracy. A History of Wrongdoing Exposed.

Lou Reed Exploited By American Express, AT&T, Chevrolet, Chili’s, Lysol, Pottery Barn, Vons, Domino’s Pizza, Netflix, Galaxy Nexus and Ron Jeremy!

‘Walking Dead’ Producer Comments on Internet Piracy | Variety

“There’s a mistaken belief by many of my peers that piracy is somehow good, that viewers will develop a habit to pay for it,” Hurd told Variety’s Ted Johnson in a Q&A at the event. “I’m not sure they really understand other than anecdotal evidence that their ratings go up that the people who pirate are not then going to choose legal downloads or legal viewing in the future.”

Fellow TV producers were just one of many different categories of individuals that she believes are responsible for curbing piracy. Hurd spoke of “Walking Dead” fans she’s engaged with via Twitter who didn’t even realize they were illegally downloading content due to slick pirate-streaming sites that mimic legitimate services. Other factors she touched on was the importance of Google doing a better job filtering search terms to suppress copyright-infringing options, as well as the Fortune 500 marketers and credit-card companies making money off advertising on those sites.

READ THE FULL STORY AT VARIETY:
http://variety.com/2013/digital/news/walking-dead-producer-blasts-tv-execs-who-support-piracy-1200949205/

What Does Hotfile’s Closure Mean to You? | Plagiarism Today

With the closure of Hotfile, questions are raised about what this means for content creators and the cyberlocker industry. Here are a few likely outcomes.

The judge in the case also ordered Hotfile that, if it wishes to remain open, it has to use “digital fingerprinting” to filter out infringing works. However, Hotfile, either unable or unwilling to comply with that request, has decided to shut down its site, effective immediately.

Hotfile’s closure is easily the biggest case of a cyberlocker being forced offline through legal action since Megaupload in January 2012. However, with nearly two years passed since Megaupload’s shuttering, the Web, especially for illegal downloads, is already a very different place.

READ THE FULL STORY AT PLAGIARISM TODAY:
http://www.plagiarismtoday.com/2013/12/04/hotfiles-closure-mean/

Want to Protect Speech? Strengthen Copyright | The Illusion Of More

If we want to strengthen free speech; if we want a hedge against invasions of civil liberty; if we want to speak truth to power, then we must continue to empower those who speak the truth and do so openly and professionally. To put it whimsically, a great bulwark against tyranny would be a class of unusually wealthy poets. As Congress resumes the process of copyright review in 2014, we should seek not to weaken these laws on an assumption of their irrelevance in the digital age, but to strengthen them on the grounds that they are more important than ever.

READ THE FULL POST AT:
http://illusionofmore.com/speech_strengthen_copyright/

Bloomberg ALMOST get’s it right about Spotify and Streaming… ALMOST…

Bloomberg almost gets it right. While Megan McArdle correctly identifies the problem with Spotify in the context of current market economics she fails to recognize the source of the downward pressure on online music distribution, Ad Funded Piracy.

Lou Reed and Dead Kennedys Go Public Against Ad Funded Piracy with Facebook Posts

As we have said many times, we don’t object to streaming as a business model, we only object to the poor revenue and compensation economics that these services currently provide. In other words, the economics of music streaming are a direct symptom of the larger disease of Ad Funded Piracy – this is why we hope to see more artists speaking up about the actual source of the problem as pirate sites are a for profit business that do not compensate artists at all.

BLOOMBERG:

In other words, while the cost side has improved, the revenue side has gotten worse even faster. People simply aren’t willing to pay very much for recorded music anymore. If you’re an artist, and especially if you’re a record label, that’s very bad news. Naturally, some artists want to shoot the messenger, blaming Spotify for their paltry payments. But Spotify is not the problem. The market is the problem. Spotify is just the messenger telling them what the market is now willing to pay for their songs.

We have a suggestion for any streaming music company executives who should happen across this post – if you really want to help musicians, why not start educating the media and musicians about the cause and source of why streaming economics are really so bad, Ad Funded Piracy.

Let’s join forces and aggregate the power of the community to restore a fair, ethical and balanced marketplace to music so that artists, songwriters and performers can have sustainable careers, and you too.

READ THE FULL STORY AT BLOOMBERG:
http://www.bloomberg.com/news/2013-12-09/spotify-isn-t-why-musicians-can-t-make-a-living.html

RELATED:

Google, Advertising, Money and Piracy. A History of Wrongdoing Exposed.

Over 50 Major Brands Supporting Music Piracy, It’s Big Business!

Internet firms ordered to block file-share sites | Irish Independent

THREE major music companies have been granted orders which will allow internet service providers here to block access to a file-sharing website as part of efforts to prevent “wholesale copyright theft” on “a grand scale”.

None of the defendants objected to the orders and the judge described them as “innocent” parties whose co-operation with a protocol aimed at preventing illegal downloading of copyright material indicated they realised the illegality and dishonesty involved in such activity and did not wish to be privy to it.

Several other ISPs – Eircom, Meteor, Magnet, Sky and Imagine Telecommunications – had indicated in correspondence with the music companies they were prepared to block the websites voluntarily provided the court made a blocking order to that effect against any ISP.

READ THE FULL STORY AT THE IRISH INDEPENDENT:
http://www.independent.ie/irish-news/courts/internet-firms-ordered-to-block-fileshare-sites-29803417.html

French court orders search firms to block pirate sites | BBC

A court in France has ordered Google, Microsoft and Yahoo to block 16 video-streaming sites from their search results.

The court said the sites broke French intellectual property laws and were “almost entirely dedicated” to streaming content without the owners’ permission.

Google, Microsoft and Yahoo must now take measures to ensure the blocked pages cannot be found in a list of search results.

ISPs, including Orange and Bouygues Telecom, will also have to prevent users from being able to access the sites.

READ THE FULL STORY AT THE BBC:
http://www.bbc.co.uk/news/technology-25185819

Get Ready For The Streaming-Music Die-Off | ReadWrite

We’ve been saying for a while that we’re not opposed to music streaming as concept so much as we are about the revenue models and royalties. We’ve offered our criticisms that the math just never really adds up, even if you scale out Spotify to it’s logical conclusion.

We’ve also offered our suggestions for how these streaming services could offer a more robust and diverse environment to both artists and consumers. Looks like we’re not the only ones seriously questioning the economic validity of these models.

The streaming era is the next music industry ice age.

Beyond their broken business model, these companies share a lot of dubious promises to investors, shareholders and artists. Rdio hopes to get in the black by luring in more ad-supported subscribers. Spotify promises that when it scales up to 40 million paid users—it’s currently at 6 million—that artists will get paid five times what they make from the service today (the math works out, but that 40 million figure is a big “if”). Pandora, unprofitable and crippled by royalty fees as its user base grows, promises that mobile ad revenue can offset the revenue it’s hemorrhaging.

READ THE FULL STORY AT READ WRITE:
http://readwrite.com/2013/12/06/streaming-music-competition-pandora-rdio-spotify#awesm=~opsnA43Lt7QuiQ