MegaUpload (MegaVideo) Smoking Gun? Did the site illegally charge for Streaming Movies?

These screen shots appear to show that Kim Dotcom’s Megaupload was selling streaming movies that it did not have the rights to sell.

Megaupload was allegedly paid uploaders per stream from files they uploaded to Megaupload. That is why there were so many links that Google autopopulated Megavideo after you entered Star Wars in the search field.

Then Google estimated that there were 4.3 million web pages that had the words “star wars megavideo” on them.  Legitimate file locker sites like Dropbox, don’t allow any public links to copyrighted content.  In fact Dropbox just banned Boxopus, a torrent tool from using its API.

Megavideo let you play the first 45 minutes of Star Wars and thousands of other movies for free (after they had served you and profited from dozens ads) . . .

But then, to watch past 45 minutes, you had to enter your credit card and pay $9.99 a month to keep watching.

 Carpathia Hosting, the CDN that the FBI raided because it was getting paid for caching these illegal movies for Megaupload.  Here is data from a packet analysis we ran in August 2011.  86% of the first 45 minutes of the Star Wars stream captured above came from IP address 173.245.127.21, who ARIN says is assigned to Carpathia Hosting.

IP 173.245.127.21

    Packets 39,908

Bytes 60,314,666 IP Assigned To: Carpathia Hosting, Inc.

% of Total Packets 86.2%

Weekly News and Recap! Sun Aug 19, 2012

Grab the Coffee!

After a brief break the weekly news is back. We also encourage our readers to send us news and stories you discover that you’d like to share with other Trichordist readers. Send your submissions to:  the trichordist (one word) at mail dot com. That’s mail dot com, no “g”.

Recent Posts:
* BMW’s Response to Ads for Its Brands on Pirate Sites
* Isohunt: Bringing People Together on the Wall of Shame
* Mullets, Platform Shoes, Mack Daddies and Public Knowledge
* Dead Kennedy’s Exploited by Charter, Blizzard, Alaska Airlines and 1-800Flowers
* Dear American Express: Stop advertising on sites that illegally exploit my music.
* Free Pussy Riot Now! This is what Real CENSORSHIP Looks Like.
* Who Speaks For The Internet? Do Artists have No Voice Online?

Pussy Riot sentenced to Jail Time, where is the internet Protest and Black Out in response to Real Censorship?
– This is what real and true censorship and oppression looks like and the internet is oddly silent. As yet we’ve not seen the kind of outrage (and outage) sparked by both SOPA and ACTA, which protected artists rights against exploitation. It is sad and confusing that the internet freedom fighters such as Google, Wikipedia and others have not come to the aid of true oppression and censorship. But then again, Pussy Riot is experiencing their troubles in the real world, not online. This is a very important story and we urge all of our readers to educate themselves about it. Mark Levine writes for Al Jazeera, “There are hundreds of artists who perform under threat to their freedom and lives, who also deserve our solidarity.”
* Amnesty International
http://amnestyusa.org/pussyriot
* Free Pussy Riot
http://freepussyriot.org/

Google changes search ranking policy, internet and tech blogosphere have fetal meltdown:
– Google announced that it will start dropping the rankings of sites with a history of infringement in it’s search rankings. We and many others have been advocating this for a long time. It is both encouraging and frustrating that these seemingly impossible policies (like youtube content management and audio fingerprinting) just make it appear to us that Google is the boy who cried wolf. That said we applaud Google, for these policy changes that have the tech blogosphere whining like a baby without a bottle. Let’s be clear about this, these policies are, have been and will be about money and Google’s best interest. Eric Goldman’s piece in Forbes is representative of the kind of fetal meltdown the Google faithful are experiencing, including the EFF. Politico noted Google’s stat that  of the 4.3 Million DMCA requests filed in one month, 97% we in fact infringing. We fully expect to see more inevitable policy changes along these lines in the future, let the screaming begin…

Related : Pirate Sites lose their cookies over Google’s policy change:
– Hmmm… it’s funny how when the pirates need to “adapt and evolve” how much whining we hear. Torrent Freak reports on how The Pirate Bay and Isohunt are in a defcon 4 panic because they know, like we do, once Google acknowledges that these sites are infringing we have started down the road to real progress for creators and artists.

