We have reports from songwriters who have been on the DOJ conference calls that they are still asking songwriters comments.  We don’t think anyone would should participate in this. But for some odd reason the DOJ is not going to publish them.   Why?   We urge anyone submitting comments to also publish them on their personal blogs and send us the links.  We will publicize.  If you don’t have a blog send them to us and we will publish them.

This is a democracy not a police state.   The DOJ is one of the most powerful departments in the executive branch, they shouldn’t be allowed to operate in secrecy on commercial issues like music licensing.

(and with all the security challenges facing the US explain to me why is the DOJ wasting time and money making it easier for 1/2 trillion dollar companies like Google, Apple and Amazon to license songs?)

Readers Poll:  Where will Renata Hesse end up after DOJ?

Renata Hesse is the Obama administration official behind the 100% licensing rule that governs songwriters associations.  We are concerned that this rule change (or “re-interpretation”) is designed to benefit YouTube. The fact Renata Hesse  worked for Google in private practice and did not recuse herself only heightens our concern.  We also find it curious that this rule change was proposed despite the fact the US Copyright office essentially told the DOJ no one was asking for the change and it is a bad idea. 

So dear readers let’s have a little fun today.  Where do you think Renata Hesse will end up after the Obama Administration?

DOJ’s Renata Hesse appears to have started with desirable political outcome (100% song licensing) and is now working backwards trying to make it fit the law. 

There is something very curious going on with the new 100% licensing rule.  I mean aside from lobbying violations apparent in the fact a DOJ staff lawyer Renata Hesse forced through 100% licensing rule that seems to benefit  her former client (Google/YouTube).

Ask yourself. Why hasn’t the DOJ released the text of the new rule? Why are they asking for more comments and questions from rights holders on how this rule will work?  This is the highest law enforcement agency in the land staffed with lawyers from Harvard and UC Berkeley and they want us to ask questions about a new rule before  the text of the rule is revealed? How exactly is that supposed to work?  Clearly the DOJ antitrust division is a clown car loaded with political appointee clowns that have no idea what they are doing.

Here’s what I think.  Certain DOJ staffers started with a concept  (100% licensing, effectively extending consent decrees to songwriters not covered by consent decrees)  and are trying to work backwards to make it work within the law, constitution and their own rules that govern the songwriter PROs.

If they were doing this based on real antitrust concerns and concepts based on the rule of law, the rule  would naturally flow from the law. Clearly they started with an outcome designed to benefit digital services.

Given Renata Hesse’s background working for Google should we be surprised the process is so googley:

“We need rights holders to tell us what content on our services belongs to them” = “We need rights holders to tell us how to create 100% licensing rules even though this is the job taxpayers pay us to do”

Here is how we win:  Don’t help them.   They dug this hole let them figure it out.  Save the challenges legal and otherwise until after they publish the rule.

Public Knowledge Policy Counsel Panjwani.  Does Google tell you exactly what to say or do you get to improvise a little? Change a word here and there, come up with the occasional pithy slogan?

Music Business WorldWide has an excellent article today noting that the Google backed Public Knowledge is crowing about “their” victory over music publisher  (songwriters).

This group despises ‘bad behavior’ by music publishers. Guess who funds it?

That’s right Public Knowledge named as a “Google shill” in the Google v Oracle case, is crowing about the fact a former Google lawyer (Renata Hesse)  now in the DOJ rammed through a change to the unconstitutional and repressive consent decrees that clearly benefits Google.

These people have become an existential threat to the livelihood of songwriters.  This is not hyperbole, the existence of a professional class of songwriters is in question, simply because one company, Google seems to want more money and power.   Doesn’t Google already have enough power and money?  How much more money and power do these assholes need?

Fortunately they may have gone too far this time.  I believe this now clearly warrants a congressional investigation of  Renata Hesse at the Department of Justice and her connections to former clients and fake public interests groups like Public Knowledge that are funded by her former clients.

This is especially important because the DOJ antitrust division has completely gone off the rails. It is not just failing to do its job it is making matters worse.  DOJ officials  are apparently too stupid (or too corrupt) to realize (or care) that the overbearing and unconscionable consent decrees are not enhancing competition but are having the opposite effect:

1.  Enriching and entrenching monopolies/monopsonies like Google.
2. Devastating songwriters revenues, which in turn is driving massive consolidation in the music publishing business.

