With friends like these…
If i wanted to just let content ID keep doing it’s thing, and it does a great job at and i’m totally happy with it and i don’t want to participate in the music service, is that an option?
That’s unfortunately not an option.
Assuming i don’t want to, then what would occur?
So what would happen is, um, so in the worst case scenario, because we do understand there are cases where our partners don’t want to participate for various reasons, what we basically have to do is because the music terms are essentially like outdated, the content that you directly upload from accounts that you own under the content owner attached to the agreement, we’ll have to block that content. but anything that comes up that we’re able to scan and match through content ID we could just apply a track policy but the commercial terms no longer apply so there’s not going to be any revenue generated.
Wow that’s pretty harsh.
Yeah, it’s harsh and trust me, it is really difficult for me to have this conversation with all of my partners but we’re really, what we’re trying to do is basically create a new revenue stream on top of what exists on the platform today.
PLEASE READ THE ENTIRE POST/TRANSCRIPT AT:
Posted in Ad Sponsored Piracy, artist revenue streams, Musician's POV, Royalty Rates, the future of music, YouTube
- Tagged artists rights, Bully, exploitation, google, youtube, zoe keating
This story is taking on a lot of dimensions of what it might be and what it might mean, Music Ally tries to get some late breaking insight. Of particular note is the comment by Radiohead manager Brian Message, read on…
“YouTube executives argue that they cannot offer music on the free service without it also being available on the paid service as this would disappoint its subscribers,” as Billboard puts it.
Meanwhile, you had the BBC suggesting that indie videos uploaded to YouTube via Vevo would still be available, while only “videos which are exclusively licensed by independent record labels, such as acoustic sets or live performances” will be taken down.
Clear as mud, then. Radiohead manager Brian Message was asked at Music Ally’s transparency event last night whether he thinks YouTube will follow through on the threats: “I quite hope that they do! It would be quite interesting to see what happens next!” – not as flippant as it reads in print, but more an admission that it’s only once blocking start happening that the industry will know exactly what YouTube is threatening.
This dispute is bad for everyone: for labels and artists, for fans, and particularly for YouTube, for whom accusations of bullying indie labels will be hard to brush off.
READ THE FULL STORY AT MUSIC ALLY:
Posted in artist revenue streams, Music Streaming, Royalty Rates, Songwriter Rights, the future of music, YouTube
- Tagged artist revenue streams, Bully, Censorship, google, Indie Labels, Radiohead, the future of music