Pirates eat their own in response to uTorrent’s announcement to include adware in the client:
– It never fails to amaze us how those infringing and exploiting artists feel they deserve to be paid for their labor, despite running a site that denies artists the ability to be compensated for their labor. We love this quote from one of the uTorrent developers reacting to the stream of criticisms, “µTorrent is an excellent application which comes for free, but you must understand that its development doesn’t. You just have no authority to sit in judgment over that.” Yes, please tell us more about the importance of being compensated for your labor…

Topspin’s Ian Rogers joins in letter arguing against the protection of Artists Rights:
– We like Ian Rogers alotl. Readers of The Trichordist will know that we frequently refer to Ian’s awesome post-sopa editorial on hypebot calling for non-legislative, cooperative solutions between the tech and content industries in the form of a content database and registry. It is with great disappointment that we saw Ian’s signature on a letter with many people who aggressively campaign against artists rights from the illegal exploitation of their work and fair compensation online. I’m not sure what artists are using Topspin these days, but it gives us pause when the CEO is so aligned with those who are seemingly so opposed to artists rights.

Controversial Tunecore CEO Jeff Price has exited the company:
– We can’t say that we’re surprised. We love Jeff for his passionate and unapologetic opinions about the record industry but often wondered about the accuracy of his perception. Jeff no doubt has done a lot of good on behalf of artists at Tunecore, but also was a bit too defensive and combative when called upon to engage in serious conversations about the reality of life for musicians in the piracy age. Jeff missed the mark and missed the point with an ill informed abusive rant aimed at the widely embraced “Letter To Emily” by David Lowery here on the Trichordist. We believe Tunecore offer a great service to many musicians, but the model would appear to have a glass ceiling. Only so many people are going to keep renewing fees for a service from which they can not recoup those fees, and/or the actual costs to make, market and promote an album. We always thought Jeff would have been better served understanding the real enemy of artists in the 21st Century is for profit piracy and not the major labels (which he oddly defends in the case of Spotify). We hope wherever Jeff lands he will have learned from this experience and continue to be a vocal advocate for artists rights.

Red State reports on the state of the Internet Policy:
– We’re always encouraged to see the issues facing artists and creators reaching a wider audience and greater awareness. Neil Stevens reports in this post from Red State on how Google still makes good money off of slavery and copyright infringement, the ever changing stories told by Kim Dotcom, and comments that Anonymous hasn’t gotten past banging on the table and screaming for what they want: free stuff, legal or not.

AdLand reports on how major brand advertising appears on sites with infringing content exploiting artists:
– We highly recommend checking the AdLand website. A lot of very useful and informative info. We like their no holds barred attitude in addressing the inequities happening online.

Things we like to see, Fair Trade Music Seattle:
– We hope to see more organizations like this for musicians and artists rights. We been saying for a while that people are willing to pay more for fair trade coffee once they’ve been educated, so fair trade music should benefit from the same philosophy to benefit working musicians.

What do Aimee Mann, Neko Case, Talib Kweli all have in common? Tune in this week and find out…
– Starting this week, we’ll be exploring the real word effects of the exploitation economy as we look at how brands, agencies and ad networks appear to be benefiting from the infringing and illegal exploitation of not only artists work in their music, but also the artists name and brand itself.

Reader Comment of the Week:
– This week’s user comment is from Bill Rosenblatt in response to the post Who Speaks For The Internet? Do Artists have No Voice Online? in which we discuss the parties who claim to speak for everyone online. Bill’s comment, “As for Mike Masnick, he’s the Rush Limbaugh of the Internet – he and his Dirtoheads…”

Who Speaks For The Internet? Do Artists have No Voice Online?

Does the internet speak for Artists? This doesn’t appear to the case. Who is the internet anyway?

