Pirate Bay Founder: ‘I Have Given Up’ | Motherboard.Vice

This interview is fascinating on so many levels and deserving of it’s own in depth post to explore Sunde’s comments.  Here is just a teaser…

What is it exactly that you have given up?

Well, I have given up the idea that we can win this fight for the internet.

The situation is not going to be any different, because apparently that is something people are not interested in fixing. Or we can’t get people to care enough. Maybe it’s a mixture, but this is kind of the situation we are in, so its useless to do anything about it.

We have become somehow the Black Knight from Monty Python’s Holy Grail. We have maybe half of our head left and we are still fighting, we still think we have a chance of winning this battle.

So what can people do to change this?

Nothing.

PLEASE READ THE FULL POST AT VICE-MOTHERBOARD:
http://motherboard.vice.com/read/pirate-bay-founder-peter-sunde-i-have-given-up

Musician/Producer Michael Beinhorn Added to NAMM Artists Rights Panel Thu 1/23 – 3pm

We’ve just gotten word that Musician/Producer Michael Beinhorn has been added to the NAMM 2014 Artists Rights & Internet Panel.

Michael brings a unique perspective as a musician and producer whose work spans from such classic and ground breaking albums as Herbie Hancock’s “Future Shock” which featured “Rockit” to seminal rock albums for Red Hot Chili Peppers, Marylin Manson, Hole, Soundgarden and to many more to mention.

Michael Beinhorn Discography

NAMM 2014 – Copyright, The Internet and You
http://www.namm.org/thenammshow/2014/hot-zone/copyright-internet-and-you-panel

Day: Thursday, Jan 23

Start Time: 3:00 pm (One Hour) 

Room: The Forum (203 A-B)

Presenter / Moderator: Gregory Butler

Why are content creators seeing less money than ever while their art is being used so widely? Join our panel of experts as they look at the challenges of navigating the new music industry, piracy and intellectual property.

Panelists:
* Lucy Miyaki of Tashaki Miyaki
* Manda Mosher of Calico
* Reinhold Heil, Film & TV Composer
* John Cate, fmr Tunecore CFO
* Tom Biery, Artist Management
* Brian McNelis, Music Supervisor / Soundtrack Album Producer

RELATED :

NAMM 2014 Artists Rights Panel, Actually Features Artists…

NAMM 2014 Artists Rights Panel, Actually Features Artists…

We’ve written here before how so called “Artists Rights” or “Artists & Copyright” panels at conventions such as CES and SXSW seem to be lacking any artists who are actually interested in protecting their rights and copyrights. So we’re pleased to see that NAMM has gotten it right and we encourage those going to the convention to drop in on the panel.

NAMM 2014 – Copyright, The Internet and You
http://www.namm.org/thenammshow/2014/hot-zone/copyright-internet-and-you-panel

Day: Thursday, Jan 23

Start Time: 3:00 pm (One Hour) 

Room: The Forum (203 A-B)

Presenter / Moderator: Gregory Butler

Why are content creators seeing less money than ever while their art is being used so widely? Join our panel of experts as they look at the challenges of navigating the new music industry, piracy and intellectual property.

Panelists:
* Lucy Miyaki of Tashaki Miyaki
* Manda Mosher of Calico
* Reinhold Heil, Film & TV Composer
* John Cate, fmr Tunecore CFO
* Tom Biery, Artist Management
* Brian McNelis, Music Supervisor / Soundtrack Album Producer

David Byrne: “Do you really think people are going to keep putting time and effort into this, if no one is making any money?” | Salon

Start the stopwatch for the synchronized swimming rapid response team… David Byrne in Salon:

The musical genius shares his songwriting secrets, opens up his finances and ponders the future of art and the Web

Lots of us believe that musicians, along with other artists, are struck by inspiration and have this emotion which they must express and share. But you argue in your book that it is actually the opposite — that the idea of the songwriter pouring heart, soul and autobiography into his or her music is wrong-headed. “The accepted narrative,” you write, “that the rock and roll singer is driven by desire and demons, and out bursts this amazing, perfectly shaped song that had to be three minutes and 12 seconds. This is the romantic notion of how creative work comes to be, but I think the path of creation is almost 180 degrees from this model.”

READ THE FULL STORY AT SALON:
http://www.salon.com/2013/12/21/david_byrne_do_you_really_think_people_are_going_to_keep_putting_time_and_effort_into_this_if_no_one_is_making_any_money/

Congresswoman Judy Chu: Too Many Americans Think Piracy is OK | THE WRAP

The American public doesn’t understand the consequences to piracy. There are large segments of it that even think it’s okay.

We need to have a greater understanding of [piracy] by the American public. Piracy affects one of the main American exports. It’s a huge industry for the United States, and Americans have to understand it is not right to pirate information.

The MPAA just did a study on how people get pirated content. 74 percent said they first were introduced to infringing content through search engines.

We need to develop a better system for fighting piracy than a whack-a- mole project.

READ THE FULL STORY AT THE WRAP:
http://www.thewrap.com/congresswoman-judy-chu-many-americans-think-piracy-okay/

ADWEEK : “Ad Industry Takes Major Step to Fight Online Piracy”… Again…

Stop me, oh uh, stop me, if you think you’ve heard this one before…

The advertising industry took a major step Thursday in fighting rogue websites that steal copyrighted material and sell counterfeit goods. To cut off the financial support that keeps rogue sites alive, the nation’s two major ad industry associations recommended agencies and marketers take steps to keep brands’ ads off those sites.

While the debate remains contentious, there has been universal agreement that the key to shutting down rogue websites was to cut off the money that keeps them alive.

