by Chris Castle
ARTHUR
Let’s get back to justice…what is justice? What is the intention of justice? The intention of justice is to see that the guilty people are proven guilty and that the innocent are freed. Simple, isn’t it?
Only it’s not that simple.
From And Justice for All, screenplay written by Valerie Curtin and Barry Levinson
Something very important happened at the MLC on July 9: The Copyright Office overruled the MLC on the position the MLC (and, in fairness, the NMPA) took on who was entitled to post-termination mechanical royalties under the statutory blanket license. What’s important about the ruling is not just that the Copyright Office ruled that the MLC’s announced position was “incorrect”—it is that it corrected the MLC’s position that was in direct contravention of prior Copyright Office guidance. (If this is all news to you, you can get up to speed with this helpful post about the episode on the Copyright Office website or read John Barker’s excellent comment in the rulemaking.)
“Guidance” is a kind way to put it, because the Copyright Office has statutory oversight for the MLC. That means that on subjects yet to be well defined in a post-Loper world (the Supreme Court decision that reversed “Chevron deference”), I think it’s worth asking whether the Copyright Office is going to need to get more involved with the operations of the MLC. Alternatively, Congress may have to amend Title I of the Music Modernization Act to fill in the blanks. Either way, the Copyright Office’s termination ruling is yet another example of why I keep saying that the MLC is a quasi-governmental organization that is, in a way, neither fish nor fowl. It is both a private organization and a government agency somewhat like the Tennessee Valley Authority. Whatever it is ultimately ruled to be, it is not like the Harry Fox Agency which in my view has labored for decades under the misapprehension that its decisions carry the effect of law. Shocking, I know. But whether it’s the MLC or HFA, when they decide not to pay your money unless you sue them, it may as well be the law.
The MLC’s failure to follow the Copyright Office guidance is not a minor thing. This obstreperousness has led to significant overpayments to pre-termination copyright owners (who may not even realize they were getting screwed). This behavior by the MLC is what the British call “bolshy”, a wonderful word describing one who is uncooperative, recalcitrant, or truculent according to the Oxford Dictionary of Modern Slang. The word is a pejorative adjective derived from Bolshevik. “Bolshy” invokes lawlessness.
In a strange coincidence, the two most prominent public commenters supporting the MLC’s bolshy position on post-termination payments were the MLC itself and the NMPA, which holds a nonvoting board seat on the MLC’s board of directors. This stick-togetherness is very reminiscent of what it was like dealing with HFA when the NMPA owned it. It was hard to tell where one started and the other stopped just like it is now. (I have often said that a nonvoting board seat is very much like a “board observer” appointed by investors in a startup to essentially spy on the company’s board of directors. I question why the MLC even needs nonvoting board seats at all given the largely interlocking boards, aside from the obvious answer that the nonvoters have those seats because the lobbyists wrote themselves into Title I of the MMA—you know, the famous “spirit of the MMA”.)
Having said that, the height of bolshiness is captured in this quotation (89 FR 58586 (July 9, 2024)) from the Copyright Office ruling about public comments which the Office had requested (at 56588):
The only commenter to question the Office’s authority was NMPA, which offered various arguments for why the Office lacks authority to issue this [post-termination] rule. None are persuasive. [Ouch.]
NMPA first argued that the Office has no authority under section 702 of the Copyright Act or the MMA to promulgate rules that involve substantive questions of copyright law. This is clearly incorrect. [Double ouch.]
The Office ‘‘has statutory authority to issue regulations necessary to administer the Copyright Act’’ and ‘‘to interpret the Copyright Act.’’ As the [Copyright Office notice of proposed rulemaking] detailed, ‘‘[t]he Office’s authority to interpret [the Copyright Act] in the context of statutory licenses in particular has long been recognized.’’
Well, no kidding.
What concerns me today is that wherever it originated, the net effect of the MLC’s clearly erroneous and misguided position on termination payments is like so many other “policies” of the MLC: The gloomy result always seems to be they don’t pay the right person or don’t pay anyone at all in a self-created dispute that so far has proven virtually impossible to undo without action by the Copyright Office (which has other and perhaps better things to do, frankly). The Copyright Office, publishers and songwriters then have to burn cycles correcting the mistake.