We’re always kinda amazed when a singular entity or point of view “speaks for the internet” as if there is no social, economic, geographic or political diversity. Is the “Internet’ a demographic onto it’s own, and if so, what defines that demographic? Which begs the question, does “the internet” speak for you (as an artist, as an individual)? Though this entry is somewhat cute, it is also disturbing to see “the internet” as a single block with a Borg like hive mind… TechDirt reports:
http://www.techdirt.com/articles/20120718/18350719751/internet-wins-again-writer-gets-rapper-pitbull-exiled-to-alaskan-walmart.shtml

In another example we find it amusing when any ONE group alleges to speak for the internet. In the latest of what appears to be another round of Tech Funded astro turf and sock puppet groups enter the “Internet Association.” Why are we not surprised that Google, Facebook, Amazon and Ebay lead the list of members whose mandate is to represent “the interests of Internet companies.” Oh, ok, I get it now… the internet is a business and those who speak “for the internet” are really speaking for “corporate interests.” Phew, I’m glad we’re clear about that now… read on at Digital Media Wire:
http://www.dmwmedia.com/news/2012/07/26/new-advocacy-group-speaks-on-behalf-of-the-internet

What do you think? Does the tech lobby own the voice of the internet? Does no one but the internet and tech lobby have a say in the future of our online and digital lives?

Let us know what you think.

Uh Toyota… didn’t you get the memo? Why are you advertising on unauthorized sites that exploit my music?

We recently ran a story about American Express advertising on Filestube, the site that infringes my copyrights while suggesting porno links next to my brand.  The American Express ad was served by Google’s DoubleClick ad network presumably at the behest of Ogilvy & Mather.

Yesterday a Google spokesperson told us that they had disabled “self serve” advertising for this site.  We weren’t really sure if that meant no more DoubleClick on FilesTube, or if it was some kind of semantic dodge. We’ve had a bunch of those dodging semantics on this issue.  However we monitored FilesTube yesterday and we see no sign of DoubleClick.   We applaud Google for taking this action!

Now not to look a gift horse in the mouth but we’d  love to see Google disable advertising for all those sites that they know are infringing copyright. The ones they mentioned in this handy press release. See it seems a little disingenuous to lower these sites rankings but at the same time to continue doing advertising business with them?  (And yes we are already monitoring advertising on these sites!!)

American Express is another matter. We have not heard back from American Express.  We’d love to hear what American Express has to say about their company helping to finance copyright infringement–not just mine, but all of the artists. We’d love to know how that happened and if they intend to continue advertising on these sites. Cause it doesn’t seem like a very good idea for an iconic American Brand.

Now  I’ve lost my handy pocket version of the RICO statute. People are always borrowing it!  But I’m almost certain that it says something about making plans to profit from copyright infringement as a RICO “predicate”.  I’m no lawyer but if I were a big company like American Express I wouldn’t want to get anywhere near a website  that even had the potential to get wrapped up in a RICO investigation.  Especially one based in Moldova.

Today FilesTube looks like a wasteland of QuiBid ads, MacKeeper popups and click shoot ads.  Pretty low grade.  Seems like it’s not just American Express which got the memo.

Toyota however did not get the memo!   So now it’s Toyota’s turn to answer the question?  Why  are you  advertising on this site?

Free Pussy Riot Now! This is what Real CENSORSHIP Looks Like.

This is what Real Censorship looks like for those who confuse easily. This is sad breaking news.

(Reuters) – Three women from Russian punk band Pussy Riot were sentenced to two years in jail on Friday for their protest against President Vladimir Putin in a church, an outcome supporters described as the Kremlin leader’s “personal revenge”.

http://www.reuters.com/article/2012/08/17/entertainment-us-russia-pussyriot-idUSBRE87F1E520120817

For those who remain confused about the difference between FREEDOM OF EXPRESSION and FREE BEER (er uhm music) please read this report from Amnesty International regarding  Pussy Riot and do take action.

Freedom of Expression is truly a right to be protected and preserved, as ARTISTS RIGHTS ARE HUMAN RIGHTS:

http://www.amnestyusa.org/news/news-item/russia-urged-to-release-pussy-riot-group-as-court-prolongs-detention

SIGN YOUR NAME:
http://amnestyusa.org/pussyriot

FREE PUSSY RIOT – GLOBAL PROTESTS:
http://freepussyriot.org/

Dear American Express: Stop advertising on sites that illegally exploit my music.