Recognizing advertising was the first line of attack, GroupM last year became the first ad shop to adopt a comprehensive anti-piracy policy, compiling last summer an updatable black list of some 2,000 websites that are cut off from ads from blue-chip clients like Ford, AT&T, Unilever and Dell.

READ THE ABOVE FULL ARTICLE HERE AT ADWEEK:
http://www.adweek.com/news/technology/ad-industry-takes-major-step-fight-online-piracy-140014

So the above is from May 3, 2013… and here’s an insightful article below from the advertising trade publication CLICKZ.COM on April 18, 2011… Yes, 2011…

What is the purpose of me bringing this up? To raise awareness and perhaps ask publicly that those involved in this industry become better corporate citizens. If you are running one of those exchanges or networks and feel that it’s only a “transparency” issue, please consider that you are funding not only these websites but organized criminal organizations that run them.

This is not a victimless crime, but instead one that is affecting musicians, programmers, artists, designers – and businesses of all sizes.

As an industry, here are some suggestions of what we can do:

1. Ensure every network that you work with has a no-warez/piracy/torrent policy. Ask around about the networks that do support this. Even if they claim that your ads aren’t going on there, be aware that many of these networks aren’t honest.

2. Put pressure on exchanges that you work with to ensure no network that has this type of inventory is on that exchange. If a few agencies call the exchanges and make it clear they won’t buy media until they are assured these sites are completely off the exchange, then maybe those in charge will consider it a serious issue.

3. Refuse to pay networks that you discover violate this policy and show your advertisements on those sites. Make it clear that you find this behavior not only illegal, but unacceptable for your agency, network, or product.

YOU CAN READ THE FULL ARTICLE HERE (FROM 2011) AT CLICKZ:
http://www.clickz.com/clickz/column/2041366/advertising-networks-supporting-piracy

Accountability?
Responsibility?
Transparency?
Anyone?
Hello?

Two Simple Facts about Technology and Piracy : iTunes Vs. YouTube

Fact number one.

Unlike Google’s YouTube, Apple’s Itunes Store does not have a piracy problem, nor does it have an unmanageable issue with DMCA notices. This is often explained that this is because Apple does not allow user generated content from just anyone, therefore there is a barrier to entry that prevents such issues. But this is simply just not true, anyone can upload an album of music to Itunes using any one of the third party aggregation services such as Tunecore or CDbaby. And yet, there are not (as far as we know) hundreds or thousands of DMCA notices and content take downs on Itunes per day, as there are on YouTube. So why is this? In a word, intent.

If Apple, Spotify, Amazon and virtually every other legal and licensed distributor of digital music can put into place, the checks and balances that are capable of managing these rights effectively why is it so hard for Google to do the same YouTube? Think about it.

Fact number two.

YouTube can effectively filter content if it wants to. Since day one, we have never, ever seen any live porn on YouTube. Not a single live link to porn, ever. In debates in various online forums we have often proposed the challenge to anyone to present an active live link to full fledged porn on YouTube. It has NEVER happened. No one has EVER been able to present a live link to an active porn video on YouTube in the six plus years we and our friends have presented the challenge. Talk about a crowd sourcing FAIL.

What these two facts reveal is that rights management online, the protection of copyrights and the enforcement of Intellectual Property require nothing more than the intent and will to do so. But don’t take our word for it, listen to Google’s own Chief Economist Hal A Varian from his book “Information Rules” where he describes “Bitlegging.”

“Bitlegging” can’t be ignored: there’s no doubt that it can be a significant drag on profits.

Bitleggers have the same problem that any other sellers of contraband material have: they have to pet potential customers know how to find them. But if they advertise their location to potential customers, they also advertise their location to law enforcement authorities. In the contraband business it pays to advertise… but not too much.

This puts a natural limit on the size of for-profit illegal activities: the bigger they get, the more likely they are to get caught. Digital piracy can’t be eliminated, any more than any other kind of illegal activity, but it can be kept under control. All that is required is the political will to enforce intellectual property rights.

So Apple, Amazon, Spotify (and hundreds of others) can effectively manage digital distribution without triggering millions of DMCA notices. YouTube can effectively filter porn, and yet the internet is not broken as best as we can tell.

Maybe, just maybe this isn’t so complicated after all. That is unless one has a specific intent and motive from which they perhaps profit from the mass scale aiding of commercial level infringement.

Who Speaks For The Internet? Do Artists have No Voice Online?

Does the internet speak for Artists? This doesn’t appear to the case. Who is the internet anyway?

We’re always kinda amazed when a singular entity or point of view “speaks for the internet” as if there is no social, economic, geographic or political diversity. Is the “Internet’ a demographic onto it’s own, and if so, what defines that demographic? Which begs the question, does “the internet” speak for you (as an artist, as an individual)? Though this entry is somewhat cute, it is also disturbing to see “the internet” as a single block with a Borg like hive mind… TechDirt reports:
http://www.techdirt.com/articles/20120718/18350719751/internet-wins-again-writer-gets-rapper-pitbull-exiled-to-alaskan-walmart.shtml

In another example we find it amusing when any ONE group alleges to speak for the internet. In the latest of what appears to be another round of Tech Funded astro turf and sock puppet groups enter the “Internet Association.” Why are we not surprised that Google, Facebook, Amazon and Ebay lead the list of members whose mandate is to represent “the interests of Internet companies.” Oh, ok, I get it now… the internet is a business and those who speak “for the internet” are really speaking for “corporate interests.” Phew, I’m glad we’re clear about that now… read on at Digital Media Wire:
http://www.dmwmedia.com/news/2012/07/26/new-advocacy-group-speaks-on-behalf-of-the-internet

What do you think? Does the tech lobby own the voice of the internet? Does no one but the internet and tech lobby have a say in the future of our online and digital lives?

Let us know what you think.