In the case of the termination issue, the MLC managed to do both: They either paid the wrong person or they held the money. That’s a pretty neat trick, a feat of financial gymnastics for which there should be an Olympic category. Or at least a flavor of self-licking ice cream.
The reason the net effect is of concern is that this adventure in copyright has led to a massive screwup in payments illustrating what we call the legal maxim of fubar fugazi snafu. And no one will be fired. In fact, we don’t even know which person is responsible for taking the position in the first place. Somebody did, somebody screwed up, and somebody should be held accountable.
Mr. Barker crystalized this issue in his comment on the Copyright Office termination rulemaking, which I call to your attention (emphasis added):
I do have a concern related to the current matter at hand, which translates to a long-term uneasiness which I believe is appropriate to bring up as part of these comments. That concern is, how did the MLC’s proposed policies [on statutory termination payments] come in to being in the first place?
The Copyright Office makes clear in its statements in the Proposed Rules publication that “…the MLC adopted a dispute policy concerning termination that does not follow the Office’s rulemaking guidance.”, and that the policy “…decline(d) to heed the Office’s warning…”. Given that the Office observed that “[t]he accurate distribution of royalties under the blanket license to copyright owners is a core objective of the MLC”, it is a bit alarming that the MLC’s proposed policies got published in the first place.
I am personally only able to come up with two reasons why this occurred. Either the MLC board did not fully understand the impact on termination owners and the future administration of those royalties, or the MLC board DID realize the importance, and were intentional with their guidelines, despite the Copyright Office’s warnings.
Both conclusions are disturbing, and I believe need to be addressed.
Mr. Barker is more gentlemanly about it than I am, and I freely admit that I have no doubt failed the MLC in courtesy. I do have a tendency to greet only my brothers, the gospel of Matthew notwithstanding. Yet it irks me to no end that no one has been held accountable for this debacle and the tremendous productivity cost (and loss) of having to fix it. Was the MLC’s failed quest to impose its will on society covered by the Administrative Assessment? If so, why? If not, who paid for it? And we should call the episode by its name—it is a debacle, albeit a highly illustrative one.
But we must address this issue soon and address it unambiguously. The tendency of bureaucracy is always to grow and the tendency of non-profit organizations is always to seek power as a metric in the absence of for-profit revenue. Often there are too many people in the organization who are involved in decision-making so that responsibility is too scattered.
When something goes wrong as it inevitably does, no one ever gets blamed, no one ever gets fired, and it’s very hard to hold any one person accountable because everything is too diffused. Instead of accepting that inevitable result and trying to narrow accountability down to one person so that an organization is manageable and functioning, the reflex response is often to throw more resources at the problem when more resources, aka money, is obviously not the solution. The MLC already has more money than they know what to do with thanks to the cornucopia of cash from the Administrative Assessment. That deep pocket has certainly not led to peace in the valley.
Someone needs to get their arms around this issue and introduce accountability into the process. That is either the Copyright Office acting in its oversight role, the blanket license users acting in their paymaster role through the DLC, or a future litigant who just gets so fed up with the whole thing that they start suing everyone in sight.
Saint Thomas Aquinas wrote in Summa Theologica that a just war requires a just cause, a rightful intention and the authority of the sovereign (Summa, Second Part of the Second Part, Question 40). So it is with litigation. We have a tendency to dismiss litigation as wasteful or unnecessary with a jerk of the knee, yet that is overbroad and actually wrong. In some cases the right of the people to sue to enforce their rights is productive, necessary, inevitable and—hopefully—in furtherance of a just cause like its historical antecedents in trial by combat.
It is also entirely in keeping with our Constitution. The just lawsuit allows the judiciary to right a wrong when other branches of government fail to act, or as James Madison wrote in Federalist 10, so the government by “…its several constituent parts may…be the means of keeping each other in their proper places.”
That’s a lesson the MLC, Inc. had to learn the hard way. Let’s not do that again, shall we not?
This post first appeared on the MusicTech.Solutions blog.
The Trichordist 
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