This week there will be a lot of discuss about Steven Johnson’s piece in the NYTimes Magazine. It’s important to note that there are some very serious questions about how Johnson arrived at his conclusions. This piece from Digital Music News from 2013 offers another perspective, and one that is far more consistent with what we see.
There’s more music being created than ever before, but paradoxically, musicians are making less. Which means there are also fewer musicians and music professionals enjoying gainful employment, thanks to a deflated ecosystem once primed by major labels and marked-up CDs.
It’s a difficult reality to stomach, especially given years of misguided assumptions about digital platforms. But it’s not really a revolution if it’s not getting people paid. And according to stats supplied by the US Department of Labor, there are 41 percent fewer paid musicians since 1999.
READ THE FULL STORY AT DIGITAL MUSIC NEWS:
Filmmaker, producer and musician Mikael (Count) Eldridge will be speaking at SXSW Monday about new tech, start ups, and the impact on creators.
Monday, March 10 | 2:00PM – 3:00PM
Austin Convention Center | Next Stage EH 3/4
500 E Cesar Chavez St
From the forthcoming documentary Unsound: Bad Religion guitarist and Epitaph Records founder Brett Gurewitz talks about how large tech corporations make millions of dollars selling advertising- essentially making people the product, without them even realizing. The promise of free or cheap music is often used to draw eyeballs to websites, apps, and social networking platforms, allowing corporations to make large amounts of money from advertising. The public is generally unaware and happy to have free/cheap music, corporations make tons of money from advertising, but how is the musician benefiting from this?
LEARN MORE HERE:
Unsound uncovers the dramatic collapse of the music industry and its impact on musicians and creators of all kinds trying to survive in the ‘age of free’.