Artists Will Receive Nothing from the $3 Billion Beats Acquisition, Sources Say…| DMN

The three major labels secured an equity share in Beats Music as part of their licensing agreements with the service. But according to multiple sources close to those negotiations and Beats’ subsequent sale, artists on those labels will receiving nothing at all from the roughly $3 billion acquisition by Apple.

The reason is that acquisition earnings aren’t tied to actual sales or streams, and therefore are not accounted at all to label artists. “They will get nothing,” one industry attorney flatly told Digital Music News, while insisting on anonymity.

READ THE FULL POST AT DIGITAL MUSIC NEWS:
http://www.digitalmusicnews.com/permalink/2014/06/09/artists-will-receive-nothing-3-billion-beats-acquisition-sources-say

Thom Yorke, Trent Reznor and a Chorus of Artists Speak Out For An Ethical and Sustainable Internet

Perhaps 2013 will be the year that we see as the tipping point in artists rights advocacy for an ethical and sustainable internet. There have been more artists speaking up vocally this year than we can remember over the last decade. The hangover from an excess of hope that the internet would empower musicians has begun to set in as the evidence of more, and worse exploitation becomes increasingly obvious every day.

Radiohead’s Thom Yorke noted his realization about Google and other big tech companies.

“[Big Tech] have to keep commodifying things to keep the share price up, but in doing so they have made all content, including music and newspapers, worthless, in order to make their billions. And this is what we want?

“We were so into the net around the time of Kid A,” he says. “Really thought it might be an amazing way of connecting and communicating. And then very quickly we started having meetings where people started talking about what we did as ‘content’. They would show us letters from big media companies offering us millions in some mobile phone deal or whatever it was, and they would say all they need is some content. I was like, what is this ‘content’ which you describe? Just a filling of time and space with stuff, emotion, so you can sell it?”

Nine Inch Nails frontman Trent Reznor has also been outspoken this year commenting first on streaming services, and then later on the value of music.

“I know that what we’re doing flies in the face of the Kickstarter Amanda-Palmer-Start-a-Revolution thing, which is fine for her, but I’m not super-comfortable with the idea of Ziggy Stardust shaking his cup for scraps. I’m not saying offering things for free or pay-what-you-can is wrong. I’m saying my personal feeling is that my album’s not a dime. It’s not a buck. I made it as well as I could, and it costs 10 bucks, or go fuck yourself.”

Jerry Cantrell of Alice In Chains refused to play new songs in the bands live set until the new album is released to protect the integrity of the bands work.

“Well, in the old days – if you start out with ‘in the old days,’ you’re totally an old f–k – you were able to play a lot more stuff live,” Cantrell tells Spin magazine. “But with the advent of the Internet and sharing and shit going everywhere, you can’t do that anymore. We really haven’t been playing anything off the new record that’s not out yet. We’ve been playing ‘Hollow‘ and ‘Stone,’ and now that it’s going to be released, we’re thinking about whipping out ‘Phantom Limb‘ and maybe a few more.”

Quincy Jones discussed his legacy and the challenges presented for new artists in an environment of unprecedented piracy.

What’s sad is that there is 98 percent music piracy everywhere on the planet. It’s just terrible. What if these kids (who download music illegally) worked for me for two months and then I said, “I’m not going to pay you.” That’s just not right.

Aimee Mann brought a lawsuit against a digital distributor.

Guy Marchais of the band Suffocation showed fans how to buy a CD and explained the importance of supporting artists with legal purchases.

Marc Ribot of Ceramic Dog (and sideman for Tom Waits) took up the battle against Ad Funded Piracy.

We don’t know what the ultimate solution is — but we know it isn’t the impoverishment of musicians and defunding music. And we know it isn’t pretending that no-one is being hurt. Corporations are making huge profits from the ads on ‘free’ sites, from selling the hard and software that make illegal downloading possible.

Austin band Quiet Company noted their disappointment after an internet marketing partnership experiment.

““After everything, I’m not sure there is a new model. The old model is still the model, it’s just that the Internet made it way worse.”

East Bay Ray of the Dead Kennedys noted who is making money and who is not at SF Music Tech.

“There’s opportunists on the Internet that have taken advantage of the artists, [they’re] giving a free ride on a carnival horse, but they’re starving the horse.”

Zoe Keating spoke to the NY Times about how artists in certain genre’s such as classic and jazz maybe condemmed to poverty in the new digital economy without better mechanisms in place.

