Goldieblox Pulls Beasties Video and Other YouTube Debacles

Music Technology Policy

For whatever reason–one can never rule out doing the right thing, even with a Stanford grad–Goldiblox has taken their rip off commercial…sorry, remix commercial…no, no, parody video, yes that’s the ticket–apparently the Goldiblox parody video has been taken “private” on YouTube.  There’s also a new Goldieblox video without the Beasties up on Google’s monopoly video search platform, so let’s see how that one does.

The real question is whether Goldieblox’s lawyers will also withdraw the “waiter, there might be a fly in my soup” declaratory relief action they filed against the Beasties and their producer despite a distinctly ephemeral basis, a “justiciable issue” as they say.  (And of course the most important question of all for the lawyers is whether the Court decides to sanction them for wasting the Court’s time with an idiotic PR stunt, but that’s unlikely to happen however richly deserved I may find it to…

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Beastie Boys Respond to GoldieBlox in Fight Over ‘Girls’ | The New York Times

Keep your eyes on this story kids. This is an all out assault on artist and creators rights from Silicon Valley interests.

The Beast Boys Respond:

Like many of the millions of people who have seen your toy commercial “GoldieBlox, Rube Goldberg & the Beastie Boys,” we were very impressed by the creativity and the message behind your ad.

We strongly support empowering young girls, breaking down gender stereotypes and igniting a passion for technology and engineering.

As creative as it is, make no mistake, your video is an advertisement that is designed to sell a product, and long ago, we made a conscious decision not to permit our music and/or name to be used in product ads.

When we tried to simply ask how and why our song “Girls” had been used in your ad without our permission, YOU sued US.

READ THE FULL STORY AT AD AGE:
http://artsbeat.blogs.nytimes.com/2013/11/25/the-beastie-boys-fight-online-video-parody-of-girls/?_r=2

Shut Up and Sing: Goldiblox Shows Silicon Valley’s Latest Strategy to Intimidate Songwriters

More MUST READ info on this case regarding the unlicensed use of the Beastie Boys classic “Girls” as another Silicon Valley company attempts to suppress the rights of artists and creators.

Music Technology Policy

As MTP readers will know, part of Silicon Valley’s legal strategy for over a decade has been to twist the defense of “fair use” into an unrecognizable mass that has the same end result as all of the Valley Boys attacks on copyright–artists get nothing and Googlers can buy a $15 million soundproof love palace in Manhattan.  So naturally when the House Judiciary Committee has announced the Chairman’s intention to hold hearings to review the affirmative defense of “fair use”, it would be to the advantage of tech companies to silence any artists or songwriters who would offer a competing view.

Because as we know–everything’s a remix, right?  And if you review the requirements for copyright protection, originality–however small–is generally thought of as a constitutional requirement outside of Silicon Valley.  So if you wanted to undermine copyright in public opinion and you didn’t think you’d have the votes to…

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Goldieblox Meets Chucky: Case Targets Songwriters and Producers

This is a must read. So much for musicians and songwriters making money from “Sync Licensing” that’s now “Fair Use” too… seriously…

Music Technology Policy

Producers and songwriters should be aware that in the Temporary Autonomous Zone of Northern California (home of the class action award payoffs to the EFF, Berkman Center and other places where copyright haters thrive), the new new thing appears to be suing record producers and songwriters.  Rick Rubin in particular.

According to Adland.tv:

Last week Goldieblox made a big splash on the internet with their Rube Goldberg style gizmo in their commercial which depicted bored girls who decided to build a “Der lauf der dinge”, or a HONDA “Cog” style machine out of ordinary household things, set to the tune of Beastie Boys “Girls”, but with new lyrics. The creative engineer who built the contraption in OK Go’s “This too shall pass”, Brett Doar, spent 2 1/2 weeks building the gadget in the Goldieblox ad.

Goldieblox isn’t just a pink board with holes in it…

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Finnish pop musician earns mere pennies on Spotify | YLE

Finnish pop artiste Anssi Kela has gone public with his earnings from content streamed via the popular commercial music streaming service Spotify.Kela claims that on average he earns an underwhelming fraction of a cent for each song played via Spotify’s free service. The precise sum is 0.002 euros, or considerably less than one cent.

Read the full story at YLE:
http://yle.fi/uutiset/finnish_pop_musician_earns_mere_pennies_on_spotify/6921281

Why does Google Play’s Tim Quirk show such disdain for musicians? | The Guardian

Musician turned digital music executive [Tim Quirk] hits the wrong note with artists and composers over rights and royalties.

It’s perhaps not surprising that someone working for a digital music service is telling artists not to worry their pretty little heads about getting paid properly, but what may surprise some people is that Quirk is – or at least used to be – an artist himself.

Sure, many online music service executives claim to be musicians in order to convince artists that they’re on their side, despite them driving down royalties. Tim Westergren, the head of Pandora, has used that argument, claiming he cares about musicians while going to Congress to try to reduce songwriters’ royalty rates from next-to-nothing, to even less than that.

Back in 2009, he [Quirk] was raging against the major label system, but now that he works for a corporation that reported more than $50bn in revenue last year – more than three times the $16.5bn revenue of the entire global recorded music industry in 2012 – he appears to think musicians should now simply accept whatever scraps his company chooses to throw their way.

Read The Full Story at The Guardian:
http://www.theguardian.com/media/media-blog/2013/nov/14/google-play-tim-quirk-music

Beck on Spotify: “The Model Doesn’t Work. And the Quality Sucks.” | DMN

The model doesn’t work, so we have to come up with ways in which people can help us to make music for free, or at least for much less. But the current way isn’t working, something’s gotta give.

If I tried to make my albums with that Spotify pays me, I wouldn’t make them. I couldn’t hire other musicians or someone to master it; I’d have to do everything myself.

Read The Full Story at Digital Music News:
http://www.digitalmusicnews.com/permalink/2013/11/14/beckspotifywork

Lessons from the Music Industry: Should We Put Our Faith in Technology Companies? | TSK

The new landscape is instead dominated by technology companies who see all creative content as mere fodder for fueling their own business models (selling ads or devices for example) and they offer no support, no insulation:

The new bosses further cement their position by “waging a cynical PR campaign that equates the unauthorized use of other people’s property (artist’s songs) with freedom.” Through an army of “quasi-religious” surrogates (“freehadists”), the industry pushes for a “Cyber-Bolshevik campaign of mass collectivization,” where creative output is devalued. He sees it as particularly cynical because there’s one exception to this devaluation, one type of IP that is seen as sacrosanct — and that exception is software patents.

Lowery states that suggestions that artists simply need to find a new business model are a clear indication of awareness that artists are getting a raw deal. The new business model is already here, it’s been in place for over 10 years, and it’s making an enormous amount of money. But very little of that money goes to the creator.

At some point, one has to question whether it is still possible to earn a living as a musician, or any type of creator.

READ THE FULL STORY AT THE SCHOLARLY KITCHEN:
http://scholarlykitchen.sspnet.org/2012/06/05/lessons-from-the-music-industry-should-we-put-our-faith-in-technology-companies/

Eminem Makes Public Service Announcement Against Music Piracy | AHH

Eminem sent out a public service announcement to address online piracy in the wake of his latest album The Marshall Mathers LP 2.

The album leaked online earlier this week and the Shady Records machine quickly went to work to suppress the leak. Eminem and his management even went as far as making Rap Genius remove the lyrics to the songs.

READ THE FULL STORY AT ALL HIP HOP:
http://allhiphop.com/2013/11/01/eminem-makes-public-service-announcement-against-music-piracy/