Beats Music Hires Artist Bully as Artist Advocate

Billboard Magazine is reporting that Beats Music has hired long time artist bully Dave Allen as their so called Artist Advocate.  This is fantastic news for artists rights bloggers and music journalists as they were close to running out of ways to imply Dave Allen is a shill for streaming services.  By taking this job at Beats Dave Allen has made it easy for all of us.  Now we can just come out and say he’s paid by the streaming services!

If you don’t know, Dave Allen is the former bass player for the Marxist Rock band Gang of Four.  Allen has made a name for himself by rudely lecturing songwriters like David Byrne, Thom Yorke and myself on streaming, globalization and the inner workings of free markets. Rich right?

And it looks like he intends to continue.  Check the featured quote from the Billboard story announcing his hiring:

“It is hard for me to understand why intelligent people like David Byrne and Thom Yorke do not appear to understand that we are in the midst of new markets being formed,” Allen wrote. “I have concluded that we can only look to what internet and mobile users are doing or want to do, and then note how their actions drive technologists to provide platforms for them. Put very simply, that is how markets work.”

(Wow.  This is his first day as Artist Advocate? Off to a bad start-Ed)

No Dave.  It’s the opposite of markets.  By Government mandate our songs have been “collectivized” for use by these streaming and webcasting services.  Further government rate courts set the prices.  There is no “market” for songs.  He’s purposely leaving out the part where the government forces us to license our songs to the technologists at below market rates!

Allen knows this.  Everyone in the business knows this.  I mean that’s why  U.S. Rep Doug Collins of Georgia introduced this week this bill to establish fair market pricing for songs!

While we have some generally positive things to say about the Beats service (the lack of a free tier means their effective per spin rate to songwriters and performers will be higher than many other services) we note that the appointment of Allen does not bode well for Beats Music.

This is a ham-fisted move that won’t solve the fundamental PR problem that all streaming services have with the general public: low payouts to artists and a lack of transparency. No amount of shouting and name calling by Allen will fix that problem.  Quite the opposite.

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Streaming Services Will Never Become Profitable, Study Finds… | Digital Music News

It’s time to end compulsory licensing for digital music | Tech Liberation

Musicians Sing for a Cause That’s Their Own | The New York Times

In the latest example, a group of artists including David Byrne, Mike Mills of R.E.M., John McCrea of Cake and the guitarist Marc Ribot are putting on a free concert on Tuesday at Le Poisson Rouge in Greenwich Village to protest the way radio stations pay royalties, and to introduce a new advocacy group, the Content Creators Coalition.

“This is possible now because musicians and artists are fed up,” said Mr. Ribot, who is renowned for his work with musicians including Tom Waits, another coalition member. “It takes a lot to get a musician to go to a meeting, serve on a committee. It’s not what we do; we play music. But the way things are now, many of us feel that our backs are to the wall.”

READ THE FULL STORY AT THE NEW YORK TIMES:
http://www.nytimes.com/2014/02/25/arts/music/musicians-sing-for-a-cause-thats-their-own.html?_r=1

How You’re Murdering the Music Industry. | unEARTH Music Hub

Oddly, few people are talking about how much money they are actually making through Spotify, but it’s estimated that the average play is worth an abysmal $0.005. That’s half a cent…if you’re getting anything at all. An artist needs to rack up 200 plays to make $1. How are we letting this happen?! Is the general population truly oblivious to the tremendous effort and cost involved in making music?

Surprise! Songs don’t just pop out of artists like perfectly polished Easter eggs. These creative humans have dedicated a large amount of their time, money and soul to create a tangible piece of art for your listening pleasure. Studio time is expensive! Rehearsal space is expensive! Gas is expensive! Instruments are expensive! Craft beer is expensive!!! Strike that last one.

But seriously guys, when you buy music, you’re not just paying for a song, you’re supporting the artist and the process.

READ THE FULL STORY AT unEARTH MUSIC Hub:
http://unearthmusichub.com/articles/streaming-music/

Digital albums overtake CDs in the US, but iTunes music revenues down | Music Ally

We’re more interested in its estimates for the revenue growth in 2013 of the various content categories in iTunes: apps up 105%, video up 19%, but music downloads down 14% of the year.

Streaming music’s impact isn’t a surprise, but it’s good to have more data to quantify what’s happening – albeit without the corresponding global increase in revenues from streaming services.

READ THE FULL STORY AT MUSIC ALLY:
http://musically.com/2014/02/12/digital-albums-overtake-cds-in-the-us-but-itunes-music-revenues-down/

Spotify seeks to hire U.S. filings expert as bankers eye IPO | Reuters

* Move adds to speculation about IPO

* Senior banker says firm to be valued at $7-8 bln

* Spotify doubled revenue but registered loss in 2012

STOCKHOLM, Feb 17 (Reuters) – Online music streaming service Spotify is recruiting a U.S. financial reporting specialist, adding to speculation that the Swedish start-up is preparing for a share listing, which one banker said could value the firm at as much as $8 billion.

Meeting U.S. Securities and Exchange Commission (SEC) standards for filing financial disclosures is essential for any firm planning to go public and bankers and lawyers said they inferred from the job ad that the company is getting ready for an initial public share offering (IPO), possibly next year.)