“In certain types of music, like classical or jazz, we are condemning them to poverty if this is going to be the only way people consume music.”

Blake Morgan went public with an email exchange between him and Tim Westergren over Pandora’s attempts to reduced already low royalties to artists.

I hear you when you say you’re “seeking a balanced structure that allows musicians to generously participate in the business.” But respectfully –– and this is quite important –– musicians are what your business is built on.

Without us, you don’t have a business.

Victoria Aitken wrote about the effects of piracy on EDM artists.

“The Internet pirates have made me, and thousands of other musicians, walk the plank. We now have to swim in shark-infested waters where the big fish gobble up our dues and the pirates laugh their way to the bank.

I believe this basic injustice must be remedied – Internet pirates are white-collar criminals. They should pay the royalties they have stolen or be answerable to the law, like looters, burglars, and fraudsters.”

Pink Floyd expressed their feelings about Pandora and digital royalty rates for the next generation of musicians.

It’s a matter of principle for us. We hope that many online and mobile music services can give fans and artists the music they want, when they want it, at price points that work. But those same services should fairly pay the artists and creators who make the music at the core of their businesses.

Martha Reeves also explained the importance to continue to work towards fair royalties for artists in the new digital economy.

Musicians should be paid a fair value for their work and all digital services should play by the same rules. These are just common sense ideas, and once Congress adopts them as law, future generations will wonder why we ever struggled over them. But that’s why we must keep struggling – until justice is done.

Shawn Drover drummer for Megadeth responded to a question asking if the band had been effected by piracy.

Of course it is. We are certainly thrilled to have a #6 record on Billboard in America and #4 in Canada, but sales are way down for the entire music industry right across the board, which is a real drag. Internet piracy, torrent sites and all that are the reason why. Concert attendance for us is still great around the world, so we are definitely happy about that.

Pirates Won’t Stop Us from Creating, They’ll Stop Us from Sharing…

We recently reblogged a link to Trent Reznor’s interview in Spin Magazine where he stated his current feelings over the value of music as a creator. Below is a comment in response to that article that we felt deserved it’s own post.

Music, like a certain other activity, is usually done for love or money. A lot of pirates nod enthusiastically at this right up until they realize that, if there’s no money in it and a musician has to do it for love … that if I don’t love you, you don’t get any. :-)

They keep missing this part. Yes, musicians will MAKE music no matter what. But we don’t have to share it with anyone other than the people we want to share it with. In order to get into that room, now you need to persuade me you should be there. Before, you could throw money at me, and I’d let you in. Now that there’s no money in it, I need another reason. Be an asshole, and you don’t get in.

Even the threat of not making money will only work on artists for so long. They won’t just hang around and starve. Eventually, they will read the writing on the wall, bow to reality, and simply get other jobs and decouple their artistic output from their financial input. And then they really don’t have to share our music with just anyone.

The pirate kids really aren’t following this thing to its logical conclusion:

1) Decouple money from art. Then,
2) Artists get day jobs and keep them. Hence,
3) We don’t need to share our art with anyone if we don’t want to.

So make me want to.

Oh … and without handing me money, which would have been the simplest way to accomplish that, but that’s not working anymore, is it?

Neither will acting like a tantrum-throwing, entitled brat. :-)

For those in doubt, we can reference Beck who first made available his album “Song Reader” as sheet music, encouraging people to supply their own labor to hear his new songs.

Trent Reznor speaks on value of music: “It costs 10 bucks, or go **** yourself. | SPIN

“I know that what we’re doing flies in the face of the Kickstarter Amanda-Palmer-Start-a-Revolution thing, which is fine for her, but I’m not super-comfortable with the idea of Ziggy Stardust shaking his cup for scraps. I’m not saying offering things for free or pay-what-you-can is wrong. I’m saying my personal feeling is that my album’s not a dime. It’s not a buck. I made it as well as I could, and it costs 10 bucks, or go fuck yourself.”

READ THE FULL INTERVIEW AT SPIN:
http://www.spin.com/featured/trent-reznor-upward-spiral-nine-inch-nails-spin-cover-september-2013/

PRE ORDER THE ALBUM ON ITUNES NOW:
https://itunes.apple.com/us/album/hesitation-marks/id655150305

Weekly Recap Sunday October 21, 2012 aka Pandorathon, On and On…

Grab the Coffee!