I suggest you write your congressional representatives.  In your own words, tell them you are concerned about the appearance of corruption in the Department of Justice antitrust division.  Note that a former Google lawyer now DOJ official Renata Hesse has pushed through a change to the rules that restricts the rights of songwriters while benefitting Google.

http://www.house.gov/representatives/find/

“We find it troubling that you are asking for exemptions to the rules we apply to all developers and are publicly resorting to rumors and half-truths about our service,”-Bruce Sewell General Counsel Apple Inc in letter to Spotify.

Since the launch of Apple Music Spotify has been on a not so secret “lawfare” campaign against Apple by trying get federal, state and EU authorities to investigate Apple for antitrust violations.

As performers and songwriters you should be concerned about this for two reasons:

1. Apple Music as an all subscription service pays more than Spotify.
2. But more importantly, antitrust rules and laws as interpreted by the Department of Justice are now being routinely used to further entrench dominant companies like Amazon and to force creators to accept ridiculously low payments for their works.

The faulty logic is anything that results in lower prices to consumers is good.  This is not good, as it simply turns a monopoly into a “monopsony.”  And monopsonies can produce the same lack of competition by putting suppliers/producers out of business.  Apparently most DOJ antitrust attorneys are planning on being in private practice when the chickens come home to roost on this.  The perfect example of the latter is the recent DOJ rule change which would force songwriters to accept 100% licensing of their songs.   This creates a race to the bottom which benefits monopolies like YouTube but essentially creates a “maximum” wage for songwriters.

If Apple can put a dent in the use of antitrust as “lawfare” we should cheer them on.

Read more here:

https://www.buzzfeed.com/johnpaczkowski/apple-fires-back-at-spotify-for-asking-for-preferential-trea?utm_term=.jl0jNyV3yJ#.cqadz0VK0g

This is an open letter to songwriters from Warner/Chappell CEO Big Jon Platt on the unconstitutional Google DOJ ruling and unfunded mandate from former Google lawyer and Department of Justice official Renata B. Hesse:

Dear Songwriters,

As you may be aware, for the last two years, ASCAP and BMI have been in discussions with U.S. DEPARTMENT OF JUSTICE (DOJ) regarding the decades-old consent decrees that govern ASCAP’s and BMI’s licensing practices. The objective was to have the consent decrees amended and updated in order to make them more responsive to today’s fast-moving, and increasingly digital, music business. However, in a hugely disappointing decision, the DOJ has declined to implement any of the changes requested by ASCAP and BMI.

But what’s more, the DOJ has determined that the consent decrees require ASCAP and BMI to license their repertoire on a 100% basis. This means that any licensee would be able to obtain a license for 100% of any song from ASCAP or from BMI, even if that society only controls a small portion of the song. This determination is completely inconsistent with the manner in which ASCAP and BMI have issued public performance licenses and threatens to undermine the very system by which songwriters have, for many years, been compensated for the public performance of their songs. It is especially alarming that the DOJ has come to this determination despite the overwhelming concerns expressed by ASCAP, BMI, NMPA, publishers, songwriters and even the U.S. COPYRIGHT OFFICE. In JANUARY, the COPYRIGHT OFFICE advised that: “Such an approach would seemingly vitiate important principles of copyright law, interfere with creative collaborations among songwriters, negate private contracts, and impermissibly expand the reach of the consent decrees.”

Our loyalty – first and foremost – is always to you, our songwriters. Our understanding is that, because there are so many unanswered questions and implementation challenges, the DOJ is providing a one-year grace period for the industry to adapt to the DOJ’s new interpretation of the consent decrees. We are and will be working on your behalf, independently and with ASCAP, BMI and NMPA, to explore all available strategies to preserve and grow your public performance revenue in the face of the DOJ’s unfortunate determination.

At WARNER/CHAPPELL, the DOJ’s actions have only strengthened our resolve to find new revenue opportunities for our songwriters. As we move forward, we will keep you informed and we may ask you to lend your support to our efforts.

Yours sincerely,

JON PLATT
Chairman/CEO, WARNER/CHAPPELL

We can neither confirm nor deny a pinky ring was airbrushed from this photo

Rdio execs personally facing fraud allegations from Sony over the “prepackaged” bankruptcy and sale to Pandora, have filed an antitrust claim against Sony.  While we take no position on the merit of their charges, it certainly looks like another streaming company trying to use antitrust law to avoid scrutiny of their bad business practices.  At issue are the so-called  MFN (“Most Favored Nations”) agreements that create equal royalties for artists across streaming platforms and labels. These are tricky agreements and in some cases could be abused, but we’d have more sympathy for Rdio if they didn’t owe performers and songwriters millions when they went bankrupt.

Read the full story here:

http://www.hollywoodreporter.com/thr-esq/sony-music-investigated-by-rdio-908771