READ THE FULL STORY AT REUTERS:
http://www.reuters.com/article/2014/02/17/spotify-idUSL6N0LM2E520140217

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Get Ready For The Streaming-Music Die-Off

Streaming Services Will Never Become Profitable, Study Finds… | Digital Music News

“The streaming business has to slowly move from a free economy to a paid economy as the sustainability of ad-supported revenue model is a big question mark.”

The grim financial outlook comes as rumors intensify over plans by Spotify to go public.  But just like Pandora, Spotify’s financials remain ugly and are unlikely to improve. “Pandora has never made a profit and we think that the company will never make a profit, unless there is a major change in strategy,” Generator concluded.

READ THE FULL STORY AT DIGITAL MUSIC NEWS:
http://www.digitalmusicnews.com/permalink/2014/02/18/profitless

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Beck on Spotify: “The Model Doesn’t Work. And the Quality Sucks.” | DMN

Pandora Suit May Upend Century-Old Royalty Plan | NY Times

After federal antitrust investigations, both groups agreed to government supervision in 1941.

This system has hummed along for decades. But with the rise of Internet radio, publishers have complained that the rules are antiquated and unfair. They point to the disparity in the way Pandora compensates the two sides of the music business: Last year, Pandora paid 49 percent of its revenue, or about $313 million, to record companies, but only 4 percent, or about $26 million, to publishers.

“It’s a godawful system that just doesn’t work,” said Martin N. Bandier, the chairman of Sony/ATV, the world’s largest music publisher.

The wider music world has been galvanized by the issue of low royalties from fast-growing streaming companies.

For songwriters, Ascap and BMI have also been among the most reliable institutions in the music industry, and few want to see them go. But Rick Carnes, a Nashville songwriter and president of the Songwriters Guild of America, said that while these organizations had served him and his colleagues well, the Justice Department agreements that govern them were outdated and must be changed.

“This is a horse-and-buggy consent decree in a digital environment,” Mr. Carnes said. “There’s no way that works now.”

READ THE FULL STORY AT THE NEW YORK TIMES:
http://www.nytimes.com/2014/02/14/business/media/pandora-suit-may-upend-century-old-royalty-plan.html?

CCC-NYC.ORG | RALLY & CONCERT FEB 25 2014 feats David Byrne, Marc Ribot, Mike Mills, John McCrea, More!

About CCC-NYC

The New York City Chapter of the Content Creators Coalition is a new group united with the national CCC behind the idea that creators of cultural content need to join forces in order to ensure fairness and dignity for artists in the digital age. If the past fifteen years has taught us anything, it’s that artists cannot depend on industry professionals or journalists or fans to advocate for them—we must speak up for ourselves.

The group is enacting bylaws and seeking nonprofit status so we can operate and address these issues over the long-term.

Statement of Principles:

1) We believe in an Artist’s Control Of Their Work; that it’s the right of any creator of cultural content to choose when, how, and whether their work is distributed for commercial gain, monetized with advertising, or otherwise exploited.

2) We believe in the Ability to Opt-Out of services; the right of artists, writers, and other creators of cultural content to refuse, individually and collectively, to participate in business models that threaten our livelihoods.

3) We believe in Fair Pay; the right of content creators to a fair share of the wealth our work generates.

4) We believe in Collective Representation; the right of all creators of cultural content to aggregate our power to protect our livelihoods and our art forms.

Join Us!

If you are a NYC area creator of cultural content and would like to get involved, please contact us at cccnewyorkcity@gmail.com (or the form below). We want you at our meetings and events. You can also follow us on Facebook or Twitter.

If you are outside the New York area, please visit the national CCC website: www.contentcreatorscoalition.org.

7 royalty cheques that’ll make you lose your faith in the music industry | AUX

How little does the music industry pay artists? Shockingly little. Spotify, the dominant streaming music source in the U.S., is leaking money. They reportedly dole out 70 per cent of their revenue to royalties, and while that number seems high, consider this: each song stream pays an artist between one-sixth and one-eight of a cent. One source claimed that, on streaming music services, an artist requires nearly 50,000 plays to receive the revenue earned from one album sale. Ouch.

Indeed, things are getting dire. And here are seven examples of how bad things can get.

READ THE FULL STORY AT AUX:
http://m.aux.tv/news/100455-7-royalty-cheques-that-ll-make-you-lose-your-faith-in-the-music-industry

Jean Michel Jarre: ‘Artists are the collateral damage of the tech giants’ | The Guardian UK

The ‘monsters’ of Google, Facebook and the tech giants need to work with musicians, the electronic music star said, to develop new ways of protecting creative property.

Jean Michel Jarre has called on music artists to work with the world’s most powerful technology companies, urging them to explore new ways of making money for their work.

“We are the people creating the future – not manufacturers of computers or cables. We are the extraordinary,” Jarre told the Guardian. “[The lack of enforcement of] intellectual property is not just a problem for artists from Europe and America – it’s a global problem . It’s one of the strongest elements of what democracy is all about.”

READ THE FULL STORY AT THE GUARDIAN UK:
http://www.theguardian.com/technology/2014/feb/05/jean-michel-jarre-smartphone-google-creators

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Google, Advertising, Money and Piracy. A History of Wrongdoing Exposed.

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If the Internet is working for Musicians, Why aren’t more Musicians Working Professionally?