Recent Posts, aka The Pandorathon:
* Sign the @musiciansunion (AFM) Letter: Friends don’t let friends get IRFA’d!
* If Pandora wants Terrestial Radio Royalty Rates, Act Like It – Problem Solved!
* Tim Westergren’s Sophomore Slump. New Bill Sucks, Old Radio Fairness Bill Was Way Better.
* Screw You Too, Pandora. Part I. Pandora The Union Buster! Jail time for Collective Bargaining?
* Four Simple Reasons Why the Pandora Radio Act Screws Musicians (EZ Reader)
* Screw You Too, Pandora. Part II: Did Pandora Lie During Their IPO? Or are they just plain old greedy.
* IRFA Analysis: Section 2
* Screw you too, Pandora™ PT III. Kangaroo Court: Pandora Bill Requires Firing of Copyright Judges and Replacement with Fake Judges.
* Screw You Too Pandora! Pt IV. Why Conservatives and Libertarians Should Be Appalled By The IRFA Bill.
* Radio Fairness? Sirius/XM Paid My Band $2,213 Pandora Paid $91

And, in case you missed it:
* Amex must really like advertising on #1 copyright infringing and illegal porn linking site Filestube
* Mythbusting : Music Is Too Expensive!?
* Remembering Steve Jobs

From Around The Web.

C|NET:
* Breaking Bad’s Bryan Cranston on Piracy and TV’s golden age

SPIN:
* Downloaders Beware: Copyright Alert System Arises as Torrent Sites Enter the Cloud

COPYHYPE:
* Friday’s End Notes Oct 19, 2012

VOXINDIE:
* Blogspot.com, a Bridge to Piracy?
* Why Doesn’t YouTube Address the Real Content ID Fail?

ETHICAL FAN:
* Calling All Lawyers! uTorrent Increases “Privacy” and Counters Mass-Monitoring of Downloads

COPYLIKE via MEMEGENERATOR:
* Scumbag Steve – Downloads Music for free Buys $300 headphones
* Join Copylike on Facebook

THE CYNICAL MUSICIAN:
* If a Tree Falls in the Forest and Nobody Hears It…

TORRENTFREAK:
* Microsoft Will Ban Halo 4 Pirates from XBOX Live
* Maybe he should have thought twice? Pirate Bay Founder in Jail.

DIGITAL MUSIC NEWS:
* Trent Reznor returns to Major Label System

HYPEBOT:
* SXSW announces first 40 Panels for 2013

MUSIC TECH POLICY
* Betting the Company: The Internet Radio Fairness Act has little to do with the Internet, Radio or Fairness
* An Overlooked Brookings Institute Study on Fighting Piracy at the Corporate Level

AFM:
* Check out the American Federation of Musicians on Facebook

CREATIVE AMERICA:
* Petition for an Internet The Works for Everyone

Roll Call : Musicians For An Ethical Internet

The conversation is now clearly about the unethical practices of corporations and companies profiting from the illegal exploitation of artists work without consent or compensation. As the 13 year war against Artists Rights has waged on, more and more artists are recognizing this fundamental truth, and speaking up.

Many artists are expressing the need for an Ethical Internet that should preserve all the rights and freedoms enjoyed in the physical world. Anyone who proposes that one set of rights (privacy, labor & fair compensation) must be sacrificed to protect another set of rights (freedom of speech), should be seriously questioned. Internet and tech companies need to innovate beyond the old model of illegally exploiting artists work as the basis for their unimaginative models and work to create new fair and ethical businesses.

Bono, Elton John, Eminem, Prince and others don’t need anything that Piracy is said to offer such as promotion, which is laughable at best. The Pirate Bay has made, and continues to make MILLIONS OF DOLLARS annually from artists via advertising (from Google) while providing no compensation to the artists what-so-ever. This is truly immoral and unethical, as well as being unacceptable as a legitimate business.

We hope that more artists will continue to speak up in favor of artists rights online in the pursuit of an ethical internet. What follows is a list of previous artists comments, compiled and attributed to their respective sources on the subject.

BONO
“…somebody should fight for fellow artists, because this is madness. Music has become tap water, a utility, where for me it’s a sacred thing, so I’m a little offended. The Internet has emasculated rather than liberated artists…”

LL COOL J
“My first question is this: Do people in the entertainment industry have the same rights as other Americans to fair pay for fair work?”

