The Tyranny of Legality | The Cynical Musician

Music piracy is a subject that has been talked to death over the past decade. So much, in fact, that it seems scarce conceivable that we could say anything more of interest on the subject.

The fundamental point I’d like you to take away from this is: it’s a lot more important to keep a watchful eye on ostensibly legal services – recall that both Pandora and (perhaps to a lesser extent) YouTube are legit – than to agonize over overt piracy.

That pirate services should be hunted to as close to extinction as is feasible goes without saying, but we mustn’t lose sight of the fact that nobody deserves a medal for going legit. It’s what you’re f-ing supposed to do.

READ THE FULL POST AT THE CYNICAL MUSICIAN:
http://thecynicalmusician.com/2014/01/the-tyranny-of-legality/

GEMA wins against YouTube In Germany on “Blocking Screens” | Media Biz

A German court found that YouTube has to stop misleading the public by blocking certain content and publicly shaming GEMA for it (the German association of composers, lyricists and music publishers.) A first step in the right direction.

Heker referred to the decision as “an important and positive signal to the music authors,” because: “It is not the GEMA, which prevents music on the internet you only want to license YouTube, like all other music portals..” Heker sweeps out: “Our concern is that the authors participate in the economic exploitation of their works and can earn their livelihood in the future.”

READ THE FULL POST MEDIA BIZ (GERMAN):
http://www.mediabiz.de/musik/news/gema-feiert-im-streit-um-sperrtafeln-erfolg-gegen-youtube/344107?Nnr=344107&NL=MWBlitz&uid=8514

IN ENGLISH VIA GOOGLE TRANSLATE:
http://bit.ly/1gzOCkT

Musicians Sing for a Cause That’s Their Own | The New York Times

In the latest example, a group of artists including David Byrne, Mike Mills of R.E.M., John McCrea of Cake and the guitarist Marc Ribot are putting on a free concert on Tuesday at Le Poisson Rouge in Greenwich Village to protest the way radio stations pay royalties, and to introduce a new advocacy group, the Content Creators Coalition.

“This is possible now because musicians and artists are fed up,” said Mr. Ribot, who is renowned for his work with musicians including Tom Waits, another coalition member. “It takes a lot to get a musician to go to a meeting, serve on a committee. It’s not what we do; we play music. But the way things are now, many of us feel that our backs are to the wall.”

READ THE FULL STORY AT THE NEW YORK TIMES:
http://www.nytimes.com/2014/02/25/arts/music/musicians-sing-for-a-cause-thats-their-own.html?_r=1

How You’re Murdering the Music Industry. | unEARTH Music Hub

Oddly, few people are talking about how much money they are actually making through Spotify, but it’s estimated that the average play is worth an abysmal $0.005. That’s half a cent…if you’re getting anything at all. An artist needs to rack up 200 plays to make $1. How are we letting this happen?! Is the general population truly oblivious to the tremendous effort and cost involved in making music?

Surprise! Songs don’t just pop out of artists like perfectly polished Easter eggs. These creative humans have dedicated a large amount of their time, money and soul to create a tangible piece of art for your listening pleasure. Studio time is expensive! Rehearsal space is expensive! Gas is expensive! Instruments are expensive! Craft beer is expensive!!! Strike that last one.

But seriously guys, when you buy music, you’re not just paying for a song, you’re supporting the artist and the process.

READ THE FULL STORY AT unEARTH MUSIC Hub:
http://unearthmusichub.com/articles/streaming-music/

Digital albums overtake CDs in the US, but iTunes music revenues down | Music Ally

We’re more interested in its estimates for the revenue growth in 2013 of the various content categories in iTunes: apps up 105%, video up 19%, but music downloads down 14% of the year.

Streaming music’s impact isn’t a surprise, but it’s good to have more data to quantify what’s happening – albeit without the corresponding global increase in revenues from streaming services.

READ THE FULL STORY AT MUSIC ALLY:
http://musically.com/2014/02/12/digital-albums-overtake-cds-in-the-us-but-itunes-music-revenues-down/

Proposal for Compulsory Remix License Has Foes in Steven Tyler and Attorney Dina LaPolt | Billboard

Aerosmith lead singer Steven Tyler and music attorney Dina LaPolt have sent a letter to the U.S. Patent and Trademark office opposing the creation of a compulsory license that would allow anyone to legally create remixes and derivative works, without getting songwriter permission.

For example, in 1986 Run-D.M.C recorded a version of Aersmith’s “Walk This Way.” As a cover it could have requested a compulsory mechanical license to create their version. But instead Run DMC involved Tyler and Aerosmith guitarist Joe Perry, who authored the song, in the process to create “one of the most famous derivative works of our modern times.”