Dear American Express:

I write you today to ask why your ads are appearing on top rogue sites such as http://www.filestube.com? Sites like these are for-profit enterprise level organizations often with ties to organized crime. Sites like these appear to profit by illegally exploiting artists copyrights and monetizing their web traffic through advertising. Yes, advertising bought and paid for by American Express.

This is not an obscure site. Its Alexa ranking shows that it is one of the most popular websites in the world. I realize that you probably did not intend to have your ads appear on this site. However, I still hold you accountable for not properly auditing your advertising agency  Olgilvy & Mather  and your ad network DoubleClick. It should be noted that this site also links to some pretty prurient, possibly illegal videos; it’s entirely possible that I won’t be the only one holding you accountable.

I’m told that advertising agencies often hire companies to verify that their clients’ ads are being served to the approved websites. I am here to tell you that from what I have seen, these services are incompetent or worse. We have plenty of screenshots and source code showing major brands that surely use these services, advertising on illegal sites. (We’d be glad to share some of these screenshots and source code with you.)

Here are screenshots that show an American Express advertisement on http://www.filestube.com apparently served by DoubleClick. This isn’t abstract to me–this page is a link to an illegal download of one of my songs. You should also note some of the other “suggested” searches on this same site are for some pretty nasty stuff.  I don’t like having my brand seen in these places and I’m sure you don’t either.

I suggest you do something I can’t do–audit everyone involved in this process . What’s the worse thing that could happen? Your brand not appearing on sketchy sites next to links to pornography?

Now that’s priceless.

Dead Kennedys Exploited by Charter, Blizzard, @AlaskaAir and @1800Flowers

Music Piracy is not about fans sharing music. As we can see from the screen shots below this truly appears to be a mass scale, enterprise level, organized crime being funded by advertising dollars funded by major brands and companies laundered through online ad networks.

CORPORATE RELATIONS CONTACT INFO:

Alaska Airlines
Maria Koenig
maria.koenig@alaskaair.com

1-206-392-5101

1-800-Flowers
Elizabeth Castoro
ecastoro@1800flowers.com

1-516-237 4867

Mullets, Platform Shoes, Mack Daddies and Public Knowledge

Written by Chris Castle

“[W]hen it comes to the internet, there’s always someone in the middle, especially when it comes to handling the money.” Wired Magazine

Call me cynical, but I always keep an eye on Friday afternoon press releases–Friday afternoons are the great graveyard of bad news.

Google announced on August 10 (Friday) that they are doing something I understand they have been doing increasingly over the last few months: Pushing sites down in search results if Google gets a lot of takedown notices for those sites.  (This is a version of what Google promised to content licensors for Google Video–and of course no one believed them like you don’t believe a street drunk that they’re really going to buy food with your $5.)

Remember–Google has announced in its rather untransparent Transparency Report that it gets millions–millions–of takedown notices annually.  A Google lobbyist told the House Judiciary Committee that Google had “processed” five million DMCA notices as of November 2011 and had “processed” over three million in 2010.  (As usual, Google doesn’t use a good verb like “received” instead of the ambiguous “processed”.)

That five million number seems to have taken a big jump, and I doubt it suddenly happened in the last 10 months.  According to the Wall Street Journal, “The company on Friday said it is now receiving more than a million copyright notices related to its search engine per week.”  (When exactly is “now”? Before or after Google’s testimony to the Congress?)

That is on track for over 50 million notices a year for search alone.

Understand this–it is highly likely that every notice Google received was for a link on a page for which Google served–or profited from–at least one ad.  It’s also likely that those ads were from brands to which Google had promised that it would not serve ads on sites with infringing content.  And guess what happens when Google charges an advertiser for serving an ad in violation of its contract with an advertiser.

It’s called a rebate.

If even half of the notices for which Google has received a DMCA notice–bearing in mind that is a US-based remedy–also have advertising served by Google, then Google may well be on the hook for rebates for millions upon millions of ads for years and years and years.  You would never have thought about this rebate exposure if you relied on Google’s investor disclosures.  If Google stockholders want to blame anyone, they should take a close look at whoever did the legal analysis on setting up the Google advertising platform in the first place.  (Hint: He now works at Spotify.)