PATRICK CARNEY  / THE BLACK KEYS
“The guy [Sean Parker] has $2.5 billion he made from figuring out ways to steal royalties from artists, and that’s the bottom line.”

ELTON JOHN
“I am of the view that the unchecked proliferation of illegal downloading (even on a “non-commercial” basis) will have a seriously detrimental effect on musicians, and particularly young musicians and those composers who are not performing artists.”

EMINEM
“I think that shit is fucking bullshit. Whoever put my shit on the Internet, I want to meet that motherf***er and beat the shit out of him, because I picture this scrawny little dickhead going ‘I got Eminem’s new CD! I got Eminem’s new CD! I’m going to put it on the Internet.’ I think that anybody who tries to make excuses for that shit is a fucking bitch.”

JOHN MCCREA / CAKE
“The idea of making a living from selling musical recordings is sort of a quaint idea and is no longer really feasible… But I do think that if music is going to be free, then sandwiches should also be free. There should be some consistency and we should learn to cooperate better.”

ZACK HEMSEY
“…piracy is primarily motivated by greed – it’s a business, and apparently a very good one. There’s nothing wrong with someone making money, but if they are making money by commandeering and exploiting my work, and not even sharing any of those earnings with me to boot, then it shouldn’t be controversial to suggest their actions are less than admirable.”

DON HENLEY
“Theft of American products and ideas is no longer the hobby of teenagers with laptops; it’s big business, as the Office of the U.S. Trade Representative warns in a recent report on the world’s most notorious illicit markets. And they’re not just stealing movies and music; they are stealing America’s jobs and  future.”

PRINCE
“Nobody’s making money now except phone companies, Apple and Google…It’s like the gold rush out there. Or a carjacking. There’s no boundaries.”

DAVID LOWERY
“I feel that what we artists were promised has not really panned out.  Yes in many ways we have more freedom.  Artistically this is certainly true.  But the music business never transformed into the vibrant marketplace where small stakeholders could compete with multinational conglomerates on an even playing field.”

TRENT REZNOR
“Just because technology exists where you can duplicate something, that doesn’t give you the right to do it. There’s nothing wrong with giving some tracks away or bits of stuff that’s fine. But it’s not everybody’s right. Once I record something, it’s not public domain to give it away freely. And that’s not trying to be the outdated musician who is trying to ‘stop technology. I love technology.”

DAVID DRAIMAN / DISTURBED
“Make no mistake, however, that the culture that has been bred over the course of the last 10+ years of simply thinking that all music should be available for free is wrong, and immoral; plain and simple.This mentality has created an environment where it is more and more difficult for artists, particularly up-and-coming ones, to survive and sustain themselves. We, as artists, love and appreciate our fans more than you know. We know that we could not exist without you, but we don’t steal from you, not in any way, not ever. Wrong is wrong, no matter what color you paint it, or how you try to spin it.”

THE GRATEFUL DEAD
“No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.”

LOGAN LYNN
“What pisses me off is having over 91 percent of my personal intellectual property stolen, often before it even has the chance to be finished and released to the world. As a professional musician, a lot of time, hard work, and money goes into making a record. As an independent musician, that money comes directly out of my own pocket. ”

RANDY BACHMAN
“Digital online piracy is making it nearly impossible for Canada’s emerging artists to make it”

LUPE FIASCO
“People are trapped in the culture where music needs to be free and you don’t need to pay for it… who are you to have the right to tell me that I shouldn’t demand payment or feel a certain way for seeing people put my music out there like that? If I chose to do that, that’s one thing. But I didn’t choose to do that. That music was stolen.”

LILY ALLEN
“The world over, people are stealing music in its millions in the form of illegal file-sharing. It’s easy to do, and has become accepted by many, but we need people to know that it is destroying people’s livelihoods and suffocating emerging new British artists.”

TAIO CRUZ
“I could have been dropped from my record deal because so much was spent and so much of my album was leaked and not paid for. But luckily my label had great belief in me. File-sharing has had a very, very negative effect on my career, as it has on many others.”

In closing, perhaps this quote from Hemingway is also appropriate as food for thought:
“The individual, the great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.” – Death in the Afternoon

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[ THE SKY IS RISING : MAGIC BEAVER EDITION ] [SF GATE BLUNDERS PIRACY FACTS ]
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