You See What Happens When You Find a Stranger in the Alps? Sirius Screws It Up For All Broadcasters.

“You see what happens when you find a stranger in the alps”-Television censored version of Walter’s magnificent rant in The Big Lebowski.

We told you so.  Sirius, Pandora and other digital broadcasters in refusing to pay royalties on pre-1972 masters have created total chaos for digital broadcasters and enormous liabilities for their shareholders.  A federal judge has ruled that Sirius has no license to play these songs.  This is not a just a devastating setback for Sirius.  It has wide ranging repercussions for the entire broadcasting industry.  Does any service have a license to play any pre-1972 recording? That is now an open question.

We’ve always maintained that the position that Sirius and Pandora have taken in regards to pre-1972 recordings was extremely dangerous,  for it could result in a judge ruling that  no digital broadcasters have compulsory licenses to play these songs.   And now that’s what has happened.  If this ruling stands every digital broadcaster may have to obtain a license to play pre-1972 recordings from every single master recording owner.  That is what I would call a clusterjam™ of epic proportions.

In the equity trading business there is a little adage:  “Any idiot can lose money in the stock market, you have to be really smart to lose a lot of money.”   So here is the corollary:  “Any idiot lawyer can make a bad legal argument that leads to copyright infringement liabilities,  It takes a really smart lawyer to make an entire industry liable.”

The thing for Pandora and Sirius to do now is to immediately start paying royalties under the 1995 DPRA act (and subsequent acts).  Why? Because they’d at least have a fig leaf of a claim to a license for these recordings. With all due respect to our lawyer friends and law professors who have insisted that we are wrong about this,  the federal 1995 DPRA act DOES cover pre-1972 recordings (and a careful reading of the latest ruling does not contradict our position). To claim otherwise is as plausible as a belief in unicorns.  Just look at the text* of the 1995 DPRA.  Nowhere does the text make any distinction between pre-72 or post 72 masters. Further you would have to believe an extraordinary claim that congress intended to exclude an entire class of recordings, without testimony or debate.    The act also goes out of it’s way to specifically exempt terrestrial radio, if congress had intended to exempt pre-1972 recordings wouldn’t they have specifically exempted it? After all they declared themselves to be in the business of handing out exemptions!   Further the law says “copyrighted work”,  but does not specify federal copyright as the unicorn wranglers claim.  And lets be consistent here, by inductive logic why aren’t the unicorn caballeros claiming that  the DMCA safe harbor doesn’t apply to pre-1972 recordings?  I just hear crickets on that one.

[DOCID: f:publ39.104]
        DIGITAL PERFORMANCE RIGHT IN SOUND RECORDINGS ACT OF 1995

[[Page 109 STAT. 336]]


Public Law 104-39
104th Congress

                                 An Act


 
To amend title 17, United States Code, to provide an exclusive right to 
perform sound recordings publicly by means of digital transmissions, and 
         for other purposes. <<NOTE: Nov. 1, 1995 -  [S. 227]>> 

    Be it enacted by the Senate and House of Representatives of the 
United States of America in Congress assembled, <<NOTE: Digital 
Performance Right in Sound Recordings Act of 
1995. Copyrights. Communications.>> 

SECTION 1. SHORT TITLE. <<NOTE: 17 USC 101 note.>> 

    This Act may be cited as the ``Digital Performance Right in Sound 
Recordings Act of 1995''.

SEC. 2. EXCLUSIVE RIGHTS IN COPYRIGHTED WORKS.

    Section 106 of title 17, United States Code, is amended--
            (1) in paragraph (4) by striking ``and'' after the 
        semicolon;
            (2) in paragraph (5) by striking the period and inserting 
        ``; and''; and
            (3) by adding at the end the following:
            ``(6) in the case of sound recordings, to perform the 
        copyrighted work publicly by means of a digital audio 
        transmission.''.

SEC. 3. SCOPE OF EXCLUSIVE RIGHTS IN SOUND RECORDINGS.

    Section 114 of title 17, United States Code, is amended--
            (1) in subsection (a) by striking ``and (3)'' and inserting 
        ``(3) and (6)'';
            (2) in subsection (b) in the first sentence by striking 
        ``phonorecords, or of copies of motion pictures and other 
        audiovisual works,'' and inserting ``phonorecords or copies'';
            (3) by striking subsection (d) and inserting:

    ``(d) Limitations on Exclusive Right.--Notwithstanding the 
provisions of section 106(6)--
            ``(1) Exempt transmissions and retransmissions.--The 
        performance of a sound recording publicly by means of a digital 
        audio transmission, other than as a part of an interactive 
        service, is not an infringement of section 106(6) if the 
        performance is part of--
                    ``(A)(i) a nonsubscription transmission other than a 
                retransmission;
                    ``(ii) an initial nonsubscription retransmission 
                made for direct reception by members of the public of a 
                prior or simultaneous incidental transmission that is 
                not made for direct reception by members of the public; 
                or
                    ``(iii) a nonsubscription broadcast transmission;
                    ``(B) a retransmission of a nonsubscription 
                broadcast transmission: Provided, That, in the case of a 
                retransmission of a radio station's broadcast 
                transmission--
                
[[Page 109 STAT. 337]]

One thought on “You See What Happens When You Find a Stranger in the Alps? Sirius Screws It Up For All Broadcasters.

  1. Pingback: Sirius, Pandora Pre-1972 Music Royalty Scam Creates Broadcaster Chaos, Huge Shareholder Liability | Planet 6 String

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