I would suggest that what is happening is the beginning of something along the lines of the market solution I have advocated  for a long time–a site-based rating system based on the raw number of DMCA notices received.  This would be along the lines of the restaurant rating system that LA County has in place and would provide a useful feedback to the Congress as well as consumers.  Disclose the information to the market and see what happens.  (Of course, Google doesn’t count DMCA notices sent to YouTube or the Blogger cesspools–but that’s another story addressed by Searchengineland.)

Actually giving effect to such a system would be a step toward ending the advertising supported organized crime that is a large part of the “hybrid economy” on the Internet.  Assuming Google really does what they say they will, this announcement may signal the beginning of the end of this dark fashion.

Not surprisingly, we see this press release from Public Knowledge:

For Immediate Release August 10, 2012

Public Knoweldge [sic] Raises Concerns About Changes to Google Search Algorithm

The following statement may be attributed to John Bergmayer, Senior Staff Attorney:

“It may make good business sense for Google to take extraordinary steps, far beyond what the law requires, to help the media companies it partners with.  That said, its plan to penalize sites that receive DMCA notices raises many questions.

“Sites may not know about, or have the ability to easily challenge, notices sent to Google.  And Google has set up a system that may be abused by bad faith actors who want to suppress their rivals and competitors.  Sites that host a lot of content, or are very popular, may receive a disproportionate number of notices (which are mere accusations of infringement) without being disproportionately infringing.  And user-generated content sites could be harmed by this change, even though the DMCA was structured to protect them.

“Google needs to make sure this change does not harm Internet users or the Internet ecosystem.”

This might be a faintly interesting comment except for one thing: it’s not.  According to Politico’s reporting:

Google said Friday it has received more than 4.3 million copyright removal requests in the past month — about 97 percent of which are valid. Many of the domains that are targets of the most requests are file-sharing and torrent sites. (emphasis mine)

It’s not surprising that Public Knowledge doesn’t get it.  Companies are increasingly aware that their valuable brands are being trashed by association with all manner of sketchy or outright illegal sites with advertising for illegal drugs, human trafficking, financial products and–yes, copyright infringement, but not just copyright infringement.  This at the same time as Google is trying to get into the mainstream entertainment business with Google Fiber and its various other products.

When fashion turns, it leaves all those people with mullets, platform shoes and superwide ties in the lurch.  A closet full of crap and a brain full of mush, weird hair and no dates.

It’s the economics, stupid.  Who in their right mind could imagine that the world could continue to look this way?  Who would really think that many, many artists and media companies have anything but public and private contempt of the first order for Google?  An ontological level of distrust?

And who would really think that the brands that also court relationships with top athletes, musicians, artists and actors would continue to get ripped off by having their advertising served on millions of unsavory sites.  And guess what–when a big brand picks up the phone, they don’t want to hear about how Google is trying to bust another union or wants every link on every page to be adjudicated an infringer before they take action while reposting disabled links in near real time in the cesspool regions of Blogger.  Google’s excuses have nothing to do with the brands.  If brands don’t want their ads on site X, then the ads won’t go on site X.  End of discussion.  And Internet users will be the better for it.  Unless they’re trying to buy a bride or score some oxy.

And I have to believe that Attorney Bergmayer knows this.  He surely can’t be that sheltered.

Time for a haircut and spring cleaning.

Google offers the Mack Daddy special.
(A version of this post previously appeared on the Music Tech Policy blog)

Music Technology Policy

The Canadian bit torrent site and Geist darling Isohunt was found in 2010 to be a copyright infringer in no uncertain terms (probably because they are clearly a massive and intentional infringer).  According to the Financial Post:

…Canada’s most notorious file sharing Website is facing increasing legal pressure from legal authorities in the United States.

On Thursday, U.S. District Court Judge Stephen Wilson in Los Angeles issued a permanent enjoinment against Gary Fung, the Richmond, B.C. owner of Isohunt, one of the largest BitTorrent search engines on the Internet.

The ruling comes as a result of a lawsuit launched against the Canadian Website several years ago by the Motion Picture Association of America, the group which represents the biggest movie studios in Hollywood.

According to yesterday’s judgment, Judge Wilson decided to permanently enjoin Isohunt and the 27-year-old Mr. Fung from continuing to engage in copyright infringement because the MPAA “have…

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