“A compulsory license for remixes, mash-ups and sampling is a step too far,” they argued in their letter, which was provided to Billboard. “Approval is the most important right that a recording artist or songwriter has and they need to retain the ability to approve how their works are used… The current system does not need reform.”

READ THE FULL STORY AT BILLBOARD:
http://www.billboard.com/biz/articles/news/legal-and-management/5901155/proposal-for-compulsory-remix-license-has-foes-in

New Report Says How Much Advertising Is Going to Piracy Sites | ADWEEK

Piracy is not only a threat to the content creators whose material is being stolen but the reputations of the advertisers whose brands appear on the sites and the credibility of the digital advertising ecosystem, says the report, titled “Good Money Gone Bad: Digital Thieves and the Hijacking of the Online Ad Business.

The report lists the sites it studied as well as the dozens of blue-chip advertisers whose ads were seen on the offending sites, including AT&T, Lego and Toyota.

“The reality of it is, this is a big business,” said Wenda Harris Millard, president and COO of MediaLink. “I think people thought it was a cottage industry.

READ THE FULL STORY AT ADWEEK:
http://www.adweek.com/news/advertising-branding/new-report-says-how-much-advertising-going-piracy-sites-155770

RELATED:

Google, Advertising, Money and Piracy. A History of Wrongdoing Exposed.

Over 50 Major Brands Supporting Music Piracy, It’s Big Business!

Report links Google, Yahoo to Internet piracy sites | LA Times

Spotify seeks to hire U.S. filings expert as bankers eye IPO | Reuters

* Move adds to speculation about IPO

* Senior banker says firm to be valued at $7-8 bln

* Spotify doubled revenue but registered loss in 2012

STOCKHOLM, Feb 17 (Reuters) – Online music streaming service Spotify is recruiting a U.S. financial reporting specialist, adding to speculation that the Swedish start-up is preparing for a share listing, which one banker said could value the firm at as much as $8 billion.

Meeting U.S. Securities and Exchange Commission (SEC) standards for filing financial disclosures is essential for any firm planning to go public and bankers and lawyers said they inferred from the job ad that the company is getting ready for an initial public share offering (IPO), possibly next year.)

READ THE FULL STORY AT REUTERS:
http://www.reuters.com/article/2014/02/17/spotify-idUSL6N0LM2E520140217

RELATED:

If Spotify is saving Swedish music sales, why aren’t indies celebrating?

While Artists are Bitching About Spotify Royalties… Google, YouTube and Grooveshark are in the Getaway Car…

Get Ready For The Streaming-Music Die-Off

Streaming Services Will Never Become Profitable, Study Finds… | Digital Music News

“The streaming business has to slowly move from a free economy to a paid economy as the sustainability of ad-supported revenue model is a big question mark.”

The grim financial outlook comes as rumors intensify over plans by Spotify to go public.  But just like Pandora, Spotify’s financials remain ugly and are unlikely to improve. “Pandora has never made a profit and we think that the company will never make a profit, unless there is a major change in strategy,” Generator concluded.

READ THE FULL STORY AT DIGITAL MUSIC NEWS:
http://www.digitalmusicnews.com/permalink/2014/02/18/profitless

RELATED:

Music Streaming Math, Can It All Add Up?

No, Streaming is not more profitable than Transactional Sales… Not Today, Maybe Not Ever…

Beck on Spotify: “The Model Doesn’t Work. And the Quality Sucks.” | DMN

Pandora Suit May Upend Century-Old Royalty Plan | NY Times

After federal antitrust investigations, both groups agreed to government supervision in 1941.

This system has hummed along for decades. But with the rise of Internet radio, publishers have complained that the rules are antiquated and unfair. They point to the disparity in the way Pandora compensates the two sides of the music business: Last year, Pandora paid 49 percent of its revenue, or about $313 million, to record companies, but only 4 percent, or about $26 million, to publishers.

“It’s a godawful system that just doesn’t work,” said Martin N. Bandier, the chairman of Sony/ATV, the world’s largest music publisher.

The wider music world has been galvanized by the issue of low royalties from fast-growing streaming companies.

For songwriters, Ascap and BMI have also been among the most reliable institutions in the music industry, and few want to see them go. But Rick Carnes, a Nashville songwriter and president of the Songwriters Guild of America, said that while these organizations had served him and his colleagues well, the Justice Department agreements that govern them were outdated and must be changed.

“This is a horse-and-buggy consent decree in a digital environment,” Mr. Carnes said. “There’s no way that works now.”

READ THE FULL STORY AT THE NEW YORK TIMES:
http://www.nytimes.com/2014/02/14/business/media/pandora-suit-may-upend-century-old-royalty-plan.html?